AustLit

'How did we get here? Are aliens real? And is it possible to lick your elbow?

'Based on interviews with members of the South Australian community aged between 8-102, Creation Creation is a comedy about life’s biggest mysteries.

'We’ve asked two fearless creators to step onto the stage and attempt to unravel the mysteries of the universe using whatever tools they have at their disposal. Cardboard boxes become battleships and ping pong balls become planets in this hilarious explosion of art, sculpture and puppetry.

'A daring and audacious journey to the very edge of the universe and back again. It’s a wild theatrical experiment for the curious among us.'

Source: Windmill Theatre Company.

'Eighteen and eighty: two ages that bookend a life. One represents untold potential; the other, the accumulation of a lifetime of experiences.

'Based on interviews with people experiencing these two very different milestones, Hello, Goodbye & Happy Birthday is the powerful new work from Malthouse Theatre’s 2013 female director-in residence, Roslyn Oades. Playful and affecting in equal measure, this show sees Oades continue her groundbreaking ‘headphone verbatim’ documentary theatre technique, bringing an extraordinary immediacy and vividness to the performances.' (Production summary)

'The more you sweat, the less you bleed.

'For 18 months theatre-maker Roslyn Oades and her trusty tape recorder followed a determined, young boxer from Bankstown through his preparations for a world-title fight. I'm Your Man is the story of who she and her tape recorder met along the way: past legends, up-and-comers and failed contenders whose lives have been irreversibly changed by the fight game.

'This Sydney Festival, Downstairs Belvoir turns boxing gym: place of dreams, of glory, of a better life, where everyone wants to be special and only one thing is certain - that no matter how high you fly you will eventually lose. I'm Your Man is no ordinary slice-of-life. The actors wear earpieces and take their lines directly from the ringsides, gyms and dressing rooms of Oades' recordings. This is fuelled-up, high-stakes, real-deal theatre.'

(Source: Belvior St Theatre website)