AustLit

'Life's going down the gurgler for romance writer Lisa Trumperton. The deadline for her next novel is looming, her daughter won't eat but has a new tattoo each week, and now her Wall Street trader husband has run off with a woman at work.

'Lisa makes a quick escape, home to Australia, where at least her girl-magnet son seems to be making hay. Determined to grow older disgracefully, she turns her back on a trim and tidy townhouse that is close to shops, aged-care providers and her bossy older sister, instead buying a grand old house in the country that once belonged to her great-grandfather.

'But like its new owner, Trumperton Manor has seen better days. Crumbling, filthy and possibly haunted, the old house defies Lisa's attempts to restore it. Add flood, fire and family secrets, plus a stray cat with attitude and an overly familiar handyman, and the cracks begin to show. . .

'Richly observed and laugh-out-loud funny, Tumbledown Manor is for anyone who believes it's never too late for a makeover.' (Publication summary)

'Is it possible to be too much in love? After ten years in London, Martin Blackman returns to Adelaide with his wife and fellow psychiatrist Lucy, blissfully happy. But then he introduces her to his old friend Felix, once a brilliant surgeon, now barred from practising and changed beyond recognition. In the complex triangle that develops, Martin must decide just how far he is prepared to go for Felix. So begins the darkest of journeys for all three of them...' (Publication summary)

'Against the backdrop of Darwin, that small, tropical hothouse of a port, half-outback, half-oriental, lying at the tip of northern Australia, a young and newly arrived southerner encounters the 'maestro', a Viennese refugee with a shadowed past. The occasion is a piano lesson, the first of many... ' (Publication summary)

'He is a failed writer turned diplomat, an anarchist learning the value of discipline. He moves in a world which takes him from the Australian wilderness to the conference rooms of Vienna and Geneva; from the whore-house to warzone he feels the pull of the genetic spiral of his ancestry. At the sharp axis of his mid-life he scans the memorabilia of his feelings in the hope of giving answers. In his first full-length novel Moorhouse presents a roving, dissatisfied man entering middle age in a house-of-mirrors portrait: fragmentary and multifaceted. Sean, a hard-drinking, hard-living Australian, has just turned 40; the other half of the title refers to a precocious schoolgirl who is one of his many liaisons. The most important of the other women who drift into and out of his life include his ex-wife Robyn, now unflinching in the face of cancer; Belle, Sean's fellow sexual adventurer; and Edith Campbell Berry, an aging iconoclast whom Sean encounters in Vienna and Israel. Forty-Seventeen is told with characteristic Moorhouse style — candid, wryly insightful and morbidly comic— and, in this resonant and acclaimed book, achieves a new virtuosity.' (Publication summary)