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Melissa Lucashenko Melissa Lucashenko i(A20994 works by)
Born: Established: 1967 Brisbane, Queensland, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Bundjalung ; Aboriginal Yugambeh / Yugumbir ; Ukrainian
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Works By

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1 Extract : Edenglassie Melissa Lucashenko , 2023 extract novel (Edenglassie)
— Appears in: Kill Your Darlings [Online] , October 2023;
1 Staying White Melissa Lucashenko , 2023 single work column
— Appears in: The Monthly , August 2023; (p. 24-30)
'Jan Morris, a Welsh travel writer who knew a thing or two about identity transition, predicted in her 1992 book Sydney that mainstream Australia was about to embrace its Aboriginal heritage. Just as the convict stain had lost its stigma, the “taint” of native blood would, she anticipated, soon become cause for celebration rather than shame. Perhaps she had been influenced by the huge success of My Place, Sally Morgan’s 1987 memoir of Palyku identity, which had Australians searching their family trees in droves.' (Introduction) 
1 13 y separately published work icon Edenglassie Melissa Lucashenko , St Lucia : University of Queensland Press , 2023 26374920 2023 single work novel historical fiction

'When Mulanyin meets the beautiful Nita in Edenglassie, their saltwater people still outnumber the British. As colonial unrest peaks, Mulanyin dreams of taking his bride home to Yugambeh Country, but his plans for independence collide with white justice.

'Two centuries later, fiery activist Winona meets Dr Johnny. Together they care for obstinate centenarian Grannie Eddie, and sparks fly, but not always in the right direction. What nobody knows is how far the legacies of the past will reach into their modern lives.

'In this brilliant epic, Melissa Lucashenko torches Queensland’s colonial myths, while reimagining an Australian future.' (Publication summary)

1 'The True Hero Stuff' Blak Folk in Early Queensland Fiction Melissa Lucashenko , 2022 single work essay
— Appears in: Griffith Review , no. 76 2022;
'FROM THE NINETEENTH-CENTURY novels of Rosa Praed well into the twentieth century and beyond, Aboriginal people have been scrutinised and written about by outsiders in terms both simplistic and racist. Such fiction, especially in the era when the novel was about as powerful as Netflix is today, initially served an economic and social as well as a literary purpose.' (Introduction)
1 Beating the Bounds Melissa Lucashenko , 2022 single work short story
— Appears in: Griffith Review , no. 76 2022; (p. 245-254)
1 Lucashenko : Weasel Words Are Not Enough Melissa Lucashenko , 2022 single work column
— Appears in: Koori Mail , 23 February no. 770 2022; (p. 22)

'I ACKNOWLEDGE the Ngunnawal and Ngambri traditional owners, and their Elders past and present. I thank them for their hospitality and care of Country.

'Speech is silver but silence is golden so I'll make this address short.

'I woke up in my hotel this morning and saw Parliament House outside my window, with the blue Australian ensign flying in the breeze. A glorious sight to many. But for an Aboriginal person, especially a cultural Aboriginal person. the sight gave me no thrill.' (Introduction)

1 Foreword Melissa Lucashenko , 2021 single work essay
— Appears in: 40 : Forty Years of the UTS Writers' Anthology 2021; (p. xi-xiv)
1 Rent Melissa Lucashenko , 2021 short story
— Appears in: Australian Short Stories , September no. 67 2021;
1 Response to Writing Through Fences Melissa Lucashenko , 2021 single work essay
— Appears in: Southerly , vol. 79 no. 2 2021; (p. 22-24)
'We can learn most from those who think differently. In my culture, Aboriginal culture, learning about other people and the world we share is a sacred duty. Adulthood requires it; full citizenship in an Aboriginal nation demands a journey towards intense curiosity, attentiveness and deep reflection. Those without these qualities are not listened to in the same way, and are more or less regarded as children. Australians, for the most part, are childlike in this sense. And children can be cruel.' (Introduction)
1 Too Deadly Melissa Lucashenko , 2020 single work essay
— Appears in: Fire Flood Plague : Australian Writers Respond to 2020 2020;
1 A Saltwater to Watch Melissa Lucashenko , 2020 single work short story
— Appears in: The Saturday Paper , 19 December - 22 January 2020;
1 It’s No Accident That Blak Australia Has Survived the Pandemic so Well. Survival Is What We Do Melissa Lucashenko , 2020 single work column
— Appears in: The Guardian Australia , 23 July 2020;
'First we made it through the ice age. Then the catastrophe of British invasion. Whatever history has thrown at blackfellas we have endured.'
1 Beyond a Yarn into Artistry Melissa Lucashenko , 2020 single work review
— Appears in: The Weekend Australian , 11 January 2020; (p. 17)

— Review of Salt : Selected Essays and Stories Bruce Pascoe , 2019 selected work essay short story

'If you know Bruce Pascoe’s name it’s probably because of Dark Emu, his bestseller that exploded the myth that Australian civilisation began with the British. But Uncle Bruce was writing and publishing for decades before he turned our idea of Australian agriculture sideways. His new book, Salt, brings together the finest of his lifetime’s work. It contains 10 new short stories along with some previously published gems, and some of the best essays on Australia I ever hope to read.'  (Introduction)

1 Introduction to John Mukky Burke’s Late Murrumbidgee Poems Melissa Lucashenko , 2020 single work essay
— Appears in: Late Murrumbidgee Poems 2020;
1 Together We Are Powerful Melissa Lucashenko , 2019 single work prose
— Appears in: Choice Words : A Collection of Writing about Abortion 2019;
1 The Cherry Picker's Daughter Melissa Lucashenko , 2019 single work obituary (for Kerry Reed-Gilbert )
— Appears in: Verity La , October 2019;
1 My Name Is Gary Gray : A Voice from the Rooftop of Boggo Road Prison Melissa Lucashenko , 2019 single work autobiography
— Appears in: Bjelke Blues : Stories of Repression and Resistance in Joh Bjelke-Petersen's Queensland 1968-1987 2019; (p. 200-209)
1 When Free Speech and Freedom Kill Melissa Lucashenko , 2019 single work criticism
— Appears in: Sydney PEN Magazine , May 2019; (p. 3-9)
'I’ll begin by confessing that I’m not a huge fan of keynotes. I have a bit of paper directly in front of where I sit in my study in Mullumbimby and written on that piece of paper in large capitals is two things – No More Travel is the first. And the second is No More Keynotes. So, I’m just going to tell you a few brief stories about Freedom, and Free Speech in liberal Western democracies in 2018. (Introduction)
1 Fight or Flight Melissa Lucashenko , 2018 single work essay
— Appears in: The Lifted Brow , December no. 40 2018; (p. 57-59)

'So I'm at Brisbane airport the other morning ay, no other blackfellas in sight. And there's this wanker in front of me in the queue, giving everyone in earshot the shits. The queue was slow as, after the night I'd had with Tracy mob staying. Musta had four hours sleep, tops. And this dugai's standing there with his neck bright red underneath the world's shortest haircut and he's on the phone talking about the weekend at Bribie Island. Well, talking - more like broadcasting.'  (Publication abstract)

 

1 Writing as a Sovereign Act Melissa Lucashenko , 2018 single work criticism
— Appears in: Meanjin , Summer vol. 77 no. 4 2018; (p. 25-32)

'We talk about sovereignty a lot. We demandit be recognised and we have it on our T-shirts and so forth. But what is it really?'  (Introduction)

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