AustLit

'More than twenty-five years ago, I wrote an essay on the work of Oliver Sacks (Island Magazine, Autumn 1993). Entitled ‘Anthropologist of Mind’, it ranged across several of Sacks’s books; but it was Seeing Voices, published in 1989, that was the main impetus for the essay. In Seeing Voices, Sacks explored American deaf communities, past and present. He exposed the stringent and often punishing attempts to ‘normalise’ deaf people by forcing them to communicate orally, and he simultaneously deplored the denigration and widespread outlawing of sign language. Drawing on the work of Erving Goffman, Sacks showed how deaf people were stigmatised and marginalised from mainstream culture, and he revealed, contrary to prevailing opinion in the hearing world, the richness and complexities of American Sign Language.' (Introduction)

'It is the mid-1980s. In Australia, stay-at-home wives jostle with want-it-all feminists, while AIDS threatens the sexual freedom of everyone. On the other side of the world, the Soviet bloc is in turmoil.

'Mikhail Gorbachev has been in power for a year when twenty-four-year-old book illustrator Galina Kogan leaves Leningrad - forbidden ever to return. As a Jew, she's inherited several generations worth of Russia's chronic anti-Semitism. As a Soviet citizen, she is unprepared for Australia and its easy-going ways.

'Once settled in Melbourne, Galina is befriended by Sylvie and Leonard Morrow, and their adult son, Andrew. The Morrow marriage of thirty years balances on secrets. Leonard is a man with conflicted desires and passions, while Sylvie chafes against the confines of domestic life. Their son, Andrew, a successful mosaicist, is a deeply shy man. He is content with his life and work - until he finds himself increasingly drawn to Galina.

'While Galina grapples with the tumultuous demands that come with being an immigrant in Australia, her presence disrupts the lives of each of the Morrows. No one is left unchanged. Invented Lives tells a story of exile - exile from country, exile at home, and exile from one's true self. It is also a story about love.' 

(Publication summary)

'I heard the Egypt story countless times, but then Dorothy Porter believed that if a story was worth telling, it warranted multiple retellings. In the late 1980s, before Dot and I met, she visited Egypt to gather material for her verse novel Akhenaten (1992). In Cairo, she joined a tour group taking in the major historical sights. Dot was, by this time, steeped in the life and times of the visionary pharaoh Akhenaten: no matter what was in front of her, her thoughts remained fixed on Akhenaten and his queen, Nefertiti. It was perhaps inevitable that she would suggest the tour group take a detour – a very long detour as it turned out – to see Akhet-Aten, the city built by Akhenaten and greatly loved by him. She promised her fellow travellers an unparalleled treat.'  (Introduction)

'I have always believed that, at a personal level, anything is possible, that if I desire to be a particular someone or do a particular something, I can. All my desires have been realistic: no hankerings for time travel or reinvention as a theoretical physicist, although both have enormous appeal. My desires have been possibilities: working as a volunteer in Africa, joining a choir, mountaineering, falling helplessly in love, winning the Booker. The only impediments would be lack of ability, lack of application, and/or lack of courage – all of which, given enough time, could be overcome.' (Introduction)

Two extracts from Reunion.