AustLit

'Australian art through the letters of leading critic Alan McCulloch

'Described as 'arguably the most influential Australian art critic of the last half of the twentieth century', Alan McCulloch's work-as illustrator, critic, gallery director and author-reflected on and documented much of this era of visual art in Australia.
As critic for the Melbourne Herald from 1951 to 1982 McCulloch was fundamental in the nascent careers of those who were to become some of Australia's most famous artists. His monumental Encyclopedia of Australia Art, first published in 1968 and still in print today, has been acknowledged as the 'single most important reference work on Australian art ever published'.

'In Letters to a Critic curator and author Rodney James has mined the rich archival treasure of the McCulloch Papers to create a lively combination of biography and illustrated book of letters. Witty, irreverent, profound and heartfelt these previously unpublished letters, critical essays, illustrations and works of art provide a unique insight into the art and lives of Australia's most famed art personalities as they simultaneously reveal McCulloch's role as critic, gallery director and mentor.' (Publication summary)

'An exquisitely packaged hardback revealing the untold story of an influential Australian philanthropist.

'Born into a genteel family of pastoralists and investors in colonial Victoria, Mabel Louise Kelly (1887-1973), or 'Mab' to those who knew her, would grow up to make an enormous contribution to the arts, horticulture and early education in Australia. Most evidently, it was made through bequests to the University of Melbourne and through the donation to the university of a large, diverse and highly valuable collection of books and artworks Mab's life spanned a time of change that saw the building of cultural and social institutions in the state of Victoria and the new Australian nation. She married Russell Grimwade-chemist, botanist, industrialist and philanthropist-in 1909. Together they established the Russell Grimwade School of Biochemistry and provided funding for what would become The Miegunyah Press, an imprint of Melbourne University Publishing. Mab was invested in the future of Australian society, helping to nurture and conserve various cultural, civic and charitable…' (Production summary)

'Four Centuries of a British-Australian Family

'A great-aunt's bequest - a 200-year-old grandfather clock - sends historian Graeme Davison on a journey deep into his father's family's past. From their tribal homeland in the Scottish Borders he follows them to the garrison town of Carlisle, from industrial Birmingham to Edwardian Australia, and from the Great War to his own suburban childhood. This is the story of an ordinary family's journey from frontier warfare and dispossession through economic turmoil and emigration to modest prosperity. At each step, we are led to reflect on the puzzles of personal identity and the mystery of time. Based on a lifetime of creative scholarship, My Grandfather's Clock is a moving testament to the power of family history to illuminate the present.' (Publication summary)

'Much more than a muse; Barbara Tucker was in fact a vital partner in the artistic success of her famed husband

'Barbara Tucker- The Art of Being presents a multifaceted view of Tucker and the life she made with her artist husband Albert. Inspired by accounts of family, friends and admirers attending her memorial, it contains speeches, essays, memoirs and a photo journal. Her nephew Darren Jones and niece Caitlin Graham-Jones give beautifully realised accounts; her godson, Justin O'Brien, rails against a world that seemed to ignore or misinterpret her life; her brother, Peter Bilcock, gives a moving eulogy. Judith Pugh's tribute evokes a marvellously vivid woman and loyal ally; Jinx Nolan's is filled with gratitude and gladness for Barbara's presence. The collection contains contributions from Heide Museum of Modern Art and other institutions that benefited from her foresight and generosity.

'Tucker emerges not just as a woman bound by the role prescribed in her times, but as a complex person with a great gift for friendship, as well as an artist's advocate, agent, defender and facilitator who should carry her own story, independently and unobscured, alongside the story of Albert Tucker and art in Australia.' (Publication summary) 

'Australia’s oldest university press is also one of our best known and most trusted publishers. Founded in 1921 as a bookshop for students at the University of Melbourne, Melbourne University Press was soon publishing important works that contained the best of national scholarship.

'Landmark MUP books and series include The Australian Dictionary of Biography, Manning Clark’s History of Australia, The Encyclopaedia of New Guinea and the journal Meanjin. These and other MUP publications helped shape how Australians perceived themselves, and how they talked about literature, politics, race, the Pacific, the world wars and public policy.

'From its inception, MUP grappled with hard questions. How should a university press be governed? To what extent should such a press be concerned with political, polemical and radical works? And can a university press be financially self-sustaining if it focuses on books that commercial publishers overlook? The respective leaders of MUP answered these questions in ways that regularly led the press into controversy.

