AustLit

The narrator sets out her passionate obsession with her ex-lover, Catherine.

'Song in the Grass is Kate Fagan’s most personal collection to date. Each of its five sequences moves out in a widening circle from where the poet is standing in life. The collection is an almanac of significant changes; in particular, new lives begun in the Blue Mountains during a transfiguring time of parenthood, against a backdrop of climate uncertainty.

'A precise language of environmental observation is braided into stories of family and kin networks. Careful descriptions of place anchor this collection in ecological watchfulness. Birds are sentinel to environmental change, and symbols of spiritual transformation. Song in the Grass includes over sixty different species of endemic or migratory Australian birds.

'Archival practices of all kinds ― what one poem describes as 'a lyrical index' ― offer touchstones for this sonically rich collection, in which poetry becomes a way of sustaining love over distance, a collective music, and a compass for navigating in-common emergencies.' (Publication summary)

'Naag Mountain is a journey across oceans, from the Asian subcontinent to the South Seas, a journey about human trafficking on sugar plantations in Fiji and Australia, which brings to life the histories and events, the stories and myths of a displaced and exploited people, that have been lost in time or forgotten or hidden from view. It is a journey in which the living, the dead and the natural world communicate in music, language and dream.

'Manisha Anjali’s first collection is an intensely imagined recovery of a little-known cultural inheritance, in which historical figures, folk characters and mythical entities feature in a procession coloured by the metaphors of poetry and the surrealism of dreams. A community in northern Queensland, whose ancestors were indentured by the Colonial Sugar Refining Company, receive messages from their friends across the Tasman. A mysterious reel of film washes ashore, depicting harrowing violence on sugarcane plantations under the indenture system. The actors walk out of the film and into the world of the living. The community walk into the projection.' (Publication summary)

'A poetry collection which is part criticism, part autobiography, and always acute in its recollection of the emotions inspired by television drama

'In her new collection Television, award-winning poet Kate Middleton considers the emotional impact that television programs had on her formative years ― from childhood cartoons Astro Boy and Roadrunner to series like Pretty Little Liars, Buffy the Vampire Slayer, Twin Peaks and Beverly Hills 90210. These were ‘the shows I watched to cry, to feel/ the hot gash angst of teenaged-ness’. In poems that expand like mini-essays, the poet explores the feelings evoked by these shows, the shame and longing, the regret and desire, and the different kinds of identification they encouraged, especially in a teenage girl. But the focus is also on the poet as an adult, thinking back over her adolescent responses, about the ways in which television plays with time and reality, and the extent to which its jumble of images reflects her own multi-faceted consciousness, if it hasn’t in fact formed it ― ‘the one whose interests are too voluminous, the one who tries/ to write deeply into one idea and is instead immediately/ tugged sideways…I try to do too much and/ my attention shatters, ricochets among ruins’.' 

'In 2023 the Sydney Review of Books celebrates a decade online and the publication of more than a thousand essays and longform reviews of Australian and international literature. Over these ten years the SRB has cleared a unique space for serious reflection on literature and for critical thinking about our culture more broadly. The journal has been shaped by the diverse aesthetic, political and critical dispositions of our contributors, each of whom has different questions to ask contemporary literature. As they’ve asked these questions, they’ve guided a bold and independent public conversation about literature, and especially about the many forms of Australian literature.

'Critic Swallows Book brings together twenty-two essays that together demonstrate the eclecticism of the Sydney Review of Books. It includes essays on decolonising Australian literature and revisiting the classics, on blockbuster fiction and book-length poetry, on modernism in the Antipodes and reading during the pandemic. Essays on Susan Sontag and Rita Felski sit alongside critical considerations of Murray Bail and Joan London, of Evelyn Araluen and Samia Khatun.

'Contributors: Timmah Ball, Paola Balla, Alix Beeston, Tegan Bennett Daylight, Andrew Brooks, Bonny Cassidy, Mridula Nath Chakraborty, Tom Clark, Ali Cobby Eckermann, Ben Etherington, Ross Gibson, Ivor Indyk, Yumna Kassab, Louis Klee, Jeanine Leane, James Ley, Catriona Menzies-Pike, Drusilla Modjeska, Alys Moody, Suneeta Peres da Costa, Oliver Reeson.' (Publication summary)

'It’s 2022 and Helen is starting again. Newly single, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: a zine maker working on a punk music archive; an activist writing about Australian anti-communism; a research scientist striving to put down roots; and a part-time rugby league player who has one chance to play for his country before retirement. Each is looking to build a future, each is haunted by their recent past.' (Publication summary)

'Powerful debut which interrogates the nature of love in its various forms

'From poems of desire and sexual longing to poems of love in the face of death, The Cyprian explores the joy and heartbreak love weaves into our lives. The collection confronts some of our primary questions about love: how is it possible to accept the death of the beloved? What role does deception play in love? When does love become a force of exploitation? The collection is composed of five parts, reflecting the different aspects of Aphrodite, the goddess of love and beauty — a complexity which is also implicit in the ambiguity of the book’s title, ‘the Cyprian’.

