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Ethel Anderson Ethel Anderson i(A19172 works by) (birth name: Ethel Louise Mason) (a.k.a. Ethel Campbell Louise Anderson; Mrs Austin Anderson)
Born: Established: 16 Mar 1883 Lillington, Warwickshire,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe, ; Died: Ceased: 4 Aug 1958 Turramurra, Turramurra - Pymble - St Ives area, Sydney Northern Suburbs, Sydney, New South Wales,
Gender: Female
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Works By

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1 Doubtful Lover i "'Sarsaparilla false has gone", Ethel Anderson , 1993 single work poetry
— Appears in: The Oxford Book of Australian Love Poems 1993; (p. 47)
1 Cutty Sark i "When you're sailing in strange harbours", Ethel Anderson , Stephen Leek (composer), 1991 single work lyric/song
— Appears in: Voices of a Land : Three Australian Songs for Young Voices and Piano or Orchestra 1991; (p. 1-5)
1 Is Arson a Sin? Or a Peccadillo? Ethel Anderson , 1985 single work short story humour
— Appears in: At Parramatta 1985; (p. 171-184)
1 Which Proves it Is Cheaper Not to Commit Adultery Ethel Anderson , 1985 single work short story humour
— Appears in: At Parramatta 1985; (p. 143-156)
1 Another Thou-Shalt-Not - But Which One? Ethel Anderson , 1985 single work short story
— Appears in: At Parramatta 1985; (p. 129-142)
1 Concerning a Peccadillo Called Sloth Ethel Anderson , 1985 single work short story satire
— Appears in: At Parramatta 1985; (p. 93-101)
1 Donalblain McCree and the Sin of Anger Ethel Anderson , 1985 single work short story
— Appears in: At Parramatta 1985; (p. 50-64) Eclipsed : Two Centuries of Australian Women's Fiction 1988; (p. 187-204) Australian Short Stories 1991; (p. 171-186)
1 Lust, with Various Complications Ethel Anderson , 1985 single work short story
— Appears in: At Parramatta 1985; (p. 38-49)
1 Are the Dead Envious of the Living? Ethel Anderson , 1985 single work short story
— Appears in: At Parramatta 1985; (p. 82-92) The Oxford Book of Australian Ghost Stories 1994; (p. 230-240)
1 Untitled i "Moonlight and the tree is embodied. It receives its shadows and dances", Ethel Anderson , 1983 single work poetry
— Appears in: Network 1983; (p. 49)
1 1 Miss Aminta Wirraway and the Sin of Lust Ethel Anderson , 1983 single work short story humour
— Appears in: Australian Short Stories 1983; (p. 53-60) At Parramatta 1985; (p. 31-37) The Penguin Century of Australian Stories 2000; (p. 4-11)
1 Untitled i "Remote your home! Remote, and all but dumb", Ethel Anderson , 1973 extract poetry
— Appears in: The Best of Ethel Anderson 1973; (p. [85])
1 Untitled i "Thrusts, from Calcutta to Kabul, the Grand Trunk Road:", Ethel Anderson , 1973 extract poetry
— Appears in: The Best of Ethel Anderson 1973; (p. [19])
1 4 y separately published work icon The Best of Ethel Anderson Ethel Anderson , John Douglas Pringle , Sydney : Angus and Robertson , 1973 Z307812 1973 selected work short story autobiography prose poetry
1 Murder! Ethel Anderson , 1972 single work short story humour
— Appears in: It Could Be You 1972; (p. 113-124) At Parramatta 1985; (p. 102-114) Australian Love Stories 1996; (p. 121-135)
1 The Clipper Dunbar to the Clipper Cutty Sark i "When you're sailing in strange harbours, Cutty Sark, Cutty Sark,", Ethel Anderson , 1967 single work poetry
— Appears in: Songs for All Seasons : 100 Poems for Young People 1967; (p. 35)
1 The Rector's Wife Tempts the Bishop with a Brew of Nyppe Ethel Anderson , 1967 single work short story humour
— Appears in: Short Stories of Australia : The Moderns 1967; (p. 16-32) Best Australian Short Stories 1971; (p. 236-252) At Parramatta 1985; (p. 15-30) Goodbye to Romance : Stories by New Zealand and Australian Women Writers 1930-1988 1989; (p. 93-109)
1 Kunai-mai-pa Mo i "Into the shadow Kunai-mai-pa Mo", Ethel Anderson , 1964 single work poetry
— Appears in: Modern Australian Verse 1964; (p. 24-25)
1 1 Elihu Yale's Women Ethel Anderson , 1959 single work short story
— Appears in: The Little Ghosts 1959; (p. 17-28)
1 6 y separately published work icon The Little Ghosts Ethel Anderson , Sydney : Angus and Robertson , 1959 Z307914 1959 selected work short story prose 'This collection of Ethel Anderson's Indian stories calls back to life a world that has passed away. Against the richly coloured background of Indian life, ranging in time from the sixteenth century to the last days of British rule, rajahs and camel-drivers, white nabobs and exquisite princesses, gipsies [sic], and English gentlewomen play out their comedies and tragedies. There are scenes so strange and bizarre that they would be incredible of their vividness did not carry its own conviction, and others that live in the memory by their intense and haunting beauty; there are tales of cruelty and passion and of charming light-heartedness. The brilliance of Ethel Anderson's style, with its distinctive blending of wit and poetry, makes her the perfect chronicler of this fascinating world.' (Source: 1959 Angus and Robertson edition)
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