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David Pulbrook David Pulbrook i(A144222 works by)
Gender: Male
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1 5 form y separately published work icon Bad Blood David Pulbrook , Patrick Edgeworth , ( dir. David Pulbrook ) South Australia : F. G. Film Productions , 2017 9598373 2017 single work film/TV thriller

'Carrie, an attractive high-powered career woman cautiously accepts an invitation from Vincent - a best-selling author for a long weekend on his unspoiled tropical island. When she senses something is terribly wrong she decides to leave early, only to find herself racing from the house into a rain forest in fear for her life. What she discovers about Vincent turns everything on its head and hurls them into a one-sided battle against a psychopathic killer.'

Source: Screen Australia.

1 10 form y separately published work icon Last Dance Terence Hammond , David Pulbrook , ( dir. David Pulbrook ) Australia : Ulah Pty Ltd , 2012 Z1829341 2012 single work film/TV thriller

'After hearing of a terrorist bombing in her neighbourhood, live-alone holocaust survivor, Ulah Lippmann, finds herself held hostage by Sadiq Mohammed, a Muslim radical on the run after the bombing. Desperately wounded, he hides in Ulah's flat while he plans his next move. So begins a conflict that will force Ulah and Sadiq to confront their own pasts. Captive becomes captor as Ulah takes control, not turning Sadiq in, but nursing him until she discovers his dreadful secret.'

Source: Screen Australia. (Sighted: 30/1/2014)

2 form y separately published work icon Chain Reaction Patrick Edgeworth , ( dir. John Jacob et. al. )agent Melbourne : Crawford Productions Network Ten , 1972 Z1928932 1972 single work film/TV crime

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'FRED BAKER: Late 30's. Gullible. Is his own worst enemy. Would believe that he is the victim of "bad luck" not realising that he makes his own, most of the time. A man who needs the security of a family and a regular job.

'JEAN BAKER: Thirties. Quite attractive. Has lost any respect for her husband some time ago. She looks up to Jack O'Brien as a real man. Drives a car.

'JACK O'BRIEN: Late 30's. Genuinely in love with Jean Baker, and fond of her children. This affair is no casual thing - and he hopes to marry her. Drives a car.

'ALEC BELL: Mid-thirties. Noveau Riche. Smooth confident man who might occasionally show his humble origins. Too well-dressed, sleeve cuffs showing perhaps overdoes it with a handkerchief in top pocket. He smiles easily. Would be successful in any business that required synthetic charm, and bundles of enthusiasm. To him success means more personal possessions. He loves his car, which is an expensive imported one (plot point) tends to be pleasant only to people he needs.

'JOE EVANS: About the same age as Fred Baker. They would have known each other since school days. Joe is the salt of the earth, always willing to give a mate a hand. Confirmed bachelor, with a cynical view of women. If he ever needed a woman - he'd pay for her.

'GEORGE EVANS: Late thirties. A naturally cautious man who is finally taken in by Bell's salesmanship. An ordinary everyday person who would never make a salesman, though the idea of having his own business appeals to him.

'SHIRLEY EVANS: Mid-thirties. Simple soul who is readily taken in by Bell's charm. The thoughts of the riches to come, blind her to the realities of Bell's scheme.

'(ANN BAKER: 7 years.

'(MARIE BAKER: 9-10 years. (Only a few lines. Fred and Jean's two children).

'POLICE CONSTABLE (UNIFORMED): Few lines.

'TWO EXTRA POLICE CONSTABLES (UNIFORMED):

'TWO YOUTHS: Teenagers (one scene).

'MOTORIST: One scene. No lines.

'FOUR EXTRAS: Bell's meeting.

'2 AMBULANCE MEN: Actuals. One scene.'

2 form y separately published work icon Ghosts Sonia Borg , ( dir. John Jacob et. al. )agent Melbourne : Crawford Productions Network Ten , 1972 Z1914061 1972 single work film/TV crime

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes (excluding regular characters):

'MRS. ANNA CZOSKI: About sixty years old: powerful personality. Her son is her only reason for living. She deeply resents her Australian daughter-in-law.

'JOSEPH CZOSKI: Mid - to late thirties. Well educated, charming, a little soft. Has married for sake of convenience. Feels guilty towards his mother.

'JILL CZOSKI: Mid-thirties. Plain, apparently ordinary country woman. Is expecting her first child. Has a primitive hatred against Mrs. Czoski and tries her best to get her out of the house.

'MR. BELL: Mid-forties. Friendly straight forward type. Australian.

'MRS. BELL: His wife. Same type of person but also interested in the occult.

'DR. BEDI:

'CONSTABLE JENKINS:

'CONSTABLE JONES:

'MISS JACKSON: District Nurse. Down-to-earth, hearty, domineering.

'MAN FROM FORENSIC:

'FATHER CAMERON: Catholic Priest, matter-of-fact type of person.'

2 form y separately published work icon If Maria Dies, The World Stops Martin Robbins , ( dir. David Pulbrook et. al. )agent Melbourne : Crawford Productions Network Ten , 1972 Z1912625 1972 single work film/TV crime

The script held in the Crawford Collection in the AFI Research Collection includes the following character notes (excluding regular characters):

VINCENTE GARELLI: Early 20's. Typical Sicilian. Passionate and strong willed. Drives.

MARIA GARELLI: 20. Italian. Mature for her age. (6 months pregnant).

LEN: Middle twenties. Vincente's friend. Drives.

