'Jesse Marley calls herself a realist; she’s all about the here and now. But in the month before Prince Charles and Lady Diana’s wedding in 1981, all her certainties are blown aside by events she cannot control. First she finds out she’s adopted. Then she’s run down by a motorbike.

'In a London hospital, temporarily unable to speak, she uses her left hand to write. But Jesse’s right-handed. And as if her fingers have a will of their own, she begins to draw places she’s never seen, people from another time—a castle, a man in medieval armour. And a woman’s face.

'Rory Brandon, Jesse’s neurologist, is intrigued. Maybe his patient’s head trauma has brought out latent abilities. But wait. He knows the castle. He’s been there.

'So begins an extraordinary journey across borders and beyond time, one that takes Jesse to Hundredfield, a stronghold built a thousand years ago by a brutal Norman warlord and passed down to the noble Dieudonné family, a clan honored and burdened with the task of protecting England’s dangerous northern border in the fourteenth century. Jesse holds the key to the castle’s many secrets and its connection to the mystical legend of the Lady of the Forest.

'Somehow Hundredfield, with its history of darkness and light, of bloody battles won and lost, will help Jesse find her true lineage. In a world where the tales of old are just a heartbeat away, there are no accidents. There is only fate.'

Source: Publisher's blurb.

'Big girls in 19th-century England don't cry in Graeme-Evans's light tale about a plucky heroine who endures a series of harsh trials on her way to becoming London's leading dressmaker.

'Things start to go south for curate's daughter Ellen Gowan on her 13th birthday, when the dress Connie, her mother, makes her, entices one of her father's students to steal a kiss. Scandal and ruination seem imminent when her father dies, forcing mother and daughter to seek refuge with Connie's sister, who lives in terror of her baronet husband. There, Ellen's friendship with her cousin, Oriana, blossoms, until once again a young man stirs trouble, and Connie and Ellen land in London, where Connie succumbs to illness and Ellen marries a cad who leaves her pregnant and alone.

'But with a little help from friends, family, and unlikely sources, Ellen becomes the go-to creator of "all manner of finery" for England's most prominent families.' (Trove)

Mirror, Mirror II was a sequel to Mirror, Mirror, but only in so far as both programs involved travel between two time periods through the agency of a magic mirror, allowing people who live in the same house at different times to interact with one another. The two programs were closely linked aesthetically, including identical title sequences. However, the programs had very little overlap in script-writers.

In this series, Daniel and Fergus McFarlane (from the late 1990s) and Constance de Lutrelle (fom the 1860s) travel between each others' time periods, experiencing culture shock from such events as sealing (in the 1860s) and school discos (in the 1990s). As with the original series, there is also a significant object over which the protagonists struggle: in this case, a mysterious crown.

When fourteen-year-old Jo Tiegan is given an antique mirror by a mysterious antique-shop owner in 1995, she finds she can travel through the mirror's surface into her bedroom as it was in 1919. She and the house's previous occupant, Louise Iredale, become firm friends, but find themselves caught up in two interlocking mysteries: the presence of a container of toxic chemicals in Louise's neighbour's well (which seriously injures two of Jo's classmates during an archaeological excavation in 1995) and the entrapment of Nicholas Romanov (the Tsesarevich Alexei Nikolaevich) by Louise's neighbour, who has smuggled him out of Russia in the hopes of selling him to the highest bidder.

Mirror, Mirror was a co-production between Australian-based Millennium Pictures (founded five years earlier by show creator Posie- Graeme-Evans) and New Zealand-based Gibson Group.

The program was successful and highly awarded, and was followed two years later by a loose sequel, which shares nothing with the original series but the basic premise of time travel through a mirror.

The Miraculous Mellops centred on the curious adventures of the Mellop children who, after the death of their mother, live at the Lazy Daisy Nursery with their father and aunt, but manage to get caught up in events of intergalactic significance. Series one centred on the search for the new Grand Baby, leader of the Moon, after the former Grand Baby's powers were accidentally fractured into ordinary objects in the Mellops' home. Series two concerned the intergalactic threat offered by the Grubs, who turn anything into their path into toffee before devouring it.

When Jools Trevaller's parents announce that the city is becoming too dangerous and that they're moving to a rundown former staging inn in the small town of Waterloo Creek, Jools is furious. But the house is already occupied by the ghost of a girl called Elly Lockett, who died mysteriously in the nineteenth century. Only Jools can see Elly, and they form a strong friendship as they seek to understand exactly how and why Elly died and where her body lies. Neither realises that once the mystery is solved, they'll be parted forever.

'Series based around the fortunes of the fictional rock band The Takeaways.'

Source: Australian Television Information Archive. (Sighted: 3/12/2013)