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Kam Louie Kam Louie i(A63642 works by)
Gender: Male
Heritage: Chinese
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Works By

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1 y separately published work icon Diasporic Chineseness after the Rise of China : Communities and Cultural Production David M. Pomfret (editor), Kam Louie (editor), Julia Kuehn (editor), Vancouver : UBC Press , 2013 7041810 2013 anthology criticism
1 Returnee Scholars: Ouyang Yu, the Displaced Poet and the Sea Turtle Kam Louie , 2007 single work criticism
— Appears in: Bias : Offensively Chinese/Australian : A Collection of Essays on China and Australia 2007; (p. 249-263)
1 Decentring Orientalist and Ocker Masculinities in Birds of Passage Kam Louie , 2005 single work essay
— Appears in: Culture, Identity, Commodity : Diasporic Chinese Literature in English 2005; (p. 183-204)
1 1 y separately published work icon Culture, Identity, Commodity : Diasporic Chinese Literature in English Tseen-Ling Khoo (editor), Kam Louie (editor), Hong Kong : Hong Kong University Press , 2005 Z1266644 2005 anthology criticism essay This collection of critical essays by twelve authors is distributed equally within four thematically titled sections: 'Commodifying Desires', 'Diasporic Re-Visitations', 'Sexing Diaspora' and 'The "Other" Self'.
1 From Orientalists to Bent Bananas : Research in Chinese Literature in the Last 50 Years Kam Louie , 2003 single work criticism
— Appears in: Aumla , November no. 100 2003; (p. 50-60)
Includes discussion of Chinese language writing published in Australia.
1 Floating Life : Nostalgia for the Confucian Way in Suburban Sydney Kam Louie , 2003 single work criticism
— Appears in: Chinese Films in Focus : 25 New Takes 2003; (p. 97-103)
1 1 y separately published work icon Theorising Chinese Masculinity : Society and Gender in China Kam Louie , Cambridge : Cambridge University Press , 2002 Z988565 2002 single work criticism
1 I Married a Foreigner : Recovering Chinese Masculinity in Australia Kam Louie , 2001 single work criticism
— Appears in: Otherland , no. 7 2001; (p. 39-56)
The author 'examine[s] the constructions of masculinity in one interface between East and West - in the Chinese diaspora.' He uses texts by Chinese students including The Year the Dragon Came (1996) and Bitter Peaches and Plums (1995). He discusses the anthology Qu ge Wai guo Nu ren zuo Tai tai (1993) and specifically Wu Li's title story, in depth to refute journalist Paul Sheehan's arguments against Chinese immigration to Australia.
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