AustLit

'What child has not been fascinated to watch the miraculous metamorphosis of a hungry caterpillar to pupae and then butterfly in a glass jar on the table? This transformation is such an everyday part of our ecological awareness as to be almost child’s play. What was once the cutting-edge technology of scientific observation – the transparent glass isolation chamber, the magnifying lens, and the microscope – has now become household tools for educating children, as if we must recapitulate the lessons of our historical scientific development through our own childhoods.' (Introduction)          

'The Australian Museum is starting to develop something of a literary landscape of its own. This is not so much through official publications such as Ronald Strahan’s Rare and Curious Specimens (1979) or the flagship magazine in its various incarnations from Australian Natural History to Explore. Rather, it is through more creative or expansive stories of the weird, wonderful, and personable, from Tim Flannery’s amusingly fictionalised historical recounting of The Mystery of the Venus Island Fetish (2014) to James Bradley’s disturbing future fiction The Deep Field (1999). Museum spaces – front and back of house – have an intriguing capacity to inspire and document their own strange and evolving histories.' (Introduction) 

'Bushfires are incredibly difficult to imagine, but once experienced are impossible to forget. They are events that most people would prefer not to think about — at least not in too much detail.' (Introduction)

'John Albert Long is an Australian paleontologist who is currently Strategic Professor in Palaeontology at Flinders University in Adelaide, South Australia. He was previously the Vice President of Research and Collections at the Natural History Museum of Los Angeles County. He is also an author of popular science books. His main area of research is on the fossil fish of the Late Devonian Gogo Formation from northern Western Australia. It has yielded many important insights into fish evolution, such as Gogonasus and Materpiscis, the later specimen being crucial to our understanding of the origins of vertebrate reproduction.

'His love of fossil collecting began at age 7 and he graduated with PhD from Monash University in 1984, specialising in Palaeozoic fish evolution. He held postdoctoral positions at the Australian National University, The University of Western Australia and The University of Tasmania before taking up a position as Curator in Vertebrate Palaeontology at the Western Australian Museum and then as Head of Sciences at Museum Victoria.'

Source : publisher's blurb

'A Letter to Layla is very much a book of our times. Its impetus lies in our rapidly changing climate, and it concludes with the unexpected impact of Covid-19. In between, the book explores both our distant past and our future.' (Introduction)

'In 1765, a young, peasant woman left a remote corner of rural France where her impoverished family had scraped a living for generations. She set out on a journey that would take her around the world from the South American jungles and Magellan Strait to the tropical islands of the Indo-Pacific.' (Introduction)

'Australian nature writing has come a long way in recent years. Not only do we have an abundance of contemporary nature writers, but we are also rediscovering the ones we have forgotten. The neglect of Australia’s nature writing history, with its contributions to science, literature, and conservation, is happily being redressed with recent biographies of Jean Galbraith, Rica Erickson, Edith Coleman, and now a new biography of Alec Chisholm.' (Introduction)

'There was a classic psychology experiment in the 1970s where men were interviewed by an attractive woman either on a shaky bridge or a stable bridge. The men on the shaky bridge were more likely to regard the interviewer as sexually attractive than the men on the stable bridge.' (Introduction) 

'It is hard to think of a more distinctive and idiosyncratic author than Western Australian Shaun Tan. Winner of the prestigious Astrid Lindgren Memorial Award for children’s literature, Tan’s work has also been recognised by numerous awards in speculative fiction, illustration, and children’s books, including an Academy Award in 2011 (for the animated short adaptation of The Lost Thing). By sheer force of imagination and talent, Tan seems to have carved out a unique niche for himself, one that hovers between the worlds of images and words, children and adults, extravagant fantasy and the most visceral realism. In his latest book, Tales from the Inner City, Tan brings his focus to the fissure between the natural and human worlds.' (Introduction)

'In 2014, veteran ABC science broadcaster Robyn Williams was diagnosed with bowel cancer. It was, he reports, his third brush with death, following cardiac arrest in 1988 and bladder cancer in 1991. His description of the experience, including surgical reduction of his gut and rectum and subsequent debilitating chemotherapy, is brief but graphic. He has survived, but the experience, as he puts it, quite literally, gave him the shits. More positively though, it also resulted in this book: a collection of letters from the brink, ‘the book you write when you don’t have much time left’, although it is not entirely clear whether this lack of time is his own or, collectively, ours.'  (Introduction)

''Have you met Mrs Edith Coleman? If not you must - I am sure you will like her - she's just A1 and a splendid naturalist.'

'In 1922, a 48-year-old housewife from Blackburn delivered her first paper, on native Australian orchids, to the Field Naturalists Club of Victoria. Over the next thirty years, Edith Coleman would write over 300 articles on Australian nature for newspapers, magazines and scientific journals. She would solve the mystery of orchid pollination that had bewildered even Darwin, earn the acclaim of international scientists and, in 1949, become the first woman to be awarded the Australian Natural History Medallion. She was 'Australia's greatest orchid expert', 'foremost of our women naturalists', a woman who 'needed no introduction'.

'And yet, today, Edith Coleman has faded into obscurity. How did this remarkable woman, with no training or connections, achieve so much so late in life? And why, over the intervening years, have her achievements and her writing been forgotten?

'Zoologist and award-winning writer Danielle Clode sets out to uncover Edith's story, from her childhood in England to her unlikely success, sharing along the way Edith's lyrical and incisive writing and her uncompromising passion for Australian nature and landscape. ' (Publication summary)

'Book One : 

I. From the air, Rome pans flat across the costal plain, a mosaic of fragments. Tiny squares radiate in concentric rings around ovals, bisected by vectored roads; patterns of organic growth within the linearity of ancient order. Swaths of green abut the orange , white and grey of clay, stone and concrete. As the plane titles, the tiles resolve into rooftops, piazzas, cars and pavements, drawing me into a smaller. more human dimension.' (Introduction)