AustLit

"Lost in Pronunciation follows the arrival in Australia of a Venezuelan comedian, Ivan, whose heart is set on breaking into the local comedy scene."

Source: South Australia Made Showcase.

'Set in the homicide squad of a large metropolitan city, this is a punchy one hour drama series about murder mystery and a group of young committed cops, focused on justice for the deceased. Jennifer Mapplethorpe, ambitious and intelligent; Simon Joyner, keen, cool, self-assured; Duncan Freeman, living high, ready to fall; and Matt Ryan, intense and driven. In Homicide, it's not always crooks and low-lives, most murders are committed by ordinary people - a moment of madness, a failure of communication, a desperate act. These Detectives follow a profession that makes blood, grief and drama just part of their normal day. Their day begins when your day ends.'

Source: Australian Television Information Archive.

A cut-down version of the first season of the television program Wicked Science, released as the 'feature length version of the hugely successful, award-winning teen action series'.

After stumbling on a secret super-computer, clumsy pizza delivery boy Scooter transforms himself into Secret Agent X-19, undertaking a double life of international intrigue.

The program draws its inspiration from straightforward spy films, such as the James Bond franchise, as well as their parodic counterparts, such as Get Smart, from which Scooter: Secret Agent draws its comedic tone. Simultaneously, the program makes extensive use of both stuntwork (including wire work) and special effects in order to provide Scooter with a a range of science-fiction gadgets.

Two students--easy-going and not terribly academically inclined Toby and unpopular teacher's pet Elizabeth--are hit by an unusual magnetic pulse that transforms them both into scientific geniuses. While Toby is uncomfortable with his new power and not certain how to put it to use, Elizabeth revels in hers, hoping to dominate the school.

Creator Jonathan M. Shiff notes (in the media kit for season one) that

'I wanted the series to be grounded in real teenagers and an authentic school environment - bringing the chaos of teenage emotions and friendship to the backdrop of science and adventure. Wicked Science is very much driven by Elizabeth's desire to catch Toby's attention and instead of witchcraft or magic it is science she uses as the tool'.

The production company also liased with Australian Teachers of Media (ATOM) to create a study guide that would enable teachers to use Wicked Science as a starting point for classroom discussions of science, its place in society, and the specific scientific concepts explored in the series.

The second of two telemovies constructed by cutting down episodes of the television program Pirate Islands.

The first of two telemovies constructed by cutting down episodes of the television program Pirate Islands.

Fifteen-year-old Kate and her two younger siblings, Nicholas and Sarah, are accidentally zapped inside Kate's current video-gaming obsession: Pirate Islands, a swashbuckling action-adventure game. Now the children--and the island's existing population of castaway children, led by the fearless Mars--must battle the fearsome Captain Blackheart if they wish to get back to their own world.

The program is structured around the generic conventions of video gaming: the protagonists must find a powerful object (the Golden Idol) in order to exit the game; the islands contain 'power ups', namely a jet-pack and magic boots, that give the protagonists super-human powers; and the location is divided into several distinct environments that the protagonists can explore (Castaway Island, Haunted Island, Plant Island, Main Island, and Secret Island).

The program has never been released on DVD in its entirety, but was cut down and released as two films.

'About a group of 20-somethings living in the urban environs of St Kilda. They have yet to make it, but know it's just a matter of time.'

Source: Screen Australia. (Sighted: 28/11/2013)

Thirteen-year-old Lauren's life is confusing enough, with her mother remarrying, moving to another country, and introducing Lauren to a new stepfather and little stepbrother. But that's not nearly as confusing as the day two Nelfs (Santa's helpers) jump from his sleigh and into Lauren's life. With Santa's rounds finished for another year, Lauren is stuck with the bickering, meddling siblings until next Christmas. But when only Lauren can see them, her family start to think she's going mad.

'Alex is feeling confused and rejected by Evan. The friendship that has always been so strong seems to be evaporating.

'Miranda prepares for her opening night of 'The Seagull', while Richie prepares to leave the flat they've shared together for three years.

'Kelly runs into Nathan, a former client at the 'Get Personal' introduction agency. She's surprised by how little she actually knew about him — and how much she likes him.

'Sam asks Will if he loves her, and he playfully says no. Then soon afterwards, suddenly, horribly, Sam is hit by a car and killed. Will's world tumbles down all around him as he struggles to absorb the devastating loss. The others gather around one another, tensions and disagreements forgotten, as they acknowledge how much they cherish each other and reflect on the fragility of life.

