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Claire Gaskin Claire Gaskin i(A5549 works by) (birth name: Claire Marita Gaskin)
Born: Established: 1966 Melbourne, Victoria, ;
Gender: Female
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Works By

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1 Poetry as Presence : Working with Personae Claire Gaskin , 2023 single work essay
— Appears in: Axon : Creative Explorations , November vol. 13 no. 2 2023;

'This piece adopts the voice of public declaration to assert poetic practice as survivable resistance to abuses of power. It proposes that poetry is the best means to identify, expose and reconfigure what is implicit in dominant discourses that discredit the way a survivor of sexual assault may communicate. It is found that a poetic use of language that is allusive, evocative and associative can reinvigorate annihilated perspectives so as to add them to public discourse. Poetic methods can be employed to resist and subvert the supposed supremacy of linear and logical narrative structures considered essential for sense making and validity. Furthermore, they can be employed to excavate family and state histories to resurrect, sometimes from fragments, the perspectives of those that have been silenced.' (Publication abstract)

1 Ismene Reads Her Psych's Book on Dissociation i "the mattress holds the heat of the mind haunted", Claire Gaskin , 2023 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 2 2023; (p. 104-105)
1 A Line Sent i "my suffering is the bridge that doesn't reach the other side", Alison J. Barton , Claire Gaskin , 2023 single work poetry
— Appears in: Rabbit , 37 2023; (p. 52-57)
1 Writing + Boxing = Left / Write // Hook Donna Lyon , Claire Gaskin , Gabrielle Everall , 2022 single work criticism
— Appears in: TEXT Special Issue , no. 67 2022;
'This paper will focus on the (dis)embodied experiences of three rape and incest survivors who were part of the creative arts and sports intervention program, Left / Write // Hook. It suggests their understanding of self is a lived and (dis)embodied space in which they can creatively and reflexively re-tell, re-claim, and re-story their experiences of disconnection and shame associated with their trauma. Left / Write // Hook combines two acts; writing to a prompt, followed by non-contact boxing. The program ran in 2020 as part of a University of Melbourne creativity and wellbeing research initiative, targeting female survivors of childhood sexual abuse and trauma. About the program, founder Donna Lyon says: “The attempt to give expression to hidden and silenced thoughts and memories came through the act of writing, then boxing, to embody and release the emotion”. This paper observes the way that the process of writing informs trauma, trauma informs writing, and the embodied act of boxing informs the movement of stored trauma in the body. This article incorporates personal writing which recounts the experiences of these participants.' 

(Publication abstract)

1 (Sonnets) 12 – 13 i "but they have lost their faces", Claire Gaskin , 2021 single work poetry
— Appears in: Australian Poetry Journal , vol. 11 no. 2 2021-2022; (p. 45-48)
1 Bush Rat i "She had been pet minding the kittens we had rescued she was sitting on the couch with a bush", Claire Gaskin , 2021 single work poetry
— Appears in: Social Alternatives , October vol. 40 no. 3 2021; (p. 31)
1 Forking River i "When the rain hits the memories jump like fish out of the tarmac and the city is shrouded in", Claire Gaskin , 2021 single work poetry
— Appears in: Social Alternatives , October vol. 40 no. 3 2021; (p. 31)
1 Ismene Loves i "to love is to truly have survived", Claire Gaskin , 2021 single work poetry
— Appears in: Rochford Street Review , 5 5eptember no. 32 2021;
1 2 y separately published work icon Ismene's Survivable Resistance Claire Gaskin , Glebe : Puncher and Wattmann , 2021 22928853 2021 selected work poetry

'In this fourth major poetry collection, Claire Gaskin re-envisions the myth of Antigone by focusing on her sister Ismene. Assuming the voice of a contemporary Ismene, she asks us to consider what survivable resistance might look like for those who live on after tragedy? What kind of avenues are available to resist autocratic and patriarchal structures of power? How might we imagine a future that is different to our past and instigate real change at both a personal and public level?

'Ismene’s accommodation of and respect for difference is privileged in these poems, as is her credo of care in situations that seem overwhelmingly difficult or impossible: ‘remember those who love you love you still’. The poems identify and expose inner and outer silencing devices and refuse to be silenced. Powerfully evocative and cumulative in its reflective intensity, Ismene’s Survivable Resistance demonstrates how creative engagement can enable connections between the seemingly fragmentary and how poetic form not only provides a crucial means to hear those who have survived abuses of power but can also be the vehicle for change.'(Publication summary)

1 y separately published work icon Australian Poetry Journal vol. 11 no. 1 Stuart Barnes (editor), Claire Gaskin (editor), 2021 22599589 2021 periodical issue poetry 'For this issue of APJ we read, with exhilaration and appreciation, more than 700 poems—the sort of ‘proper work’ Mary Oliver talks about in her poem ‘Yes! No!’—by emerging, mid-career and established poets familiar and unfamiliar, from across Australia and beyond. We considered free verse and formal poems (sestinas, a cento pantoum, a centocartography), as well as prose, concrete and ekphrastic poems.' (Editorial introduction)
1 Ismene’s Patent Foramen Ovale Closure i "was I just a plot device in Antigone’s story", Claire Gaskin , 2021 single work poetry
— Appears in: Overland [Online] , March 2021;
1 Ismene After the Royal Commission i "the truth is I went back", Claire Gaskin , 2021 single work poetry
— Appears in: Overland [Online] , March 2021;
1 2 y separately published work icon Eurydice Speaks Claire Gaskin , Melbourne : Hunter Publishers , 2021 20981570 2021 selected work poetry 'Eurydice Speaks is a linked sonnet series echoing the voices that emerge from the Underworld. A contemporary Eurydice uses the power of language to process her constraints and losses, reflected in strategies of transformation that focus on the dynamic between iteration and change. Fragments of being and transitory insights, like broken pieces of mirror within the architecture of the sonnet, reflect and distort, to deepen, intensify and reinforce connectivity. This collection illustrates the evocative, associative and allusive power in the methods of poetry, to know and be known, to feel and be felt, to gather and cohere.' (Publication summary)
 
1 Manemeet i "while the water is still warm", Claire Gaskin , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020-2021; (p. 95)
1 Ahead i "The truth of where I am now is an axe in ice. Bach in the dark of migraine mountain. The", Claire Gaskin , 2020 single work poetry
— Appears in: Stilts , September no. 8 2020;
1 Same Purr Claire Gaskin , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020; (p. 139)
1 Ismene in a Twelve Step Programme i "I can tell you about powerlessness", Claire Gaskin , 2020 single work poetry
— Appears in: Rabbit , June no. 30 2020; (p. 28-30) Rochford Street Review , 5 5eptember no. 32 2021;
1 Present at an Event i "what witness is pulled down with the blinds", Claire Gaskin , 2019 single work poetry
— Appears in: Rabbit , no. 27 2019; (p. 86-88)
1 Constancy i "my compliance cannot be bought", Claire Gaskin , 2018 single work poetry
— Appears in: Hope for Whole : Poets Speak up to Adani 2018; (p. 52)
1 Ismene’s Thirst i "in this binary library", Claire Gaskin , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 May no. 86 2018; Rochford Street Review , 5 5eptember no. 32 2021;
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