BILL THOMAS: 40-50. Drinks heavily. Lazy. In debt. Likes women. Drives.

ELSE THOMAS: 42-50. Drinks, because of her husband. Drives.

JACK WILMOTT: 50's. Vincente's boss. Kind man. Thinks a lot of Vincente. Drives.

MRS. WILMOTT: 50's. Like her husband.

FATHER DAWSON: Catholic priest.

JOE FLETCHER: 30-40. Suspect. Has been involved in similar accident, but not convicted. (Lack of evidence).

DR. BEDI: As established.

NURSE:

UNIFORMED CONSTABLE: Young.


1 form y separately published work icon One Against the World David Whitaker , ( dir. Bruce Ross-Smith et. al. )agent Melbourne : Crawford Productions , 1972 9601746 1972 single work film/TV crime
2 form y separately published work icon A Game of Chance Ted Roberts , ( dir. Alex Emanuel et. al. )agent Melbourne : Crawford Productions Seven Network , 1971 Z1934007 1971 single work film/TV crime

The script held in the Crawford Collection in the AFI Research Collection contains the following character notes (excluding regular characters):

'BRIAN CLARK 24. Leader of a group of young hoodlums. Probably schizoid. Clean-cut good looks belie an unstable, vicious nature.

'PINA BIANCHI 22. Attractive, Italian descent. An emotional girl. Deeply attracted to Clark, and sees a completely different side of him. She is intelligent but ingenuous.

'BIANCHI 55. Pina's father. A wealthy Italian migrant. Well-educated but no pretentions. [sic] He is addicted to cards, plays regularly for high stakes. Honest, likeable, strong character.

'BILL WOOD 24. A big youth, and a born thug. Untidy, badly spoken, vicious.

'KEITH MORGAN 22. Smaller than Wood, makes up in slyness what he lacks in size. A streak of cowardice that he covers with bravado. He and Wood form Clark's gang, and are completely under his sway. ABLE TO DRIVE.

'COSTA / MARTINO / CONTI Friends of Bianchi. Around same age or younger. Equally addicted to cards, all are well-off businessmen. Of all the Italians, only Costa and Martino have more than the slightest trace of accent.

'SPORTS STORE PROPRIETOR 40's. Small part, few lines. A suburban businessman.

'ESPRESSO BAR OWNER 40's. Italian, tendency to melodrama and over-acting. Small part.

'THREE POLICEMEN'.

1 3 form y separately published work icon Matlock Police Terry Stapleton , Ian Jones , Everett de Roche , Ian Jones , Terry Stapleton , Keith Hetherington , Patrick Edgeworth , Tom Hegarty , Douglas Tainsh , Graeme Koetsveld , Peter A. Kinloch , Sonia Borg , Don Battye , Robert Caswell , George T. Miller , Gwenda Marsh , Cliff Green , Vince Moran , Luis Bayonas , David William Boutland , Phil Freedman , Keith Thompson , Denise Morgan , C.F. Barnes , Robert Bruce , Alan Cram , Vern Perry , Martin Robbins , John Dingwall , George Mallaby , Jim Stapleton , Simon Wincer , ( dir. Colin Eggleston et. al. )agent 1971 Melbourne Australia : Crawford Productions Network Ten , 1971-1976 Z1638563 1971 series - publisher film/TV detective crime

The Matlock Police series (originally simply titled Matlock) was commissioned from Crawford Productions by ATV-0, in response to the popularity of rival-network police dramas such as Homicide and Division 4. Crawford's was initially reluctant to create another police series, but ATV-0 pressured the company for some time. Eventually, Ian Jones and Terry Stapleton devised the concept of a regional (Victorian) police series to provide viewers with something different. The more relaxed atmosphere of the country-town setting also allowed the writers to delve into the private lives of the main characters, rather than focusing heavily on big-city organised crime. In this respect, the series was situated somewhere between Homicide/Division 4 and Bellbird. The series did, however, cover typical rural policing, including such issues as break and enters, domestic issues, itinerant workers, brawls, petty crime and robberies, road accidents, the occasional homicide, and cattle rustling. On other occasions, the Matlock police also assisted Melbourne police in locating criminals on the run (among other problems). The idea behind the show was to reflect the causes of crime in a small community and show the effects on both the community and the officers themselves.

The fictional town of Matlock (loosely based on Shepparton in Victoria) is situated inland on the Central Highway, approximately 160 kilometres north of Melbourne. Although the town's population is only seventeen thousand, this increases to around seventy-five thousand when the district is included. The Matlock Police Station is typical of a Victorian country town, with a Uniform Branch and a Criminal Investigation Branch (CIB). The CIB is headed by Detective Sergeant Vic Maddern, who grew up in the Matlock district and is an accomplished bushman. Second in command is Detective Allan Curtis, aged in his mid-twenties. Previously from Melbourne, Curtis has just been sent to his first country posting (against his will) when the series begins. Head of the Uniform Branch is Sergeant Bert Kennedy, an Englishman who migrated to Australia in 1950. A thorough but also easy-going man with a good sense of humour, Kennedy is married to Nell and enjoys the country life in Matlock, so much so that he has knocked back promotion to avoid moving to Melbourne. Several constables are attached to the Uniform Branch, but the most prominent is a motorcycle cop, Constable Gary Hogan, who performs a wide variety of duties. Hogan is about thirty, a friendly, easy-going person who grew up in the country and is always willing to help in whatever work is going.

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