'Using a century of MUP publications and archives, Stuart Kells has written a rich and fascinating history of an invaluable Australian institution—one that is widely seen as public property, and whose ups and downs have always been news.' (Publication summary)

'Michael Cannon is best known as the author of landmark and popular works of Australian history, including The Land Boomers (1966), and as the founding editor of Historical Records of Victoria. But Cannon, the child and grandchild of important figures in Australian independent journalism, developed a fascination with print media early in his life and had a long and colourful career in printing, publishing and editing books, newspapers and magazines. In Cannon Fire he brings to life many notable personalities with whom he worked, including Keith and Rupert Murdoch, and recreates the ink-stained, cigarette-smoke-filled and always well-lubricated worlds of publishing across Melbourne and Sydney in the second half of the twentieth century. More than this, Cannon's intimate account of a life that began in the 1920s fascinates as both a personal story of unusual courage in the face of challenge and heartache, and as a tale of times now passing from memory.' (Publication abstract)

'Clem Christesen and Stephen Murray-Smith were giants of the world of Australian books and writing from the 1940s to 1980s'Lilliput', in this dual biography, is the world of literary magazines in Australia between the 1940s and the 1980s. Here Clem Christesen and Stephen Murray-Smith, of the journals Meanjin and Overland, were determined, driven visionaries. Both were very human-and occasionally bruised-believers in and workers for a better nation. The book ranges from before the Menzies era and the Cold War, through the Whitlam period and beyond to the challenges of the 1980s. It shows how the editors constantly aimed for a culture more liberal, diverse and developed than the one then prevailing. Their publications may have lacked resources and economic return, but they nonetheless possessed authority, regularly providing stimulation for their readers and for the nation. In finely wrought detail, Jim Davidson - the second editor of Meanjin - traces the commitment of Christesen and Murray-Smith to this ambitious cultural project and how it attracted many of the key writers and thinkers of those years. There are pen portraits of many of them, as the reader is taken behind the scenes. Emperors in Lilliput exhibits the enlightened creative spirit animating these journals at their best. It is at once captivating biography and rich social history.'  (Publication summary)

'Novelist, journalist and activist Katharine Susannah Prichard won fame for vivid novels that broke new ground depicting distinctly Australian ways of life and work — from Gippsland pioneers and West Australian prospectors to Pilbara station hands and outback opal miners. Her prize-winning debut The Pioneers made her a celebrity but she turned away from jaunty romances to write a trio of inter-war classics, Working Bullocks, Coonardoo and Haxby’s Circus. Heralded in her time as the ‘hope of the Australian novel’, her good friend Miles Franklin called Prichard ‘Australia’s most distinguished tragedian’.

'This biography of a literary giant traces Prichard’s journey from the genteel poverty of her Melbourne childhood to her impulsive marriage to Victoria Cross winner Hugo Throssell, and finally on to her long widowhood as a 'red witch', marked out from society by her loyalty to the Soviet Union and her unconventional ways.

'Through meticulous archival research and historical detective work, Nathan Hobby reveals many unknown aspects of Prichard’s life, including the likely identity of the mysterious lover who influenced her deeply in her twenties, her withdrawal from politics during her remarkable five-year literary peak and an intimate friendship with poet Hugh McCrae. Lively and detailed, The Red Witch is a gripping narrative alert to the drama and tragedy of Prichard’s remarkable life.'' (Publication summary)

'A personal reflection and an ambitious, overarching reading of Maria Tumarkin as a writer, and her place in the contemporary Australian literary zeitgeist.

'Why is Maria Tumarkin a significant writer today?

'What are the worlds-personal, social, and intellectual-that have helped to form her perspective? Where does she fit within the circles of key Australian writers and thinkers? What are the boundaries that her work pushes against? And what future does she see for us in Australia and beyond?

'In Tumarkin, which inaugurates the Contemporary Australian Writers series, noted critic and author Patrick Allington registers his intellectual and emotional reaction to Maria Tumarkin's witty, often blunt, always complex interpretations of Australia and the world.

'In the era of the rushed think piece, Allington explores the depth of Tumarkin's persistent, historically informed concern with questions of personal and social belonging, disruption and dislocation. He asks how we might most usefully respond to a body of writing that is urgent, important and unsettling but contains no simple manifesto.' (Publication summary)

'He was an Austrian immigrant; she came from Tasmania. He grew up beside the Carinthian Alps; she climbed mountains when few women dared. Their honeymoon glimpse of Cradle Mountain lit an urge that filled their waking hours. Others might have kept this splendour to themselves, but Gustav Weindorfer and Kate Cowle sensed the significance of a place they sought to share with the world. When they stood on the peak in the heat of January 1910, they imagined a national park for all.

'Kindred: A Cradle Mountain Love Story traces the achievements of these unconventional adventurers and their fight to preserve the wilderness where they pioneered eco-tourism. Neither lived to see their vision fully realised: the World Heritage listed landscape is now visited by 250,000 people each year. Award-winning journalist Kate Legge tells the remarkable story behind the creation of the Cradle Mountain sanctuary through the characters at its heart.'

Source: Publisher's blurb.

