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Jacqueline Lo Jacqueline Lo i(A1315 works by)
Gender: Female
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Works By

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1 y separately published work icon Crossings : Journal of Migration and Culture vol. 4 no. 1 Nina Fischer (editor), Kate Mitchell (editor), Jacqueline Lo (editor), 2013 Z1938930 2013 periodical issue
1 Burning Daylight : Staging Asian-Indigenous History in Northern Australia Jacqueline Lo , 2010 single work criticism
— Appears in: Amerasia Journal , vol. 36 no. 2 2010; (p. 51-61)
1 y separately published work icon Amerasia Journal Asian Australia & Asian America : Making Transnational Connections vol. 36 no. 2 Jacqueline Lo (editor), Tseen-Ling Khoo (editor), Dean Chan (editor), 2010 Z1753217 2010 periodical issue
1 3 y separately published work icon Performance and Cosmopolitics : Cross-Cultural Transactions in Australasia Helen Gilbert , Jacqueline Lo , New York (City) : Palgrave Macmillan , 2007 Z1357827 2007 single work criticism

Performance and Cosmopolitics is a pioneering study of cross-cultural theatre in the Australasian region focuses on theatrical events and practices in avant-garde and mainstream contexts. It explores the cultural and political dimensions of Australia's engagement with Asia and sheds light on international arts marketing and trends in cross-cultural performance training. Includes the following chapters : Anti)Cosmopolitan Encounters; Indigenising Australian Theatre; Asianizing Australian Theatre; Marketing Difference at the Adelaide Festival; Crossing Cultures: Case Studies; Asian Australian Hybrid Praxis; Performance and Asylum: Ethics, Embodiment, Efficacy; Conclusion: Cosmopolitics in the New Millennium (publication blurb).
1 Sarung Slippages and Hybrid Manoeuvres Jacqueline Lo , 2003 single work essay
— Appears in: Kunapipi , vol. 25 no. 2 2003; (p. 172-177) Lo is concerned about what she sees as 'happy' or uncritical hybridity in Australian society, concluding that 'What's needed is a more critical way of looking at how the discourse of hybridity is articulated and mobilised as a critical strategy so that issues of power inequities are not overlooked and more care is taken to understand what is lost, as much as what is gained, in the process of crossing cultures.'
1 3 y separately published work icon Resistance and Reconciliation : Writing in the Commonwealth Bruce Bennett (editor), Susan Cowan (editor), Jacqueline Lo (editor), Satendra Nandan (editor), Jennifer Webb (editor), Canberra : Association for Commonwealth Literature and Language Studies , 2003 Z1016546 2003 anthology criticism Twenty-seven essays which 'raise important questions about race, class, gender, religion, politics and aesthetics in the lives of individuals and societies' and focus 'on writing as an act of resistance ... and also as a possible agent of reconciliation.' (Introduction, p.xi)
1 Playing the Yellow Lady : Performing Gender and Race Jacqueline Lo , 2001 single work criticism
— Appears in: Siting the Other : Re-Visions of Marginality in Australian and English-Canadian Drama 2001; (p. 69-83)
1 Beyond Happy Hybridity : Performing Asian-Australian Identities Jacqueline Lo , 2000 single work criticism
— Appears in: Alter/Asians : Asian-Australian Identities in Art, Media and Popular Culture 2000; (p. 152-168)
1 y separately published work icon Australian Cultural History no. 19 Helen Gilbert (editor), Jacqueline Lo (editor), Tseen-Ling Khoo (editor), 2000 Z941714 2000 periodical issue
1 2 y separately published work icon Journal of Australian Studies JAS no. 65 Jacqueline Lo (editor), Helen Gilbert (editor), Tseen-Ling Khoo (editor), 2000 Z897673 2000 periodical issue
1 Dis/orientations: Contemporary Asian-Australian Theatre Jacqueline Lo , 1998 single work criticism
— Appears in: Our Australian Theatre in the 1990s 1998; (p. 53-70) Jacqueline Lo looks at four Asian-Australian performances that are 'paradigmatic examples of ways of intervening in the prevailing discourses of Asia' (59).
1 Performing Hybridity in Post-Colonial Monodrama Helen Gilbert , Jacqueline Lo , 1997 single work criticism
— Appears in: The Journal of Commonwealth Literature , vol. 32 no. 1 1997; (p. 5-19)
1 Interruption Jacqueline Lo , 1996 single work criticism
— Appears in: Telling Time : Papers, Perfomances and Images from Playworks Playing with Time Festival Held at the Wharf Theatre, Sydney 13-15 October 1995 1996; (p. 97) In this piece Jacqueline Lo interrupts/responds to Paula Abood's preceding comments on Arab-Australian theatre performance.
1 Untitled Jacqueline Lo , 1996 single work review
— Appears in: Australasian Drama Studies , October no. 29 1996; (p. 210-216)
— Review of The Gap Anna Broinowski , 1995 single work drama ; Fortune Hilary Bell , 1995 single work drama
1 y separately published work icon Australasian Drama Studies Theatre in Southeast Asia; ADS no. 25 October Jacqueline Lo (editor), 1994 Z603787 1994 periodical issue
1 Chin Woon Ping, The Naturalization of Camellia Song (International) assertion Jacqueline Lo , 1993 single work criticism
— Appears in: Westerly , Spring vol. 38 no. 3 1993; (p. 87-89)
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