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Richard Tipping Richard Tipping i(A3864 works by) (a.k.a. Kelly Tipping; Richard Kelly Tipping; R.J.O. Tipping)
Born: Established: 1949 Adelaide, South Australia, ;
Gender: Male
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Works By

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1 A Poet's Start in the Art Life Richard Tipping , 2022 single work essay
— Appears in: Rabbit , no. 36 2022; (p. 175-187)
'One art event that changed me was Chrism and Jean-Claude's wrapping of Little Bay in 1969. when I was 19 and had moved to Sydney for the year from my home city of Adelaide. Wrapped Coast, Chrism's first large-scale , was made possible by John Kaldor and constructed by a large tan of volunteers including art students whom my partner. Betty Ross, and I knew. We went to the site several times and walked all over the headland and foreshore as the white fabric was being installed. Its hard to appreciate the scale from photographs—it was massively massive. Although this installation art had nothing to do with language, I was inspired by its audacity and the way it drew attention to what was now not visible, making the ordinary extraordinary. This art said that it was possible to go beyond the confines and safety of the gallery, to think big, that it was okay to be temporary, and that the photography dart mattered.' (Introduction)
 
1 1 y separately published work icon Hear the Art Richard Tipping , Glebe : Puncher and Wattmann , 2021 23066188 2021 selected work poetry

'Hear the Art is the essential poetry-as-art collection, loaded with Richard Tipping’s elegant, wry and telling concrete poems made as sculpture and as picture. He is fascinated by words found within words, and articulating their iterations.

'Tipping works with poetic language in visual forms and physical media ranging from animated neon, slump glass, engraved marble and screenprint to large-scale public sculptures in steel, granite and electric lights. Typographic designs move off the page, becoming independent poem objects until -- while living in the artworld as things -- they are photographed, and return to the page. This book is full of realised ideas, a rich panoply of word art demanding to be seen, heard and remembered.'

Source : publisher's blurb

1 Hyprocrisy Credibility Richard Tipping , 2019 single work prose
— Appears in: Australian Poetry Journal , vol. 9 no. 1 2019; (p. 92)
1 1 y separately published work icon Instant History : Mostly New Poems Richard Tipping , Macao Maxwell : Flying Island Books Cerberus Press , 2017 15420742 2017 selected work poetry
1 Love's Just an Alibi i "that new poem to another man", Richard Tipping , 2015 single work poetry
— Appears in: Meanjin , vol. 74 no. 2 2015; (p. 132-134)
1 Morning i "In the freshly", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 292)
1 When My Heart Was Young i "A bag of bones man,", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 295)
1 Welcome to Newcastle i "I felt that my creative mind had died,", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 294)
1 The Museum of Fire i "Past the shooting range and dirt", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 293)
1 Starlight i "I disappear", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 292)
1 Casting Patterns i "Their shadows are stacked by number", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 291)
1 Baby Bream i "There's a baby bream", Richard Tipping , 2014 single work poetry
— Appears in: A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 290)
1 Private Poetry i "Private", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 513)
1 Omen i "W O M", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 511)
1 Anima i "W", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 510)
1 Hearth i "hearth", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 509)
1 Division of the Sexes i "SSSSSSSS", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 508)
1 Hear the Art (Five Circles) i "Hear the Art", Richard Tipping , 2014 single work poetry
— Appears in: The Turnrow Anthology of Contemporary Australian Poetry 2014; (p. 507) A Slow Combusting Hymn : Poetry from and About Newcastle and the Hunter Region in Newcastle 2014; (p. 296)
1 In-Flight Service i "Ia rhia rhinf ruenws on?", Richard Tipping , 2014 single work poetry
— Appears in: The Best Australian Poems 2014 2014; (p. 5-6)
1 y separately published work icon Tommy Ruff : Adelaide Poems Richard Tipping , Berry : PressPress , 2014 8097919 2014 selected work poetry

'Tommy Ruff is a fresh catch of pointed poems from the deep south of Australia, by a poet well known for not fitting in to available categories. The poems date from 1968 to 1984, including previously unpublished and newly polished work, as well as forgotten favourites from four collections. Sensationally, ‘A Shoebox Full of Grasshoppers’ is illustrated with a diagram of the sexual relationships which inspired the story. Three typewriter poems hint at the direction which Tipping would take, becoming internationally recognised for his visual poetry and textual objects. Other poems range from the political to the poignant. At their heart is an appreciation of home ground.


Richard Kelly Tipping is an original Adelaidean born in the year of the Chinese Communist revolution who lived in the city for thirty years before moving to the east coast. While in Adelaide he co-edited Mok, the first of a wave of small press poetry magazines which redefined Australian poetry in the late 1960s; graduated in humanities from Flinders University; helped start the on-going Friendly Street poetry readings in 1975; and held his first solo exhibition of word sculpture The Everlasting Stone at the Adelaide Festival Centre. Tommy Ruff is his umpteenth book.' (Publisher's summary)

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