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Elizabeth Tan Elizabeth Tan i(A69805 works by)
Born: Established: 1988 Perth, Western Australia, ;
Gender: Female
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Works By

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1 Mother of Pearls Elizabeth Tan , 2023 single work short story
— Appears in: Griffith Review , no. 82 2023;
1 The Smaller of Two Tomatoes Elizabeth Tan , 2022 single work short story
— Appears in: New Australian Fiction 2022 2022; (p. 1-12)
1 Elizabeth Tan Elizabeth Tan , 2021 single work correspondence
— Appears in: Dear Mum 2021;
1 11 y separately published work icon Smart Ovens for Lonely People Elizabeth Tan , Sydney : Brio Books , 2020 18436130 2020 selected work short story

'Conspiracies, memes, and therapies of various efficacy underpin this beguiling short-story collection from Elizabeth Tan.

'In the titular story, a cat-shaped oven tells a depressed woman she doesn’t have to be sorry anymore. A Yourtopia Bespoke Terraria employee becomes paranoid about the mounting coincidences in her life. Four girls gather to celebrate their underwear in ‘Happy Smiling Underwear Girls Party’, a hilarious take-down of saccharine advertisements.

'With her trademark wit and slicing social commentary, Elizabeth Tan’s short stories are as funny as they are insightful. This collection cements her role as one of Australia’s most inventive writers.'

Source: Publisher's blurb.

1 Elizabeth Tan Elizabeth Tan , 2019 single work correspondence
— Appears in: Dear Dad 2019;
1 1 y separately published work icon In This Desert, There Were Seeds Elizabeth Tan (editor), Jon Gresham (editor), Witchcliffe : Margaret River Press , 2019 17278202 2019 anthology short story

'Endangered tigers connecting telepathically through time-travel; a guard’s ethical dilemma at a history museum; a slaughterhouse worker’s memories of his dead wife; a monochrome town upended by a wild watermelon…

'In This Desert, There Were Seeds is an intimate collection of past and future dreams, featuring exciting new and established literary voices from Western Australia and Singapore. From our shifting sense of community and identity, to our frustrations with existing political, social and economic structures — this anthology transcends boundaries and captures the persistence of ordinary lives in deserts literal and metaphorical.'

Source: Publisher's blurb.

1 Excision in F-sharp Minor Elizabeth Tan , 2018 single work short story
— Appears in: Overland , Summer no. 233 2018; (p. 54-60)
1 Washing Day Elizabeth Tan , 2018 single work short story
— Appears in: Mascara Literary Review , June no. 22 2018;
1 Shirt Dresses That Look a Little Too Much like Shirts so That It Looks like You Forgot to Put on Pants (love Will Save the Day) Elizabeth Tan , 2018 single work prose
— Appears in: The Lifted Brow , March no. 37 2018; (p. 105-107) Best Summer Stories 2018; (p. 39-46)

'We need to have a talk with the girls in the office about the uncomfortable liminality of the tops they wear over their leggings. It is becoming extremely distracting, the ontological indeterminacy of their fashion. Is it a blouse? Is it a tunic? Is it a dress? These troubling questions are not conducive to productivity in the workplace.' (Introduction)

1 A Life Passing Elizabeth Tan , 2017 single work prose
— Appears in: Westerly , vol. 62 no. 2 2017; (p. 291-294)
1 Happy Smiling Girls Underwear Party Elizabeth Tan , 2017 single work short story
— Appears in: Review of Australian Fiction , vol. 23 no. 2 2017;
1 Mounting Sexual Tension Between Two Long-Time Friends; Tom Knows That Ant Is A Spy But Ant Doesn’t Elizabeth Tan , 2017 single work short story
— Appears in: Tincture Journal , Winter no. 18 2017; (p. 16-30)
1 A Girl Is Sitting on a Unicorn in the Middle of the Shopping Centre Elizabeth Tan , 2017 single work short story
— Appears in: Pencilled In , no. 1 2017; (p. 30-32)
It's Monday and Myer is having the greatest stocktake sale of all time, and a giant backlit poster of Miranda Kerr smiles indulgently with a wrist of pearls, and the shopping centre is flooded with daylight and hope. There is a girl sitting on a unicorn in the middle of the shopping centre and the artificial trees are green and shimmering and the lady at the makeup counter waits with an armful of flyers and a cherry-flavoured smile. (Introduction)
1 Goodnight, Sleep Tight Elizabeth Tan , 2017 single work short story
— Appears in: Seizure [Online] , April 2017;
1 5 y separately published work icon Rubik Elizabeth Tan , Surry Hills : Brio Books , 2017 10868527 2017 single work novel fantasy

'Elena Rubik can’t seem to stay dead. She persists: as a set of corneas, as a newsletter subscriber, as a member of fanfiction forums. Her best friend Jules Valentine meanwhile is unwittingly inveigled into an indie-film turned corporate branding stunt. When Jules leaks information about the true story behind the video – by then an overworked viral meme – wannabe investigative reporter April Kuan is assigned the case. But as April trails Jules all over Perth she too becomes ensnared in the machinations of shady corporate interests as the very laws of physics and time begin to bend.

'Rubik is a wide-ranging, brilliantly intertwined novel-in-stories that slip outside the borders of realism. Spotted with disappearances, mysteries and told with a sharp-edged wit and cutting social commentary, it is an original and ingenious reflection of technological anxiety, loneliness and connectivity in the internet age.' (Publication summary)

1 y separately published work icon Kanganoulipo Ryan O'Neill , Julie Koh , Tom Cho , Eric Dando , Dave Drayton , Patrick Lenton , Nicolas Low , Jeffrey D. Phillips , Jane Rawson , Robert Skinner , Elizabeth Tan , William Yeoman , Australia : 2016-2017 24908180 2016 website prose The website of an experimental writing showcase.
1 Coca-Cola Birds Sing Sweetest in the Morning Elizabeth Tan , 2016 single work short story
— Appears in: The Best Australian Stories 2016 2016; (p. 155-163) Overland , Autumn no. 222 2016; (p. 48-55)
'But Audrey is partial to the Panasonic birds, a cheaper but no less handsome variety; they acknowledge the dawn without extravagance, pip pip pip pip pip, little notes of fixed widths, such deft, even spacing. They are not meant to be here in the city; Audrey suspects they have migrated from Russet Hill, a network over a hundred kilometres away, renowned for wildflowers. The birds have a talent for evasion, as Audrey has never seen them at the reassignment plant; just as well, perhaps, for to crack open such a tender body, to see the inert parts that produce the sound of her dawn - it would surely be an act of violence. Audrey slips into the morning - or perhaps the morning slips into her, like a suggestion, pip pip pip pip pip - opens her eyes to a crisp blue sky, so bleeding-edged in its clarity. It is the kind of sky that reminds her that she was once loved.' (Introduction)
1 This Is Not a Treehouse Elizabeth Tan , 2016 single work short story
— Appears in: Westerly : New Creative , 26 September 2016; (p. 41-47)
1 Pikkoro and the Multipurpose Octopus Elizabeth Tan , 2013 single work short story
— Appears in: The Lifted Brow , no. 16 2013; (p. 16-19)
1 The Last Good Town Elizabeth Tan , 2013 single work short story
— Appears in: Epilogue 2013; (p. 200-230)
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