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Hal Judge Hal Judge i(A14346 works by) (a.k.a. Henry Hull)
Gender: Male
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Works By

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1 Against Malls i "Pastel colour code bunker parking", Hal Judge , 2011 single work poetry
— Appears in: The Canberra Times , 23 July 2011; (p. 3)
1 What Is Poetry? i "All the dictionaries are wrong.", Hal Judge , 2011 single work poetry
— Appears in: Sotto , August 2011;
1 Progressing an Art Form : The Future of Poetry Hal Judge , 2011 single work essay
— Appears in: Sotto , October 2011;
1 How Did I Get Here...? : A Monthly Look into Writing as a Profession Hal Judge , 2010 single work column
— Appears in: ACTWrite , December 2010 - January 2011 vol. 16 no. 11 2010; (p. 13)
1 1 Before Elapsing i "Most words are the same but", Derek Motion , Adam Ford , Zenobia Frost , Rebecca Giggs , Susan Hampton , Stu Hatton , Kelly Lee Hickey , Hal Judge , Dan Lee , Carly-Jay Metcalfe , Ella O'Keefe , Scott-Patrick Mitchell , David Prater , Bel Schenk , Jaya Savige , Andrew Slattery , Amelia Walker , Louise Waller , Ben Walter , Fiona Wright , 2010 single work poetry
— Appears in: Overland , Spring no. 200 2010; (p. 112-117)
1 Promoting through Performance Hal Judge , 2010 single work column
— Appears in: ACTWrite , February vol. 16 no. 1 2010; (p. 9)
1 form y separately published work icon Beautiful Genevieve Clay-Smith , Hal Judge , ( dir. Genevieve Clay-Smith ) Australia : 2010 11609931 2010 single work film/TV

Two people with disabilities deal with social backlash when their relationship is revealed at the local pool.

1 Write in Code i "Don't mention the ocean", Hal Judge , 2008 single work poetry
— Appears in: Capital Letters : ACT Writers Centre Poets' Lunch, 2008 2008; (p. 26) FourW , no. 21 2010; (p. 86-87)
1 Markets and Tips for Poetry Hal Judge , 2007 single work column
— Appears in: ACTWrite , December vol. 13 no. 11 2007; (p. 5)
1 Performing Your Poetry Hal Judge , 2007 single work column
— Appears in: ACTWrite , December vol. 13 no. 11 2007; (p. 4, 8)
1 2 y separately published work icon Someone Forgot to Tell the Fish Hal Judge , Brisbane : Interactive Publications , 2007 Z1444889 2007 selected work poetry 'Hal Judge is an energetic, risk-taking poet who is formulating a unique poetics. It is fascinating to watch something poetically 'new' take shape, watch it break out of its borders and boundaries and travel through different registers of language and experience. There is something of a troubadour about Judge, but a fiercely pro-active one: a combination of thrash guitarist and folk singer. He challenges the reader, he challenges the world-at-large, and he challenges his own perceptions. He is surrounded by poetry and pulls the threads together. A poet worth watching closely. - John Kinsella'
 
1 Area Denial i "chi.ld born long af.ter guns sil.enced picks flow.ers", Hal Judge , 2007 single work poetry
— Appears in: ACTWrite , March vol. 13 no. 2 2007; (p. 18)
1 y separately published work icon Age of Anomalies Hal Judge , 2006 (Manuscript version)x401687 Z1357125 2006 selected work poetry
1 The Grand Unified Theory of Writing Hal Judge , 2006 single work criticism
— Appears in: ACTWrite , December vol. 12 no. 11 2006; (p. 4-5, 12)
1 form y separately published work icon Silicon Spies Hal Judge , 2003 Australia : 2003 Z1571472 2003 single work film/TV science fiction thriller

Silicon Spies is set in Canberra in 2079 after global warming has melted the ice caps, creating billions of refugees and locking humanity in a battle for survival. Governments fell as the oceans rose and the multi-nationals stepped in to house, feed and, ultimately, rule. The Corporations are headquartered for safety in shielded cities, the largest being Canberra. Like a medieval castle, the city of Canberra houses the richest safe from the weather's tyranny beneath a perspex sky, while the aspirants cling to the outer ring wall and the poor take their chances in the surrounding slum districts, Through this dystopic world moves Rez, a data thief for hire in a world where life is cheap, all drugs are designer and information is the only currency worth a damn. When the mystery client Cassandra hires Rez for a daring theft from the BioCorp citadel, Rez finds the target is a genetically-modified woman by the name of Annika. Forced to live in captivity, she can link wirelessly with any computer system. When Rez becomes aware that Annika is desperately searching for her child (which she believes BioCorp has taken from her), he and Annika join forces, and a series of adventures, betrayals, murders, blackmail attempts and uneasy alliances ensue.

Based on his 1996 play of the same name, this screenplay was submitted to the Australian Film Commission. The AFC's report records:

'It's a well-crafted screenplay for this genre, and certainly sets its world as a convincing place sometime in the future. The storyline moves with considerable ease and dialogue and characters are tonally consistent. The humour of the script is nicely developed alongside some great sophisticated approaches to information, society and technology, environment and overpopulation. The themes of this screenplay then are woven into the narrative. Silicon Spies is quite an achievement in terms of freshness and distinctiveness" (Sighted Blue Angels website, q.v.).

Despite securing interest from the AFC and Inventive Films, Silicon Spies is yet to be produced (even though the cast and production team were finalised in 2003). A trailer was also produced in 2003, with funding from the ACT Government Knowledge Fund.

1 Where is Arabia? i "Where is arabia when language", Hal Judge , 2003-2004 single work poetry
— Appears in: Muse , December - January no. 235 2003-2004; (p. 21)
1 Sonnet CXVI Minute Hal Judge , 2002 single work prose satire
— Appears in: Blast , Winter no. 47 2002; (p. 14-15)
1 Ununoctium i "Requited love", Hal Judge , 2002-2003 single work poetry
— Appears in: Muse , December - January no. 224 2002-2003; (p. 21)
1 As Natural as Breathing Hal Judge , 2002 single work criticism
— Appears in: Muse , April no. 216 2002; (p. 7)
1 A Leading Role Hal Judge , 2001 single work column
— Appears in: Muse , April no. 205 2001; (p. 15)
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