AustLit

'A gripping thriller, set in Maralinga, South Australia, at the height of the Cold War. At a remote army base carrying out British nuclear testing, paranoia runs rife and nuclear bombs are not the only things being put to the test, as loyalty, love, and betrayal are pitted against each other.' (Production summary)

An American re-make of the Australian series of the same name. The re-make was not popular with audiences, and no further episodes were made after the initial thirteen.

For a full list of episodes, see Film Details.

'In episode one, Cleaver's lover/friend/confident Missy — a high class call girl — has left without a trace, and tax lawyer David Potter, is in hot pursuit. Scarlet, his best friend Barney's wife, confides in him that she wants to leave home, and his 15-year-old son Fuzz draws him into a conspiracy to cover up his activities with his new girlfriend. But on the work front, Cleaver is presented with a case he can't resist — to defend a cannibal.'

Source: Australian Television Information Archive (http://www.australiantelevision.net/) (Sighted: 05/12/2012)

'On any single day, Cleaver Greene is described as many things. Whilst his ex-wife may call him 'unreliable", his son will call him "a mate". To his learned friends at the bar table he is "a real wag", to his jurors he is "hilarious", and to most judges he is "an outrage". To the Tax Office, he is "a defendant", to a certain brothel owner "a legend", and to his former cocaine dealer "a tragic loss".

'The clients he loves the most - the cases that thrill him - are those that appear to be utterly hopeless. There's something about being on the wrong side of conventional wisdom that feels right to him, be it at the bar table or the dinner table.

'He will do whatever it takes to defend and save life's truly lost souls. The big sinners. Its drug lords. Its cannibals. Its bestialites. And at the same time, he will struggle to save himself, to stop himself falling back into the abyss that has characterised most of his self-destructive adult life thus far.

'Despite his own hopelessness, his wit and charm have won him hordes of companions over the years. Most nights of the week, there is no shortage of invitations: dinner with a judge at the RMC (His Honour pays), or with some drug dealers in Chinatown (Manos pays), or with some of his copper mates at the Matador (no one pays).

'Any gaps in his diary will inevitably be filled by either all night sessions in chambers preparing for court or similarly lengthy sessions at his favourite brothel, simply referred to by those in the know as "the Club" (here, Cleaver is more than happy to open his own wallet). He tends to wake up bruised. Physically. Emotionally. Spiritually. Usually it's a combination thereof. He spends a nano-second wondering how his life came to this - living in a studio above a café in the Cross, without his wife and son, in love with a prostitute, defending hopeless cases. Then he gets up, puts on his dressing gown and a pair of brogues and goes downstairs for a coffee. Then it's out into the world - onto the battleground that is Cleaver Greene's day.'

Source: ABC Television website, http://www.abc.net.au/tv/
Sighted: 1 November 2010.

'An illegal refugee and a reclusive farmer fall deeply in love, despite their resistance, recovering their faith in themselves and their trust in humanity.'

Source: New Holland Pictures website: http://www.newhollandpictures.com.au
Sighted: 02/08/2007

'Hugh Walker (Matt Day) seems to have it all. He's 31, charming, handsome, and a senior associate in the largest law firm in the land. He numbers amongst his clients some of the country's most powerful banks and insurance companies, and his employers see him as a litigator who will eventually join their own esteemed ranks as a living God.

'Oh, how Hugh longs for an office with a harbour view (and the things he will do to get one!)

'There's just one small problem. A vow he made when he worked for Carneys, an ideologically sound law firm that acted for the little guys against the corporate monoliths. He promised himself that he would never cross to the dark side. Now when he looks in the mirror, he doesn't like what he sees. And his dreams, his alcohol fuelled nightmares, are filled with images of those he has skewered with justice's sword ... farmers, paraplegics, brain-damaged children ... they all come to visit him at night.

'And his waking hours aren't helped any by the fact that he has fallen out of love with his fabulous girlfriend, Helen (Marta Dusseldorp) and in love with the divine Caroline (Lisa McCune). Deception mounts deception.

'The closer you get to the top of the greasy pole, the more slippery it becomes. Hugh just manages to hold on ... until he finds himself the only witness to a frantic, sexual indiscretion on the boardroom table, and the centre of a bitter power struggle between two warring factions within the firm's senior partners.

'He seems damned whichever way he turns, and that harbour view is becoming more and more elusive...'

Source: Australian Television Information Archive. (Source: 10/5/2013)

'Brilliant pianist, innovative composer and radical intellectual, Percy Grainger was an eccentric genius who relished extreme sado-masochism and shared an intense relationship with his mother, Rose. PASSION is the story of this 20th century maverick and his mother.'

Source: Screen Australia. (Sighted: 20/5/2014)

After a mad, passionate fling on a whirlwind trip to Moscow, party girl Joan Fraser returns home pregnant. And when little Joe is born, everyone wonders who 'Daddy' is! Soon, the ball starts rolling on a hilarious sequence of events that includes a clueless husband, a lovesick double agent, and even Joseph Stalin himself.