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Adrienne Eberhard Adrienne Eberhard i(A36074 works by)
Born: Established: 1964 Dover, Geeveston - Dover area, Huon Valley, Southeast Tasmania, Tasmania, ;
Gender: Female
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Works By

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1 River's Edge Adrienne Eberhard , 2022 single work short story
— Appears in: Meniscus , December vol. 10 no. 2 2022; (p. 31-39)
1 Stick Insect i "lean in close", Adrienne Eberhard , 2022 single work poetry
— Appears in: Island , no. 164 2022; (p. 58)
1 Wedge-Tailed Eagle i "is silence sliding sideways", Adrienne Eberhard , 2021 single work poetry
— Appears in: Breathing Space 2021; (p. 24)
1 Winter Flight, Yellow-Tailed Black Cockatoos i "Descending, our feet slide on sagg stems and slippery, uneven ground,", Adrienne Eberhard , 2021 single work poetry
— Appears in: Breathing Space 2021; (p. 23)
1 White Gums i "At its base, a clasp of bark like a ragged crown", Adrienne Eberhard , 2021 single work poetry
— Appears in: Breathing Space 2021; (p. 22)
1 Forty-Spotted Pardalote i "We lay and looked for you,", Adrienne Eberhard , 2021 single work poetry
— Appears in: Breathing Space 2021; (p. 22)
1 Wind Song / Bird Song i "Wind Song / Bird Song", Adrienne Eberhard , 2021 single work poetry
— Appears in: Breathing Space 2021; (p. 21)
1 Tinderbox Hills Adrienne Eberhard , 2021 sequence poetry
— Appears in: Breathing Space 2021; (p. 21-24)
1 1 Advice to Lovers Embarking on a Journey i "When you set out, be sure to pack the hold with a mortar and pestle", Adrienne Eberhard , 2021 single work poetry
— Appears in: The Weekend Australian , 13 February 2021; (p. 18)
1 1 y separately published work icon Chasing Marie Antoinette All Over Paris Adrienne Eberhard , Fitzroy North : Black Pepper , 2020 20915464 2020 selected work poetry
'Adrienne Eberhard’s new collection Chasing Marie Antoinette all Over Paris forges connections between past and present, public and private, and human and non-human, exploring what it means to be truly at home in the world, whether her beloved Tasmania, France or Indonesia. Ranging in subject matter from native grasses, ducklings and footy games, to cave paintings, family and 9000 years-deep ancestry, she draws on personal, as well as cultural, history to investigate possibility, love and loss. With their focus on the small and the precious, these poems draw our attention to what is often overlooked, enabling us to see the extraordinary in the ordinary.

'She demonstrates how well she can move from sensual evocation of place to tenderness and love of the human. This is a book whose language, because of its precision and sensuality, does justice to a wide range of experiences. Eberhard’s poems seem expounded wholly from both body and spirit.
Judith Beveridge, Westerly' (Publication summary)
1 y separately published work icon The Voice of Water : An Exploration of the Ephemeral Life of Wetlands in Miniature Paintings and Poems Adrienne Eberhard , Sue Lovegrove (illustrator), Tasmania : Adrienne Eberhard Sue Lovegrove , 2019 25287159 2019 selected work poetry

'The Voice of Water is a collection of 30 miniature paintings and poems which celebrate and pay homage to the beauty and ephemeral life of wetlands, by artist, Sue Lovegrove and poet, Adrienne Eberhard. With exquisite attention to detail Lovegrove and Eberhard reveal the fragility and fleeting nature of life at the heart of a lagoon - the embrace of its reaches, the constantly shifting light patterns, its melancholy darkness and the movement of wind imprinting on both water and the feathery expanse of grasses as well as the sound track of place from frog call to the tapping of insect legs and grasses. The intimacy and intensity of the miniature form used throughout the book draws the reader into observing the miniscule things that are often overlooked and unseen while simultaneously evoking a grander scale bringing the vision and experience of water into a micro moment. In our increasingly climate-stressed environment, water is becoming more ephemeral and transient. This book is a timely reminder of the preciousness of wetlands, their richness, fecundity and the life they support, is because of the presence of water.

'All the miniature paintings are reproduced actual size, either 8 x 12 cm or 8 x 24 cm. The publication is an object of beauty and contemplation that encourages people to slow down and spend time considering the aesthetics of life in water.'

Source: Publisher's blurb.

1 Grass Adrienne Eberhard , 2017 sequence poetry
— Appears in: Southerly , vol. 77 no. 2 2017; (p. 28)
1 Overflow i "At the edge is damp earth,", Adrienne Eberhard , 2017 single work poetry
— Appears in: Island , no. 150 2017; (p. 42-43)
1 Voyaging i "Your breasts, small as flowers, lie flat,", Adrienne Eberhard , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;

This poem is in two numbered and titled parts.

1 Kangaroo Grass i "ramayana puppet", Adrienne Eberhard , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 Winter i "Snow laced the lower slopes", Adrienne Eberhard , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 Distance i "What is the space between this hut and that mountain", Adrienne Eberhard , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016; The Best Australian Poems 2017 2017; (p. 54)
1 Cockle Creek i "Follow the creek up", Adrienne Eberhard , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 22)
1 Against the Unlit Sea i "The figs are shrivelling", Adrienne Eberhard , 2015 single work poetry
— Appears in: Prayers of a Secular World 2015; (p. 16)
1 Tassled Cordrush i "Baloskion tetraphyllium", Adrienne Eberhard , 2014 single work poetry
— Appears in: Antipodes , June vol. 28 no. 1 2014; (p. 206, 255)
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