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Michelle Wright Michelle Wright i(A151146 works by)
Gender: Female
Heritage: Sri Lankan
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BiographyHistory

Michelle Wright has worked in the Community Development office of the Whitehorse Council, Melbourne.

Most Referenced Works

Personal Awards

2022 shortlisted Alan Marshall Short Story Award Local Writers' Section for 'Nothing More to See'.
2022 shortlisted Alan Marshall Short Story Award Local Writers' Section for 'One Small Steph'.
2020 recipient Creative Victoria Sustaining Creative Workers Fund ($5000): ‘To complete her first novel, and undertake research and development for a collection of short stories.’

Awards for Works

y separately published work icon Fine Crows Nest : Allen and Unwin , 2016 9509897 2016 selected work short story

'The dazzlingly accomplished stories in this collection range from a vivid moment of a young girl counting the 'water hours', to a scorching tale of schoolyard bullying; a sleep-deprived mother; grandparents of a child at risk deciding where their loyalties lie; a young boy searching for his parents after the Sri Lanka tsunami; a widow walking the beach, and a woman secretly listening to the weather reports on radio: all trying with courage and fragility to present a face to the world that is 'fine'. By shining her light on these quiet moments in ordinary lives, Michelle follows in a tradition which includes Olga Masters, Amy Witting and Alice Munro. It is exciting to read a contemporary collection of such breadth. Fine is an astonishing fiction debut from a future star of Australian Literature.' (Publication summary)

2015 shortlisted Victorian Premier's Literary Awards Prize for an Unpublished Manuscript by an Emerging Victorian Writer
Earth Orbit 2016 single work short story
— Appears in: Literary Nillumbik Anthology of Writing 2016 2016; (p. 14-19)

'This is a hugely heart-warming love letter from an adult to their mother – rich both in tone and theme. Earth Orbit is a story that creeps up on you. In the opening paragraphs, the imagery is deceptively naïve and the child’s voice almost cloying, but what we come quickly to appreciate is that the spaceship we have entered is in fact a Datsun 120Y the child’s homeless mother has decorated with blue cellophane, pricked through with starry holes, in an act of maternal love and protection that borders on the heroic. 

'The redemptive power of story and the imagination underpins this moving narrative, as ongoing hardship is reshaped and so endured, the importance of what is real or not becoming less crucial than the fierce, joyful love between a mother and child.' (6)

2016 winner Alan Marshall Short Story Award Local Writers' Section
Last Man Standing 2015 single work short story
— Appears in: Award Winning Australian Writing 2015 2015; (p. 117-122)
2014 winner Alan Marshall Short Story Award Open Section
Last amended 17 Jun 2020 14:08:35
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