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Richard Scully Richard Scully i(A131765 works by)
Gender: Male
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Works By

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1 “For Gorsake, Stop Laughing : This Is Serious!”—Australia’s Fragile Cartooning Archive Robert Phiddian , Stephanie Brookes , Lindsay Foyle , Richard Scully , 2023 single work criticism
— Appears in: Journal of Australian Studies , vol. 47 no. 1 2023; (p. 200-220)

'Stan Cross’s “For gorsake, stop laughing: this is serious!” (Smith’s Weekly, 1933) is the symbol and bellwether of the Australian cartooning tradition. It is often lionised as a national treasure, but its archival history has been perilous in a way that shows a lack of care amounting almost to national negligence. The original of this most famous cartoon of the Depression era was lost for 80 years before being rediscovered in 2014, and this article notes for the first time that Trove Newspapers lacks a record of its initial publication. We use this troubled material history of one significant cartoon to raise a range of issues about the quality and purpose of collecting and presenting Australian cartoons as a resource for Australian studies in fields ranging from media and humour studies to cultural and political history.' (Publication abstract)

1 Cartoon Detectives : How Australia’s Most Famous Cartoon Was Lost and Found – Twice Robert Phiddian , Richard Scully , Stephanie Brookes , 2023 single work column
— Appears in: The Conversation , 15 February 2023;
1 The Satirical Press of Colonial Australia : A Migrant and Minority Enterprise Richard Scully , 2020 single work criticism
— Appears in: The Transnational Voices of Australia’s Migrant and Minority Press 2020; (p. 19-36)

'This chapter re-assesses the colonial Australian versions of the London Punch, making a case for their importance as essentially migrant and minority publications. Founded as a means of maintaining a sense of Britishness, and as a direct link to the culture of Metropolitan London, these magazines were staffed overwhelmingly by migrants (from Britain and elsewhere), directed to a predominantly migrant readership, and filled their pages with migration-themed jokes, cartoons, and pieces of doggerel. The everyday worries of a stranger in a strange land could be soothed by reference to the humour of the local satirical magazine, and a sense of shared community built through regular recourse to the pages of Melbourne Punch, Sydney Punch, Tasmanian Punch, Ballarat Punch, Adelaide Punch, Queensland Punch, or even Ipswich Punch.'

Source: Abstract.

1 Australia’s Minority Community Printed Press History in Global Context : An Introduction Catherine Dewhirst , Richard Scully , 2020 single work criticism
— Appears in: The Transnational Voices of Australia’s Migrant and Minority Press 2020; (p. 1-17)
1 1 y separately published work icon The Transnational Voices of Australia’s Migrant and Minority Press Catherine Dewhirst (editor), Richard Scully (editor), Cham : Palgrave Macmillan , 2020 25971689 2020 anthology criticism

Focuses on the rare, radical and foreign-language print culture of multiple and frequently concurrent minority groups’ newspaper ventures.

Demonstrates how the local experiences and narratives of such communities are always forged and negotiated within a context of globalising forces.

Explores the diverse worlds of Australia’s migrant and minority communities through the latest research on the contemporary printed press, spanning the mid-nineteenth century to our current day

1 Table Talk Richard Scully , 2014 single work companion entry
— Appears in: A Companion to the Australian Media : T 2014; (p. 455)
1 'Breaker' Guilty as Charged. And More Richard Scully , 2010 single work correspondence
— Appears in: The Age , 16 March 2010; (p. 10)
On a campaign for a royal pardon for Breaker Morant and two Australian comrades.
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