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Scott Rankin Scott Rankin i(A24325 works by)
Born: Established: Sydney, New South Wales, ;
Gender: Male
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Works By

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1 1 y separately published work icon Cultural Justice & the Right to Thrive Scott Rankin , Strawberry Hills : Currency House , 2018 18497019 2018 single work criticism 'What are cultural rights and why do we need them? In the author’s words, ‘Everyone, everywhere has a right to thrive.’ It is an issue of justice, an essential service like education, health. Culture is not benign, he says. It is a powerful narrative contagion which binds us together. We need to pay attention to it and be vigilant, not for the few but the whole. Because if we don’t it can be used against certain sections of our society, demonising them or rendering their story invisible and citizens vulnerable. In Australia we pride ourselves on our cultural diversity but have little self-knowledge. This paper draws from Rankin’s 26 years’ experience living with Big hART, a regional performance company and digital content producer based in Burnie, ‘the poorest electorate in Australia’, that uses the arts and performance to stimulate social development and better cultural understanding. He reflects on the lessons learnt from their successes and failures; and places their body of work in an international context of alternative company practice.' (Publication summary)
1 Namatjira Project : What Is It That We Are Not Seeing? Scott Rankin , 2018 single work column
— Appears in: Meanjin , Winter vol. 77 no. 2 2018; (p. 152-158)

'Late in 2017, just weeks after successfully negotiating the return of Albert’s copyright to the Namatjira family, helping to set up the Namatjira Trust and bringing Big hART’s eight-year Namatjira Project to a conclusion, producer Sophia Marinos and I found ourselves in tears as we penned an obituary for our dear friend Kumantjai L Namatjira,* who had been so instrumental to the campaign.'  (Introduction)

1 1 y separately published work icon Tjaabi Tjaabi : Songs from the Pilbara – a Living Culture, a Spectacle under the Stars Scott Rankin , Big hArt , 2016 9943117 2016 single work drama Indigenous story

'Big hART’s latest production Tjaabi provides a unique glimpse into the living Aboriginal culture of the Pilbara, through songs, story and image performed by Ngarluma man Patrick Churnside. Tjaabi springs from a long-term intercultural exchange, between different language groups – young and old, indigenous and non-indigenous, in Roebourne, the heart of the Pilbara, Western Australia.'

'The performance of Tjaabi has been created specifically for the community and will be a unique experience, in situ, once only under the stars, for those who know and love these songs. This showing, written and staged inclusively with Patrick, involves young people from the community dancing with him on stage, elders in translation of songs, on film and surrounding the stage in support. ...' (Source: Yijala Yala website)

1 form y separately published work icon Namatjira Sera Davis (director), Scott Rankin , 2014 7937253 2014 single work film/TV life story

'In a landscape where contemporary Australia continues to struggle with questions of how to reconcile its national identity with its Indigenous roots, with contemporary Indigenous Australians, and with how it imagines its future, this film explores the notion of friendship and the role cross cultural friendships have to play in reconciliation. It looks through the prism of the Namatjira family, who live in Western Aranda country in Central Australia, in exploring the notion and reality of friendship. The story of their grandfather, Albert Namatjira – internationally acclaimed watercolour painter and the first Indigenous Australian citizen – is iconographic and nationally significant to the Australian narrative.' (Source: Documentary Australia Foundation)

1 Soggy Biscuit Scott Rankin , 2014 single work essay
— Appears in: Griffith Review , Winter no. 44 2014; (p. 7-32)
1 5 Hipbone Sticking Out Scott Rankin , Big hArt , 2013 single work drama

''Hipbone Sticking Out' spins the globe upside down and sets its teeth rattling to the tune of The Clash, The Stranglers, Britney Spears, sea shanties and traditional songs of the Pilbara in glorious six part harmony. Clothed in hi-viz work wear and set against the backdrop of Murujuga – the world’s largest outdoor rock art gallery - a stellar cast creates a tour de force story beginning in 1602 that places the Pilbara at the centre of world history.

In the town of Roebourne a young man, John Pat, scuffles with police, hits his head on the footpath and is left in a police lockup. He finds himself travelling through time from the beginning, meeting Greco/Roman Gods, tracing the spice routes, the exploration of the Indian Ocean, the paintings of Vermeer, the pop music of 1800’s, the coming of ghost people to Ngarluma country, slavery, pearling, new law, ancient law, and the mining boom of the present. During the performance John Pat’s family hold the truth of this story in their hands as witnesses. Like all Big hART’s pieces it will make you laugh and cry and touch you with its candid authenticity.' (Source: Canberra Theatre Centre website)

1 y separately published work icon Namatjira / Ngapartji Ngapartji : Two Plays by Scott Rankin Scott Rankin , Strawberry Hills : Currency Press , 2012 8800805 2012 selected work drama (taught in 1 units)

Collection of two plays.

1 4 form y separately published work icon Nothing Rhymes with Ngapartji Scott Rankin , ( dir. Suzy Bates ) Devonport : Big hArt , 2010 Z1778526 2010 single work film/TV 'Nothing Rhymes with Ngapartji, follows the journey of acclaimed Pitjantjatjara actor, Trevor Jamieson, as he returns to his traditional country to perform his hit theatre show - 'Ngapartji Ngapartji' - to an all-Indigenous audience, in the remote Australian aboriginal community of Ernabella, South Australia.
Trevor has struggled to hold onto language and culture while living away from his traditional country. 'Ngapartji Ngapartji' is a live theatre performance in two languages. But usually the audience is fluent in English not Pitjantjatjara. 2500km from the recent 5 weeks sell-out Sydney Festival season, against the magnificent backdrop of Australia's central desert Trevor is preparing to face his toughest audience yet.
The film follows the Ngapartji Ngapartji team's journey to Ernabella and performance of their acclaimed show in situ. It is terrible timing for Trevor; whose father, a central character in the stage show, passed away only weeks before. Not only does Trevor have to confront his grief in order to deliver the performance, in doing so he has to grapple with the decision to risk breaking traditional law by saying his father's name, acting the part of him, and showing footage of him as part of the show. Is Trevor going to get a knock on the head?

