AustLit

'According to Philippe Lejeune, writers of autobiography implicitly sign a pact with the reader to tell the truth, or at least the truth as they know it, about themselves.2 That is, primarily a subjective truth. As for facts, the expectation is presumably that autobiographers will convey the facts as they know or remember them, but without a necessary obligation to check their memory through documentary or other research. There is no autobiographer’s commitment to objectivity, rather the contrary. The autobiographical truth is, by definition, a subjective one.' (Introduction)

'Katharine Susannah Prichard is one of those mid-century Australian literary figures like Vance Palmer whose name is mentioned in literary histories more often than her books are read. As it happens, she was a schoolfriend of Vance’s future wife, Nettie, née Higgins, who became a distinguished literary critic, as well as of the pioneering woman lawyer Christian Jollie Smith, and Hilda Bull, later married to the playwright Louis Esson. All were politically on the left as adults, and Prichard and Jollie Smith joined the Communist Party. It was the distant Bolshevik Revolution in October 1917 that converted Katharine to the communist cause; she was a communist in Western Australia before there was a party there for her to belong to.' (Introduction)   

'On a winter's day in 1943, 22-year-old Mischka Danos chanced on a terrible sight as he skied through Latvian woods—a pit filled with the bodies of Jews killed by the occupying Germans. The world was full of such atrocities, which makes Mischka's decision to escape conscription to the Waffen-SS by going on a student exchange to Germany all the more remarkable. Even more so when Mischka later discovered he was part-Jewish.

'But his was no ordinary life. He narrowly escaped death in the Allied fire bombing of Dresden. He then lived the precarious life of a Displaced Person in occupied Germany before heading north with the hope of crossing the border into Denmark, where he finally reunited with his mother Olga. He went on to become a member of the exceptional Heidelberg school of physics. They were both resettled in the US at the beginning of the 1950s, which is where, much later, he met, fell in love with and married Sheila Fitzpatrick.

'Fitzpatrick pieces together her late husband's story through diaries, correspondence and recollections: 'This is a historian's book but it's also a wife's book about her husband ... an offering of love that is also a search for knowledge.'' (Publication summary)

'In 1968 historian Sheila Fitzpatrick was ‘outed’ by the Russian newspaper Sovetskaya Rossiya as all but a spy for Western intelligence. She was in Moscow at the time, working in Soviet archives for her doctoral thesis on AV Lunacharsky, the first Soviet Commissar of Enlightenment after the 1917 Bolshevik Revolution.

Despite KGB attention, and the impossibility of finding a suitable winter coat, Sheila felt more at ease in Moscow than in Britain—a feeling cemented by her friendships with Lunacharsky's daughter, Irina, and brother-in-law, Igor, a reform-minded old Bolshevik who became a surrogate father and a intellectual mentor. An affair with young Communist activist, Sasha, pulled her further into a world in which she already felt at home. For the Soviet authorities and archives, however, she would always be marked as a foreigner, and so potentially a spy.

Punctuated by letters to her mother in Melbourne and her diary entries of the time, and borne along by Fitzpatrick's wry, insightful narrative, A Spy in the Archives captures the life and times of Cold War Russia. ' (Publisher's blurb)

'How does a daughter tell the story of her father?

Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him.

Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter.

My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.' (From the publisher's website.)