AustLit

'With Armour, the great Australian poet John Kinsella has written his most spiritual work to date - and his most politically engaged. The world in which these poems unfold is strangely poised between the material and the immaterial, and everything which enters it - kestrel and fox, moth and almond - does so illuminated by its own vivid presence: the impression is less a poet honouring his subjects than uncannily inhabiting them. Elsewhere we find a poetry of lyric protest, as Kinsella scrutinizes the equivocal place of the human within this natural landscape, both as tenant and self-appointed steward.

'Armour is a beautifully various work, one of sharp ecological and social critique - but also one of meticulous invocation and quiet astonishment, whose atmosphere will haunt the reader long after they close the book.' (From the publisher's website.)

'With Armour, the great Australian poet John Kinsella has written his most spiritual work to date - and his most politically engaged. The world in which these poems unfold is strangely poised between the material and the immaterial, and everything which enters it - kestrel and fox, moth and almond - does so illuminated by its own vivid presence: the impression is less a poet honouring his subjects than uncannily inhabiting them. Elsewhere we find a poetry of lyric protest, as Kinsella scrutinizes the equivocal place of the human within this natural landscape, both as tenant and self-appointed steward.

'Armour is a beautifully various work, one of sharp ecological and social critique - but also one of meticulous invocation and quiet astonishment, whose atmosphere will haunt the reader long after they close the book.' (From the publisher's website.)

'Fast, Loose Beginnings is a racy anecdotal memoir of John Kinsella's meetings with the great and colourful men and women of poetry. Since his late teens, Kinsella has been rubbing shoulders and working with a host of acclaimed poets. The book opens with Kinsella on a bender in search of Dorothy Hewett, and goes on to tell the story of his friendships and massive fallings-out through the highs and lows of addiction.

'In this contentious account, Kinsella weaves his impressions of these figures personally, with a lively and incisive commentary on their place within the broader literary culture. Here, in good company, are intimate portraits of Dorothy Hewett, Les Murray, American literary critic Harold Bloom and French philosopher Jacques Derrida, as they have never been seen before. As a highly respected poet and critic, Kinsella brings clarity and biting irreverence to the writer's life, making this encounter with literature vividly alive.' (Publisher's blurb)

'Fast, Loose Beginnings is a racy anecdotal memoir of John Kinsella's meetings with the great and colourful men and women of poetry. Since his late teens, Kinsella has been rubbing shoulders and working with a host of acclaimed poets. The book opens with Kinsella on a bender in search of Dorothy Hewett, and goes on to tell the story of his friendships and massive fallings-out through the highs and lows of addiction.

'In this contentious account, Kinsella weaves his impressions of these figures personally, with a lively and incisive commentary on their place within the broader literary culture. Here, in good company, are intimate portraits of Dorothy Hewett, Les Murray, American literary critic Harold Bloom and French philosopher Jacques Derrida, as they have never been seen before. As a highly respected poet and critic, Kinsella brings clarity and biting irreverence to the writer's life, making this encounter with literature vividly alive.' (Publisher's blurb)

'In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella's stories offer glimpses into the lives of the people who call this area home.

Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavour.

Inflected with both contemporary ideas of short fiction and the "everyman" tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters' (Publisher's blurb).