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Rebekah Clarkson Rebekah Clarkson i(A68689 works by)
Born: Established: Karoonda, Karoonda - Peebinga area, Mallee area, Murray - Mallee area, South Australia, ;
Gender: Female
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Works By

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1 My Two Sons, for Winifred Rebekah Clarkson , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Boundary Lines Rebekah Clarkson , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Doing Collective Biography Differently by Incorporating Methods of Narrative Inquiry, Poetic Inquiry and Performance Studies into the Analysis of Writings-as-data Chloe Cannell , Elena Spasovska , Yuwei Gou , Alice Nilsson , Rebekah Clarkson , Corinna Di Niro , Nadine Levy , Amelia Walker , 2020 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 59 2020;
'This article reports on methods used to analyse creative writings as data in a collective biography research project undertaken by eight academics. All of us bear broadly feminist and/or queer outlooks, and all experience deep dissatisfaction with neoliberalism’s deepening on academia. We came together to witness shared struggles and imagine things otherwise. As outlined in Doing Collective Biography (Davies & Gannon 2006), collective biographers respond to themed writing prompts in a group workshop setting. The writings become data that the team analyses to generate, enrich and transform knowledges around the research theme. We followed these processes, but did collective biography differently by additionally incorporating analysis methods of narrative inquiry, poetic inquiry and performance studies. This article discusses the benefits and challenges these methods offered. Our objective is to share our learning with other researchers interested in pursuing similar projects.' (Publication abstract)
1 Becoming-game : An Assemblage of Perspectives on Challenges for Early Career Academics in Neoliberal Times Corinna Di Niro , Amelia Walker , Alice Nilsson , Rebekah Clarkson , Yuwei Gou , Elena Spasovska , Nadine Levy , Chloe Cannell , 2020 single work drama
— Appears in: TEXT Special Issue Website Series , October no. 59 2020;
'Our script Becoming-game is an assemblage in the spirit of Deleuze and Guattari’s (1987) concept of the assemblage as a contingent formation of elements that could equally be separate, differently formed and/or combined with other things altogether. It comprises fragments of our distinct creative writings around the theme of games from a collaborative creative writing research project in which we – eight academics from differing backgrounds, all bearing broadly feminist and/or queer outlooks – came together to share and compare our experiences and perspectives with the aim of realising strategies we can engage to resist inequality in and beyond academia today. Performing our assemblage enriched our appreciation of the multiple themes running in and across our writings – and thus of the complex games played in and through neoliberal academia. Theatre researcher and practitioner Di Niro directed our collective in translating the creative piece to a theatrical medium. We performed Becoming-game at the JM Coetze Centre’s ‘Scholarship is the New Conservative’ Symposium on 6 September 2019. Overall, this collaborative work speaks to games of power and privilege, especially although not only those of gender and late capitalist modes of production.' (Publication abstract)
1 Journal, Easter Monday 2020 Rebekah Clarkson , 2020 single work prose
— Appears in: TEXT Special Issue Website Series , April no. 58 2020;
1 Valentine’s Day Rebekah Clarkson , 2018 single work short story
— Appears in: Kill Your Darlings [Online] , March 2018;
1 A Third World Condition Rebekah Clarkson , 2017 single work short story
— Appears in: Review of Australian Fiction , vol. 24 no. 2 2017;
1 The Honesty Window Rebekah Clarkson , 2017 single work short story
— Appears in: Griffith Review , no. 55 2017; (p. 289-306)
'A small printed card offered extra towels, if they should need them. They hadn't been provided in the first instance, Leah read, because the guesthouse was eco-friendly. The card was cream coloured, expensive and embossed with an unfamiliar font. Leah rubbed the corner between thumb and forefinger, tilting her head to one side. Normally, she could pick card stock with her eyes closed. Oh well: she propped it back on the marble bathroom vanity, angled just so. In the mirror she caught a glimpse of her wrist tattoo, old and shabby, the black heart more blue smudge these days. She rotated her forearm back and forth, watching the tattoo appear and disappear in the mirror, like it belonged to someone else, someone a long way from here...' (Publication abstract)
1 4 y separately published work icon Barking Dogs Rebekah Clarkson , Melbourne : Affirm Press , 2017 10771916 2017 single work novel

Everybody thinks they know this story. But do they really?

If you took a bird’s-eye view of Mount Barker, you’d see ordinary Australians living on their ordinary suburban blocks in an ordinary regional town. Get closer. Peer through a window. You might see Nathan Long, obsessively recording the incessant bark of a neighbourhood dog, or the Wheeler family sitting down for a meal and trying to come to terms with a shocking discovery. If you listen, you may hear tales of fathers and their wayward sons, of widows who can’t forgive themselves, of children longed for and lost, of thwarted lust and of pure, incorruptible love. Within the shadows is an unspeakable crime.

Rebekah Clarkson has created a compelling, slow-burning portrait of a town in the midst of major change as it makes the painful transformation from rural idyll to aspirational suburbia. What looked like redemption is now profound loss. What seemed spiteful can now be forgiven

(Publication Summary)

1 Something Special, Something Rare Rebekah Clarkson , 2014 single work short story
— Appears in: The Best Australian Stories 2014 2014; (p. 145-159) Something Special, Something Rare : Outstanding Short Stories by Australian Women 2015; (p. 218-236)
1 Best Defence Rebekah Clarkson , 2014 single work review
— Appears in: Australian Book Review , February no. 358 2014; (p. 24)

— Review of The Best Australian Stories 2013 2013 selected work short story
1 y separately published work icon Dancing on Your Bones Rebekah Clarkson , Strawberry Hills : Spineless Wonders , 2014 11447670 2014 single work short story

''This was what you wanted: to have somewhere you were meant to be.'

'Donna is struggling with change. After moving into a new town, seeing her daughter start school and getting a job with the local drop-in centre, she feels more mixed up and out of place than her five-year-old. Life is complicated. There is the seemingly impenetrable kindy mother’s group, the bottles of Grange her husband keeps receiving from property developers and the erotic dreams she is having about her new boss.'

Source: Publisher's blurb.

1 The Five Truths of Manhood Rebekah Clarkson , 2013 single work short story
— Appears in: Australian Book Review , October no. 355 2013;
1 Raising Boys Rebekah Clarkson , 2012 single work short story
— Appears in: Southerly , vol. 72 no. 3 2012; (p. 150-161)
1 Barking Dogs Rebekah Clarkson , 2011 single work short story
— Appears in: Wet Ink , no. 23 2011; (p. 83-88)
1 My 53rd Summer My Fifty-Third Summer Rebekah Clarkson , 2010 single work short story
— Appears in: The Adelaide Review , April no. 362 2010; (p. 14-15)
1 Morning Tea Rebekah Clarkson , 2008 single work short story
— Appears in: Etchings , no. 4 2008; (p. 32-39)
1 When I Woke Up, It Was Happening. The Big Thing Rebekah Clarkson , 2006 extract short story (My Eighth Autumn)
— Appears in: The Advertiser , 23 December 2006; (p. 4)
1 My Eighth Autumn Rebekah Clarkson , 2006 single work short story
— Appears in: Etchings , no. 1 2006; (p. 109-115)
1 The Curse Rebekah Clarkson , 2002 single work short story
— Appears in: Forked Tongues : A Delicious Anthology of Poetry and Prose 2002; (p. 45-50)
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