Trevor's family story is one of struggle & survival. Beginning in the 1950's Trevor's grandfather witnessed British atomic testing spread sickness throughout his land; the performance follows three generations of an Aboriginal family as they grapple with becoming refugees in their own country. Elders in Ernabella have their own memories of the Maralinga bombs, and Trevor knows that the Ngapartji Ngapartji show will be a potent reminder of what people have not talked about for a long time. As excitement builds amongst the company and the community about performing for an indigenous audience in Ernabella, so too the trepidation builds in Trevor, as he fears the consequences of performing a story so close to his own heart. Will Trevor's resolve be his own undoing?' Source: www.nothingrhymeswithngapartji.com/ Sighted 13/05/2011).
1 21 y separately published work icon Namatjira Scott Rankin , 2010 Strawberry Hills : Currency Press , 2011 Z1627325 2010 single work drama 'Albert Namatjira was a man of firsts: the first successful indigenous artist and the first indigenous man to be made an Australian citizen. At the height of his fame in the 1950s Albert Namatjira's shows sold out within minutes. If you didn't own one of his paintings you probably had a print in your lounge room.

'He also supported over six hundred members of his community, lost two of his ten children to malnutrition, was forbidden to own land, imprisoned for having a drink with his friends, and died a broken man.

'Namatjira is a whole-hearted tribute to a great man. (From the publisher's website.)
1 2 Nyuntu Ngali You We Two Scott Rankin , 2009 single work drama

'It is the 22nd century in central Australia. Everyday life is basic in this future world. The post climate change environment demands that skills for living return to the way they were for thousands of years before that fast-paced period of just 10 generations, which resulted in global warming and the near destruction of the planet. Eva and Roam have fallen in love and they face a life and death predicament as they run from an unseen enemy, because of their wrong-skin marriage.'

Source: Adelaide Festival Centre website, www.adelaidefestivalcentre.com.au (sighted 10/05/2010)

1 1 This is Living Scott Rankin , 2009 single work drama
1 Love Zombies Scott Rankin , 2008 single work musical theatre young adult '"Love Zombies" is a mixed media performance; with special effects, short films, interviews, acting, music, singing, dancing and BMX bikers.' Source: http://blogs.abc.net.au/tasmania/2008 (Sighted 13/01/2009).
1 1 Junk Theory Scott Rankin , Michelle Kotevski , 2007 single work drama 'The "Theory of Junk" explores why something that was once new loses value, becomes redundant and then gains value again. In 2005, the Sydney suburb of Cronulla came to symbolise many communities in Australia that are experiencing change, sometimes creating anger, fear and retribution as one culture is seen as less valuable by another. "Junk Theory" is an evocative floating multimedia representation of an iconic Australian beachside suburb in all its ugly beauty. Source: http://www.junktheory.org/ (Sighted 22/01/2010).
1 What I've Learnt : Scott Rankin Scott Rankin , 2006 single work column
— Appears in: The Age , 14-15 April 2006; (p. 14)
1 41 y separately published work icon Ngapartji Ngapartji Ngapartji Ngapartji one Scott Rankin , Trevor Jamieson , 2005 2005 Z1416415 2005 single work drama (taught in 2 units) 'Ngapartji Ngapartji' traces the true story of one of the world's oldest nations - the Spinifex people - and their encounter with the Cold War and particularly the British atomic testing at Maralinga.
1 2 Riverland Scott Rankin , 2004 single work drama Inspired by the art of Ian Abdulla, 'Riverland is the story of 13 year-old Luke and his family who go camping beside the river his Nana remembers swimming in as a girl before the flood. The river has changed - the cod do not swim there any more and the children live in the city. The audience is invited to come camping in a world of storytelling and play, where the real and the imagined combine, where the past and present are one.' (Windmill Performing Arts media release, 2004)
1 3 Beasty Grrrl Beasty Girl; Beasty Girl: The Secret Life of Errol Flynn Scott Rankin , 2003 single work drama

'This collaborative piece uses real time video, musical composition, and performance to tell the story of Flynn's homeland, travels, films, politics, lovers, nihilism and his misplaced desire to wrestle sharks and catch bullets.'

Source: Perth International Arts Festival 2003 promotional information. http://www.perthfestival.com.au/Festival/index.cfm/fuseaction/events.detail/pkEvent/100184/ Sighted 2003

1 3 y separately published work icon Career Highlights of the Mamu Trevor Jamieson , Scott Rankin , 2001 Perth : Corporate Image Productions , 2002 Z1364237 2001 single work drama Dramatises the impact of the 1950s Maralinga bombings on the Spinifex people.
1 y separately published work icon Certified Male : Let's Face It...Men are Funny Buggers : Songs & Highlights from the Hit Show Glynn Nicholas , Scott Rankin , Balaklava : Art Cackle and Hoot , 2000 Z1319171 2000 selected work lyric/song
1 7 Certified Male Scott Rankin , Glynn Nicholas , 1999 single work drama humour
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