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Dorothy Hewett Dorothy Hewett i(A33480 works by) (a.k.a. Dorothy Coade Hewett)
Also writes as: Jael Paris
Born: Established: 21 May 1923 Perth, Western Australia, ; Died: Ceased: 25 Aug 2002 Blue Mountains, Sydney, New South Wales,
Gender: Female
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Details of Works Taught

Text Unit Name Institution Year
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Feminism and Literature Macquarie University 2010 (Semester 2)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) I Have a Dream: Political Writing University of Adelaide 2015 (Semester 1)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Australian Stories University of Southern Queensland 2009 (Semester 2)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Australian Stories University of Southern Queensland 2010 (Semester 2)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Australian Stories University of Southern Queensland 2011 (Semester 2)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Australian Stories University of Southern Queensland 2010 (Semester 2)
y separately published work icon Bobbin Up : A Novel Dorothy Hewett , Melbourne : Australasian Book Society , 1959 Z813008 1959 single work novel (taught in 7 units) A classic novel about urban working-class life in 1950s Australia, combining the shifting narrative viewpoint pioneered by Modernism with a relentless realist mode. The book abounds with portraits of working women, married and unmarried, middle-aged and young, zestful and tired. These varied existences form the collective hero of the novel whose social message has lost nothing of its urgency. (Source: Trove) Subversive Sites in Australian Writing University of Western Australia 2009
Text Unit Name Institution Year
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) The "Bloody Australian" on Stage Edith Cowan University 2013 (Semester 1)
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) Australian Drama Edith Cowan University 2009
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) The Bloody Australian on Stage Edith Cowan University 2010
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) The Bloody Australian on Stage Edith Cowan University 2011
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) The "Bloody Australian" on Stage Edith Cowan University 2014
y separately published work icon Bon-Bons and Roses for Dolly / The Tatty Hollow Story : Two Plays Dorothy Hewett , Sydney : Currency Methuen Drama , 1976 Z307781 1976 selected work drama musical theatre (taught in 6 units) The Bloody Australian on Stage Edith Cowan University 2012
Text Unit Name Institution Year
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Modern Australian Drama Australian National University 2014 (Semester 1)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Australian Literature (Bathurst campus) Charles Sturt University 2011 (Semester 2)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Australia on Stage University of New England 2014 (Semester 1)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Australia on Stage University of New England 2016 (Semester 1)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Staging Australia University of New South Wales 2010 (Semester 2)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Staging Australia University of New South Wales 2012 (Semester 2)
y separately published work icon The Chapel Perilous, Or, The Perilous Adventures of Sally Banner Dorothy Hewett , Frank Arndt (composer), Michael Leydon (composer), Sydney : Currency Press , 1972 8274485 1972 single work musical theatre (taught in 7 units)

Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.

As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).

Australian Stage and Screen University of Sydney 2016 (Semester 1)
Text Unit Name Institution Year
y separately published work icon The Man from Mukinupin : A Musical Play in Two Acts Dorothy Hewett , Fremantle Sydney : Fremantle Press Currency Press , 1979 Z513811 1979 single work musical theatre (taught in 5 units)

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

Australian Literature and Society (Contemporary) Edith Cowan University 2009
y separately published work icon The Man from Mukinupin : A Musical Play in Two Acts Dorothy Hewett , Fremantle Sydney : Fremantle Press Currency Press , 1979 Z513811 1979 single work musical theatre (taught in 5 units)

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

Drama 1B: Bodies of Work Flinders University 2016 (Semester 2)
y separately published work icon The Man from Mukinupin : A Musical Play in Two Acts Dorothy Hewett , Fremantle Sydney : Fremantle Press Currency Press , 1979 Z513811 1979 single work musical theatre (taught in 5 units)

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

Australian Theatre History University of New England 2009
y separately published work icon The Man from Mukinupin : A Musical Play in Two Acts Dorothy Hewett , Fremantle Sydney : Fremantle Press Currency Press , 1979 Z513811 1979 single work musical theatre (taught in 5 units)

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

Australia on Stage University of New England 2011
y separately published work icon The Man from Mukinupin : A Musical Play in Two Acts Dorothy Hewett , Fremantle Sydney : Fremantle Press Currency Press , 1979 Z513811 1979 single work musical theatre (taught in 5 units)

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

Australian Theatre and Cinema University of Notre Dame 2009 (Semester 1)
Text Unit Name Institution Year
y separately published work icon Selected Poems of Dorothy Hewett Dorothy Hewett , Kate Lilley , Crawley : UWA Publishing , 2010 Z1706151 2010 selected work poetry (taught in 2 units) 'Dorothy Hewett is one of Australia's best known poets. She had a long and frequently controversial career during which she produced twelve collections of poetry, three novels, an autobiography, thirteen plays and countless articles and short stories. This very special volume has been compiled and introduced by Kate Lilley, a poet, scholar and Dorothy's daughter.' (From the publisher's website.) Australian Texts: International Contexts University of Sydney 2011 (Semester 1)
y separately published work icon Selected Poems of Dorothy Hewett Dorothy Hewett , Kate Lilley , Crawley : UWA Publishing , 2010 Z1706151 2010 selected work poetry (taught in 2 units) 'Dorothy Hewett is one of Australia's best known poets. She had a long and frequently controversial career during which she produced twelve collections of poetry, three novels, an autobiography, thirteen plays and countless articles and short stories. This very special volume has been compiled and introduced by Kate Lilley, a poet, scholar and Dorothy's daughter.' (From the publisher's website.) Australian Texts: International Contexts University of Sydney 2012 (Semester 2)
Text Unit Name Institution Year
form Susannah's Dreaming Susannah's Dreaming : a play for radio. Dorothy Hewett , 1981 single work radio play (taught in 3 units)
— Appears in: The Golden Oldies, and Susannah's Dreaming 1981;
Australian Literature: 1930 to the Present University of New England 2009
form Susannah's Dreaming Susannah's Dreaming : a play for radio. Dorothy Hewett , 1981 single work radio play (taught in 3 units)
— Appears in: The Golden Oldies, and Susannah's Dreaming 1981;
Australian Literature: 1930 to the Present University of New England 2011 (Semester 2)
form Susannah's Dreaming Susannah's Dreaming : a play for radio. Dorothy Hewett , 1981 single work radio play (taught in 3 units)
— Appears in: The Golden Oldies, and Susannah's Dreaming 1981;
Australian Literature: 1930 to the Present University of New England 2012 (Semester 2)
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