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Brenton Doecke Brenton Doecke i(A27522 works by)
Gender: Male
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Works By

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1 Contingencies of Meaning Making : English Teaching and Literary Sociability Philip Mead , Brenton Doecke , Larissa McLean-Davies , 2020 single work criticism
— Appears in: Australian Literary Studies , 29 October vol. 35 no. 2 2020;

'This paper draws on interviews conducted as part of the Australian Research Council funded Discovery project Investigating Literary Knowledge in the Making of English Teachers. Those interviews inquire into the role of literary knowing in the professional learning of early career English teachers, focusing specifically on their experiences as they make the transition, via teacher education programmes, from university students of English to school teachers. We have also been interested in how key institutional settings, practices and policies might have shaped their experiences of literary education at tertiary level; the knowledge and values they bring to their work as English teachers; and the professional learning they undergo in their first years of teaching. The aim of this article is to present an exploration of ‘literary sociability’, a working concept of the project for identifying and exploring ways of literary meaning making that might have particular relevance and use for understanding early career English teachers’ experiences across the settings of their education and work.' (Publication abstract)

1 Intertextuality and Subversion Brenton Doecke , Douglas McClenaghan , 2015 single work criticism
— Appears in: MasterClass in English Education : Transforming Teaching and Learning 2015; (p. 29-44)

Words like 'intertextuality' bring to mind the moment of 'theory. Especially significant for our own professional learning were journals like The English and Media Magazine, including resonantly titled essays such as "The Post-Structuralist Always Reads Twice' (Exton, 1982). These essays advocated new understandings of texts and textuality that challenged the interpretive practises that had traditionally held sway in English classrooms. In Australia, the moment of 'theory' prompted some remarkably innovative work in the area of English curriculum and pedagogy, as Bill Corcoran's time as the editor of English in Australia shows (sec Corcoran, 1998).

1 Teaching Small ‘l’ Literature : Lessons from English in Australia Brenton Doecke , Douglas McClenaghan , Lauren Petis , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 266-306)
'This essay is structured around quotations taken from early issues of English in Australia, the journal of the Australian Association for the Teaching of English (AATE), when that journal played a significant role in the formation of a professional discourse for English teachers at a time of rapid expansion of secondary education during the post-war years. We enter into a dialogue with contributors to these early issues in order to test the currency of their values and beliefs today. What is their attitude towards the teaching of literature in Australia? What are their views specifically with regard to the place of Australian writing in the secondary English curriculum? Does English still have anything in common with what contributors to these early issues understood the subject to be? We are posing these questions, not out of some musty interest in the ghosts of debates past, but in an effort to create a perspective on the present, and to think outside the mental cage of standards-based reforms and construction of subject English that is currently being foisted on the profession by the Australian Curriculum, Assessment and Reporting Authority (ACARA).' (Authors' introduction, p. 266)
1 National Imaginings and Classroom Conversations : Past and Present Debates About Teaching Australian Literature Brenton Doecke , Larissa McLean-Davies , Philip Mead , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 1-15)
'On August 21, 2011 the Melbourne Age reported that the University of Melbourne wasn't offering any formal undergraduate studies in Australian literature. In 'Uni brought to book for snub to local literature,' journalist Nicole Brady reported on a 'DIY' course in Australian literature organised by third-year Arts student Stephanie Guest in response to the absence of official undergraduate offerings in 2011. Guest's student-run seminar series took place in Melbourne's historic Law Quad on Friday afternoons, and hosted a number of writers, including Elliot Pearlman, who all came along to talk about their craft. Apparently, Guest became aware of an enthusiasm for and commitment to a national literature while on an exchange to Argentina, as a student of Spanish. This caused her to reflect on her own sparse knowledge of Australian literature, mostly gained at high school through the study of 'very dusty' texts about mateship, world wars and white men. Inspired by the ways literature in Spanish provides insights into the nuances of Argentinean culture, Guest keenly felt the absence of her national literary cultural capital, and resolved to remedy this situation when she returned to Australia. Disappointed, but not unfazed when she found that no formal course was available to her, Guest sought out like-minded peers, and set about contacting local writers.' (Authors introduction, 1)
1 1 y separately published work icon Teaching Australian Literature : From Classroom Conversations to National Imaginings Brenton Doecke (editor), Larissa McLean-Davies (editor), Philip Mead (editor), Kent Town : Wakefield Press Australian Association for the Teaching of English , 2011 Z1851330 2011 anthology criticism 'What role should Australian literature play in the school curriculum? What principles should guide our selection of Australian texts? To what extent should concepts of the nation and a national identity frame the study of Australian writing? What do we imagine Australian literature to be? How do English teachers go about engaging their students in reading Australian texts?

This volume brings together teachers, teacher educators, creative writers and literary scholars in a joint inquiry that takes a fresh look at what it means to teach Australian literature. The immediate occasion for the publication of these essays is the implementation of The Australian Curriculum: English, which several contributors subject to critical scrutiny. In doing so, they question the way that literature teaching is currently being constructed by standards-based reforms, not only in Australia but elsewhere.

The essays assembled in this volume transcend the divisions that have sometimes marred debates about the place of Australian literature in the school curriculum. They all recognise the complexity of what secondary English teachers do in their efforts to engage young people in a rich and meaningful curriculum. They also highlight the need for both secondary and tertiary educators to cultivate an awareness of the cultural and intellectual traditions that mediate their professional practice and to encourage a critically responsive pedagogy.' (Publisher's blurb)
1 1 The Making of Literature : A Continuing Conversation Natalie Bellis , Graham Parr , Brenton Doecke , 2009 single work criticism
— Appears in: Changing English , June vol. 16 no. 2 2009; (p. 165-179)
This article borrows the title of an influential Australian study by Ian Reid to raise questions about how students read and respond to texts within classroom settings. In 1984 Reid published The Making of Literature, where he drew on poststructuralist insights to develop a new approach to the teaching of literature (what he called the 'Workshop' approach) in contradistinction to more traditional understandings of the role of literature within the school curriculum (the 'Gallery')...This essay revisits Reid's text, presenting three contrasting points of view across two generational spans, in order to raise questions about its continuing relevance. (p. 165)
1 1 How to Read Pioneer Sagas: Miles Franklin's 'All That Swagger' Brenton Doecke , 1998 single work criticism
— Appears in: Westerly , Autumn vol. 43 no. 1 1998; (p. 61-73)
1 4 Disjunctions: Australian Literature and the Secondary English Curriculum Brenton Doecke , 1997 single work criticism
— Appears in: Southerly , Spring vol. 57 no. 3 1997; (p. 67-77)
1 Challenging History Making: Realism, Revolution and Utopia in The Timeless Land Brenton Doecke , 1995 single work criticism
— Appears in: Australian Literary Studies , May vol. 17 no. 1 1995; (p. 49-57)
1 Australian Historical Fiction and the Popular Front : Katharine Susannah Prichard's Goldfields Trilogy Brenton Doecke , 1994 single work criticism
— Appears in: Westerly , Spring vol. 39 no. 3 1994; (p. 25-36)
1 P.R. Stephensen, `Facism' Brenton Doecke , 1993 single work criticism
— Appears in: Westerly , Winter vol. 38 no. 2 1993; (p. 17-28)
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