'Filled with self-loathing, Will picks a fight with a beefy guy and ends up in hospital. Alex patches him up.'

Source: Australian Television Information Archive.

'Inspired by true events, Stingers reveals the shadowy and ambiguous world of undercover cops — people with covert lives and constantly changing identities. They are police who defeat crime from within the criminal world — always without a badge and frequently without protection. The series follows the lives of the operatives as they befriend and betray those on the other side of the law. For these select few, it is a deadly way of life.The undercover cops of Stingers are a unique breed. They must juggle their own lives — love, laughter, family and humanity — with the tension of the criminal personas they adopt in their passion for justice.'

Source: Australian Television Information Archive. (Sighted: 7/6/2013)

One of Australia's highest rating dramas, All Saints is a Logie Award-winning Australian medical drama set in the fictional All Saints Western General Hospital in suburban Sydney. The stories originally focused on the nursing staff of Ward 17 run by Nursing Unit Manager Terri Sullivan. It was sometimes referred to as the 'garbage ward' because it took the overflow of patients.

In 2004 Network Seven producers overhauled the series in an effort to increase the show's gradually dwindling audience. They achieved this by closing down Ward 17 and transferring some of the staff to the Emergency Department managed by Frank Campion. Several other new lead characters were also introduced. The changes also saw the storylines begin to focus more on the lives of the doctors and nurses.

Another significant change to the series came in early 2009 when the producers introduced the Medical Response Unit. Central to this development was the helicopter which took doctors to rescue situations outside the hopsital and which in turn brought patients to the All Saints Emergency Department. The show's name was also changed at this time to All Saints: Medical Response Unit. The increased production costs created by having scenes shot on location played a part, however, in the series being cancelled mid-year. The series ended with the Emergency Department and Medical Response Unit teams having a dinner to farewell the last remaining original character, Von Ryan on her final day at All Saints.

All Saints was popular in many countries including the United Kingdom, Ireland, Belgium and Iran.

'Murder is the ultimate crime. It touches the lives of ordinary people, casting its long shadow over the glossy cityscape and glamorous haunts of the sprawling metropolis. For homicide detectives Steve Hayden and Tessa Vance, solving a murder is a journey from darkness into light. An urgent, vicious confrontation with evil, a walk through the devil's own world.

'Tessa and Steve are the elite new face of homicide. She is young and brilliant, he is logical. She is instinctive, he goes by the book. She's complicated, he's down to earth. Together this powerful partnership must confront and overcome the intrigue, fear and shattered lives which murder leaves in its wake.'

Source: McElroy All Media (http://www.mcelroyallmedia.com.au/index.php?page=murder-call). (Sighted: 19/4/2013)

The authors above are those credited as script-writers for the series. A number of other authors were also credited with 'story': Jennifer Rowe is the most frequently credited, but other authors credited with 'story' are Leanne Williams, Duncan Ball, Kel Richards, Jenny Pausacker, Kerry Greenwood, Richard Hall, Peter Gawler, John Banas, Jean Bedford, Karen Petersen, and Helen Robinson.

'Fast-paced series spin-off of the hit feature film. Filmed at an abandoned school in Sydney's Maroubra, this program was about an ethnically diverse group of students attending Hartley High School.'

Source: National Film and Sound Archive record.

A character-based television drama series about the lives of police officers in the fictitious Australian country town of Mt Thomas, this series began with the arrival of Constable Maggie Doyle (Lisa McCune) to the Mt Thomas station in the episode 'A Woman's Place'. Doyle and avuncular station boss Senior Sergeant Tom Croydon (John Wood) were the core characters of the series until the departure of Lisa McCune.

Immensely popular for a decade, Blue Heelers was cancelled in 2006 after thirteen seasons. The announcement was front-page news in Australia's major newspapers including The Sydney Morning Herald, Sydney's Daily Telegraph, The Herald Sun and The Age in Melbourne, and Brisbane's Courier Mail.

On June 8, 2006 Ross Warneke wrote in The Age:

'It's over and, to be perfectly blunt, there's no use lamenting the demise of Blue Heelers any more. When the final movie-length episode aired on Channel Seven on Sunday night, 1.5 million Australians tuned in, a figure that was big enough to give the show a win in its timeslot but nowhere near big enough to pay the sort of tribute that this writer believes Heelers deserved after more than 500 episodes.It is unlikely there will be anything like it again. At almost $500,000 an hour, shows such as Blue Heelers are quickly becoming the dinosaurs of Australian TV.'