(Publication summary)

'The poems in In the Photograph unfold in domestic and suburban settings. They capture the exact moment of writing: how, from it, possibilities branch out into observation, memory, word play, analogy, fantasy, other artworks and other art forms. Cinema, photography, theatre, painting and music all move freely in and out of the poem’s frame.

'The writing revels in humour and narrative surprise: twists in syntax, jump cuts in time, jump cuts from one category of experience into another. In the Photograph is intimate, familial, often moving; it is also sparklingly clever and alert to the imaginative possibilities that can open out from the minutiae of days.' (Publication summary) 

'A family saga narrated in multiple voices and laced with archival fragments and scholarly interjections, Chinese Fish offers an intimate glimpse into the lives of women and girls in a community that has historically been characterised as both a ‘yellow peril’ menace and an exotic ‘model minority’.'(Publication summary)

'In Melbourne a one-time research student with interests in philosophy and psychology is diagnosed with her third episode of psychosis. As she is moved from her family home to a community house and then to hospital, she questions the diagnosis of her sanity or insanity, as determined and defined by a medical model which seems less than convincing to her. Indeed questioning seems to be at the heart of her psychosis, in her over-active interpretations of signs and gestures, thoughts and emotions – and one understands these to be an expression of her intelligence, even if they seem illusory. She tells her story in a calm, rational voice, with an acute sense of detail and an objective air, as she wonders when the next psychotic episode will materialise, or if it hasn’t arrived already.

'Based on real-life events, translated from Bengali by the award-winning Indian translator Arunava Sinha, Hospital is an extraordinary novel that portrays the experience of psychosis and its treatments in an unflinching and understated way, while struggling more broadly with the definition of sanity in our society.' (Publication summary)

'The new novel from the internationally acclaimed, award-winning Australian author Alexis Wright, in a limited edition hardcover.

'Praiseworthy is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.' (Publication summary)

'Intense, dramatic, theatrical – an important new poetry collection which draws its strength from its confrontation with grief and mourning.

'As its title suggests, the poems in Autumn Royal’s The Drama Student explore theatrical responses to life. And in particular, the staging of the emotional life. The subject, a student of experience, and a writer with an uncertain future, feels her vulnerability and dependency. Grief is paramount among her emotional responses, provoked by hauntings of violence, the death of loved ones, the failure of relationships, the disappointment of her aspirations. The great fear: ‘I am threatened / with an exceptional ability and no means / of expression.’ The theatre provides those means, the expressive gestures, the subversion of typecast roles, the transformation of domestic objects into props for the performance of self, and the richness of language. Royal’s use of the elegiac form offers no answers, only the hope of tearing open conventional understandings of loss and insecurity, as it invokes a tradition of women poets and thinkers.' (Publication summary)

'Community radio host Ciara receives dozens of unmarked cassette recordings every week and broadcasts them to a listenership of none. Ex-musician Tom drives an impractical bus that no one ever boards. Publican Jenny runs a hotel that has no patrons. Rick wanders the aisles of the Woolworths every day in an attempt to blunt the disappointment of adulthood.

'In a town of innumerable petrol stations, labyrinthine cul-de-sac streets, two competing shopping plazas, and ubiquitous drive-thru franchises, where are the townsfolk likely to find the truth about their collective past – and can they do so before the town disappears?

'Shaun Prescott’s debut novel The Town follows an unnamed narrator’s efforts to complete a book about disappeared towns in the Central West of New South Wales. Set in a yet-to-disappear town in the region—a town believed by its inhabitants to have no history at all—the novel traces its characters’ attempts to carve their own identities in a place that is both unyielding and teetering on the edge of oblivion.'

Source: Publisher's blurb.

'Harvest Lingo is the fourteenth collection of poems by Lionel Fogarty, a Murri man with traditional connections to the Yugambeh people from south of Brisbane and the Kudjela people of north Queensland. He is a leading Indigenous rights activist, and one of Australia’s foremost poets, and this collection displays all of the urgency, energy and linguistic audacity for which Fogarty is known.

'At the centre of the collection is a series of poems written in India. Deeply empathetic, these poems are remarkable for the connections they draw between the social problems the poet encounters in this country poverty, class division, corruption and those he sees in contemporary Australia, besetting his own people.

'Other poems tell of encounters between people and between cultures, address historical and cultural issues and political events, and pay tribute to important Indigenous figures. There are intensely felt lyrics of personal experience, and poems which contemplate Fogarty’s own position as a poet and an activist, speaking with and for his community.

'Fogarty’s poems are bold and fierce, at times challenging and confronting, moved by strong rhythms and a remarkable freedom with language. They are an expression of the ‘harvest lingo’ which gives the collection its title.' (Publication summary)