AustLit

'The title of Ann Vickery’s latest book of poems, Bees Do Bother: An Antagonist’s Care Pack, is longer, more complex, and more avowedly academic than is conventional. A number of questions might be asked of it: are the bees metaphorical, being the most basic. In other words, are the bees human? That what ‘bees do [is] bother’ does not clarify, but rather thickens, the meaning of the first part of the title. Bothering seems like a human activity, and suggests, both semantically and sonically, the notion of a ‘bee in a bonnet’ (‘Bad Hat’): but while having a bee in your bonnet is not a passive image exactly, it does suggest being subject to the bee, of the bothering being done to the one with the bonnet, as opposed to being the bee that is doing the bothering.'(Introduction)   

'The near-religious title of Alan Wearne’s new selection of poems, Near Believing, gives an impression of bathos and deprecation, while nevertheless undermining structures of belief, as represented in the book; at times this belief is explicitly Christian, but can also be seen more generally as belief in others, or in the suburban way of life. It is, then, while modest-seeming, highly ambitious – and, in another irony, further evokes the pathos, and hopelessness, of wanting to believe. In the title poem, which appears in the uncollected section, ‘Metropolitan Poems and other poems’, a ‘near-believer’ is defined by the poem’s priest speaker as ‘that kind of atheist I guess who prays at times’. This formula captures the ambiguity of the book’s many speakers and their addresses.'  (Introduction)

'The new poetry collection by Michael Farrell, winner of the Judith Wright Calanthe Award.

'The Judith Wright Calanthe Award is Australia’s most prestigious poetry prize. Its award to Michael Farrell marks him out as one of our most important poets. There is no one like him for his souped-up surrealism, the range of his images, his wit and playfulness, his satirical takes on contemporary life.

'The title of his new collection Googlecholia alludes to the range of emotional affects and feelings that the Internet induces: pleasure, satisfaction, joy, melancholy, anxiety, schadenfreude, boredom, nausea. As a many-armed search engine, Google represents both the boundless realms of the Internet, and the reductive image of knowledge that we hold in our heads. Google presides (alongside Wikipedia) for Farrell, because of the ease of research it enables for poems: whether for a quote, an etymology, or a fact. Here its elements populate and drive the poetic imagination, creating realities in which anything might be related to something else, and the strange, the unsettling and the fantastic are the natural order of things.

'The poems in Googlecholia include ‘French Open’, a portrait of John McEnroe in the midst of a Baudelairean-inflected match; Philip Emu, a rewrite of John Skelton’s Tudor-era ‘Philip Sparrow’; the ABBA-driven prose poem ‘Grammatical Theme and “Dancing Queen”’; ‘“Fire” At The Pointer Sisters Factory’, a David Ireland-style nickname extravaganza (and a Best of Australian Poems 2021 choice); ‘“Cars” Is Feeling Grateful’, a status update via Gary Numan’s 1979 hit of the same name; and ‘Arthur Boyd Has Pink Teeth’, inspired by an early painting of his.' (Publication summary)

'Hear Michael Farrell read from his beautiful collection of poems, Family Trees.'