AustLit

'The false cold of the theatre makes it hard to imagine the heavy wind outside in the real world, the ash air pressing onto the city from the nearby hills where bushfires are taking hold.

'The house lights lower. 

'The auditorium feels hopeful in the darkness. '

'As bushfires rage outside the city, three women watch a performance of a Beckett play.

'Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.

'As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.' (Publication summary)

'The Shepherd’s Hut follows Jaxie, who flees his sleepy hometown and abusive father and heads north ‘for the only person in the world who understands him’. Jaxie ‘traverses the vast, bare West Australian wheatbelt, heading towards the abandoned goldfields, staying out of sight long enough to reach the refuge of the salt country at the edge of the desert’. ' (Publication summary)

'‘Her name is Sammy Went. This photo was taken on her second birthday. Three days later she was gone.’

'On a break between teaching photography classes, Kim Leamy is approached by a stranger investigating the disappearance of a little girl from her Kentucky home twenty-eight years earlier. He believes she is that girl.

'At first Kim brushes it off, but when she scratches the surface of her family background in Australia, questions arise that aren’t easily answered. To find the truth, she must travel to Sammy’s home of Manson, Kentucky, and into a dark past. As the mystery unravels and the town’s secrets are revealed, this superb novel builds towards a tense, terrifying, and entirely unexpected climax.'

Source: Publisher's blurb.

'A powerfully told, gripping novel of family, guilt, empire, and race set in the dusty, deserted outback of Queensland in the 1880s. Tommy McBride and his brother Billy return to the isolated family home to find their parents have been brutally murdered. Haunted and alone, their desperate search for the killers leads them to the charismatic and deadly Inspector Noone and his Queensland Native Police - an infamous arm of colonial power whose sole purpose is the 'dispersal' of Indigenous Australians in protection of settler rights.

'The retribution that follows will not only devastate Tommy and his relationship with his brother, but leave a terrible and lasting mark on the colony and the country it later becomes.

'This is a stunning debut from a major new talent.' (Publication summary)

'An award-winning biography of one of the greats.

'Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014.

'Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction.

'This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).' (Publication summary)

'Two children are brought to a wild garden on the shores of Sydney Harbour to shelter from the Second World War. The boy's mother has died in the Blitz. The girl is the daughter of a Sydney woman and a Communist executed in a Greek prison. In wartime Australia, these two children form an extraordinary bond as they negotiate the dangers of life as strangers abandoned on the far side of the world. With the tenderness and rigour of an old, wise novelist, Patrick White explores the world of these children, the city of his childhood and the experience of war. The Hanging Garden ends as the news reaches Sydney of victory in Europe, and the children face their inevitable separation.

White put the novel aside at this point and how he planned to finish the work remains a mystery. But at his death in 1990 he left behind a masterpiece in the making, which is published here for the first time.'

Source: Publisher's blurb

'This is the story of the birth of modern Japan, told by Tsuru, a young woman who breaks every stereotype of the Japanese lady. We meet her on the day of her sister's wedding, and soon realise that she will not accept the same domestic role that her sister is about to take on. Instead, Tsuru is ready to embrace the new world, defend her beliefs, look for love, and follow her career as a doctor working alongside her husband on the battlefields.

'In the mid 1860s Japan was in the grip of a revolution almost as tumultuous as the French Revolution 100 years earlier, yet we in the West know very little about it. This book lets readers feel they are there among the revolutionaries, guided by the engaging character of Tsuru. By the end of the first chapter readers will feel they know her, and want to fight with her as she battles against the conventions of the day and falls into a forbidden love.' (From the publisher's website.)

'Emily’s dad is accused of murdering a teenage girl. Emily is sure he is innocent, but what happened that night in the woods behind their house where she used to play as a child? Determined to find out, she seeks out Damon Hillary, the enigmatic boyfriend of the murdered girl. He also knows these woods. Maybe they could help each other. But he’s got secrets of his own about games that are played in the dark.' (From the publisher's website.)

'Maxwell Sim seems to have hit rock bottom. Estranged from his father, newly divorced, unable to communicate with his only daughter, he realizes that while he may have seventy-four friends on Facebook, there is nobody in the world with whom he can actually share his problems.

'Then a business proposition comes his way - a strange exercise in corporate PR that will require him to spend a week driving from London to a remote retail outlet on the Shetland Isles. Setting out with an open mind, good intentions and a friendly voice on his SatNav for company, Maxwell finds that this journey soon takes a more serious turn, and carries him not only to the furthest point of the United Kingdom, but into some of the deepest and darkest corners of his own past.

'In his sparkling and hugely enjoyable new book Jonathan Coe reinvents the picaresque novel for our time.' (From the publisher's website.)