AustLit logo

AustLit

Joanne Riccioni Joanne Riccioni i(A125411 works by) (a.k.a. Jo Riccioni)
Born: Established:
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe,
;
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

BiographyHistory

'Jo Riccioni was born in the UK to an Italian father and English mother. She has a Masters in English from Leeds University [where she wrote her thesis on Robert Henryson's Fables] and worked in Singapore and Paris before settling in Sydney’s Northern Beaches [in the late 1990s].

'Her short stories have been read on the BBC and National Radio and published in the UK, the US and Australia, including The Best Australian Stories 2012 and 2011. Her story ‘Can’t Take the Country Out of the Boy’ has been optioned for a short film.'

Source: 'Spotlight on Jo Riccioni', New South Wales Writers Centre Blog, 7 October 2014

Sighted: 13 October 2014

Most Referenced Works

Personal Awards

2007 commended Alan Marshall Short Story Award Open Section for Dog Days
2007 winner Banjo Paterson Writing Awards for 'Mrs Taylor Gets a Tattoo'.

Awards for Works

y separately published work icon The Branded Neutral Bay : Pantera Press , 2022 24978027 2022 single work novel fantasy

'Isfalk is divided into two classes- the Branded, who are vulnerable to disease, and the Pure, who are bigger, stronger and immune. Orphaned twins Nara and Osha are sequestered in the citadel, where their unbranded skin entitles them to a life of privilege, as precious breeding stock.

'Nara itches to escape her confines and return to the wilds of the Fornwood where she and her sister grew up, but when she is forced to run, she discovers there's much more at stake than her own life. The Branded are on the rise, and the girls are caught up in their prophecies.

'Forced to accept the help of a mysterious southern Brand known only as the Wrangler, Nara discovers the latent power lying dormant in uncanny abilities she's had since childhood. But in a world where women are traded as commodities, who can she trust in the lands beyond the Fornwood? What does the Wrangler know about her forgotten childhood? Two sisters without a past hold the weight of the future in their hands.

'The Branded is an epic, high-concept speculative novel with explosive ideas around gender and class, served up with romance, conflict and quick-fire narrative pace.'  (Publication summary)

2023 shortlisted Small Press Network Book of the Year Award
Hero 2012 single work short story
— Appears in: Wet Ink , no. 27 2012; (p. 11-14)
''It just makes you stop and think,' David is saying. 'Something like that makes you reassess everything.' He swigs at his beer, thoughtfully. Kel listens to the suck and sigh of the bottle at his lips. The faces around the dinner table are transfixed. David has always been a good story-teller. His recounting of events is so much more dramatic that anything she can manage.' (Author's abstract)
2012 shortlisted Wet Ink/CAL Short Story Prize
Last amended 9 Sep 2021 11:35:08
Other mentions of "" in AustLit:
    X