'An important tribute to the work and life of an extraordinary Aboriginal activist

'William Cooper's passionate struggle against the dispossession of Aboriginal people and the denial of their rights, and his heroic fight for them to become citizens in their own country, has been widely commemorated and celebrated. By carefully reconstructing the historical losses his people suffered and endured, William Cooper: An Aboriginal Life Story reveals how the first seventy years of Cooper's life inspired the remarkable political work he undertook in the 1930s Focusing on Cooper's most important campaigns - his famous petition to King George VI for an Aboriginal representative in the Australian parliament, his call for a day of mourning after 150 years of colonisation, the walk-off of the Yorta Yorta people from Cummeragunja reserve in 1939 and his opposition to the establishment of an Aboriginal regiment in the Second World War - this carefully researched study sheds important new light on the long struggle that Indigenous people have fought…' (Publication summary)

An exquisitely illustrated appraisal of Australia's 'greatest artist' that explores his fascination with China and its centrality to his body of work.

'Ian Fairweather is one of the most significant twentieth-century artists to have worked in Australia. After a life of wandering, including time spent in China, Bali and the Philippines, Fairweather settled on Bribie Island, off the coast of Queensland, where he built his own house. In 1962 a leading art critic named him 'our greatest painter'.

'Fairweather is exceptional among modern artists for his experience of Chinese life and culture. He lived and worked in China for extended periods, learnt Chinese and published a book-length translation of the popular Chinese novel The Drunken Buddha (1965). From an early age Fairweather sought alternatives to art based on verisimilitude and single-point perspective. This led to a lifelong engagement with the principles of Chinese art and thought that profoundly shaped his own creative process.

'Drawing on letters, interviews and other archival materials to shed new light on Fairweather's artistic practice, Claire Roberts brings her own extensive knowledge of Chinese language and art to this absorbing re-examination of a revered artist. Fairweather and China shows how central the China experience is to his emergence as a key transcultural figure, connecting British, European, Chinese and Australian art histories in new and visionary ways.' (Publication summary)

'‘My books are all, in their different ways, voyages of discovery. I write books to learn, to stretch my horizons. These voyages of mine are full of risk and passion.’ Hazel Rowley

'Hazel Rowley was an award-winning biographer who was committed to telling the stories of people’s lives. This collection of short pieces—journal articles, essays, talks, diary entries – provides a wonderful insight into her craft. In these pages she talks honestly about the joys, the challenges, the highs and the lows of writing biography. Much of the material is previously unpublished and reveals Rowley’s lively ideas on a range of topics.

'Before her untimely death in 2011, Rowley wrote four acclaimed biographies: about Christina Stead, Richard Wright, Simone de Beauvoir and Jean-Paul Sartre, and Franklin and Eleanor Roosevelt. This new collection gives a rich store of reflections on biography and draws the reader into Rowley’s passionate pursuit of stories and her search for new biographical subjects.

'Della and Lynn, along with Hazel’s friend Irene Tomaszewski, established the Hazel Rowley Literary Fellowship in her memory.' (Publication summary)

'From the arrival of Captain James Cook in 1770 to classic children's tale Dot and the Kangaroo, Ken Gelder and Rachael Weaver examine hunting narratives in novels, visual art and memoirs to discover how the kangaroo became a favourite quarry, a relished food source, an object of scientific fascination, and a source of violent conflict between settlers and Aboriginal people.

'The kangaroo hunt worked as a rite of passage and an expression of settler domination over native species and land. But it also enabled settlers to begin to comprehend the complexity of bush ecology, raising early concerns about species extinction and the need for conservation and the preservation of habitat.' (Publication summary)

'A Web of Friendship is a collection of Christina Stead's intimate correspondence with influential literary figures such as Stanley Burnshaw, Ettore Rella, Nettie Palmer, Clem Christesen, Elizabeth Harrower and A.D. Hope.

'These letters span the life of one of Australia's most illustrious writers, offering a rare insight into the relationships that influenced and sustained her work. They reveal Stead's reflections on the art of literature, the development of her political thought, and the significance of a handful of friendships that would endure throughout her life and career.

'The letters cover Stead's arrival in England in 1928, as well as her time abroad in Europe and the United States. They also detail her marriage to William Blake, their life in England where they settled in 1953, as well as her brief return to Australia and her final years in England following Blake's death.' (Publication summary)

'Sunday, 8 January 1978 

'I have decided to keep a diary during Zelman's term of office as Governor-General. I am pleased, because I forget so much and the re-reading of a sentence brings whole occasions, scenes, and otherwise forgotten things, vividly back to mind... '

'And so begins an extraordinary record of the life of a Governor-General's wife. Lady Anna Cowen's edited diaries capture the day-to-day life-the wardrobe fittings, the running of an enormous household-as well as the pomp and circumstance of vice-regal duties during the term Sir Zelman Cowen, the 'healing Governor-General', served after the dismissal by Sir John Kerr of the Whitlam government. ' (Introduction)

'A group of visitors to the Salzburg Festival, brought together by chance, decides to mark time by telling tales. Their sketches, anecdotes, fantasies, legends, tragedies, jokes and parodies combine to make The Salzburg Tales. ' (Publication summary : 2015 edition)