AustLit

'In one day successful city lawyer, Laura Gibson's world falls apart. Suddenly she realises she no longer knows her husband, her children, or where her all-consuming career is going. On a whim, Laura grabs at a position as magistrate in the small coastal town of Pearl Bay and with two bewildered kids in tow sets off to change their lives forever.'

Source: Australian Television Information Archive. (Sighted: 18/9/2012)

'"Welcome to the far-famed and most reliable Balanced Particle Freeway, a magical adventure that can take you anywhere in the world in no time at all!" That's what the dragon Mizuchi tells Lili and Bede when he unexpectedly crash lands in their backyard. The children discover that there is an entrance to the Balanced Particle Freeway just outside their back gate and it catapults them from school holiday boredom into high adventure'.

Source: Screen Australia. (Sighted: 7/6/2012).

On the cold and inhospitable planet of Zyrgon in a galaxy light years away, X's father wins the state lottery for the 27th time in a row. Knowing he will now be severely punished, twelve-year-old X is determined to save her family from jail, and decides to buy a spaceship. The whole family then set off into space, head halfway across the galaxy, and turn left. They land on an even stranger planet: Earth.

The first television program from prolific children's television producer Jonathan M. Shiff, Kelly follows the adventures of a police dog who, after being injured at work, is sent to recuperate in the country; here, Kelly becomes the constant companion of Jo Patterson and her friend Danny Foster, and manages to ferret out some criminals even in the country.

Like the earlier Crawford's series The Box, Prime Time was concerned with television production. In this case, the programme focused on the fictional Lockhart Productions and its prime-time current-affairs program, Assignment: according to Moran, in his Guide to Australian TV Series, 'although there was no physical resemblance between actor Chris Orchard and real-life current affairs host and company owner, Mike Willesee, nevertheless the reference was clear.' The show was produced in such a way that, according to Moran, its 'format was flexible enough to allow both the presence of ongoing narratives about the principal characters as well as featuring guest characters, narratives and situations arising out of the stories that Assignment was focusing on.'

Unlike The Box, Prime Time was not successful, though Moran emphasises that Channel 9, the network airing the program, 'did much to snatch disaster from the jaws of victory by scheduling Prime Time on Thursday and Friday nights'.