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Michael Sala Michael Sala i(A109677 works by)
Gender: Male
Heritage: Dutch
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Works By

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1 The Dangerous Ambiguity of Being on Foot : Reflections on the Act of Walking and Negotiating the Tension between Pedestrian and Car in the Process of Writing a Novel Michael Sala , 2022 single work criticism
— Appears in: Text : Journal of the Australian Association of Writing Programs , vol. 26 no. 1 2022; 'This article situates the writing of a novel and its relationship to place within a practice-
led vantage point that draws on concepts of writing about the city, ranging from the
figure of the flâneur to the field of psychogeography. I explore how the physical act of
moving through a city on foot and my close reading of two short stories – which both
leverage the contrast between pedestrian and vehicle – helped me to approach and
define the city in which my novel is set and, through this, offered specific opportunities
and imaginative possibilities for the narrative rendering of place. I also unpack the
potentiality of the car, particularly the way it shapes an unequal power dynamic in
which the pedestrian may be observed, interpreted and threatened by someone who can
remain protected within the enclosure of a vehicle.' 

(Publication abstract)
1 Introduction Michael Sala , 2018 single work essay
— Appears in: Honour, and, Other People's Children : Two Stories 2018;
1 7 y separately published work icon The Restorer Michael Sala , Melbourne : Text Publishing , 2017 10453460 2017 single work novel

'After a year apart, Maryanne returns to her husband, Roy, bringing their eight-year-old son Daniel and his teenage sister Freya with her. The family move from Sydney to Newcastle, where Roy has bought a derelict house on the coast. As Roy painstakingly patches the holes in the floorboards and plasters over cracks in the walls, Maryanne believes, for a while, that they can rebuild a life together. But Freya doesn't want a fresh start - she just wants out - and Daniel drifts around the sprawling, run-down house in a dream, infuriating his father, who soon forgets the promises he has made. Some cracks can never be smoothed over, and tension grows between Roy and Maryanne until their uneasy peace is ruptured - with devastating consequences.' (Publication summary)
1 Swarte Piet Michael Sala , 2013 single work autobiography
— Appears in: Joyful Strains : Making Australia Home 2013; (p. 46-55)
1 Confession and Third Party Revelation in Memoir : The Narrator, The Confessant, and Textual Strategies for Decentring the Memoirist’s Authority Michael Sala , 2013 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 17 no. 2 2013; 'This paper explores the mechanisms of first and third party confession, and compares the different confessional approaches deployed in a range of memoirs including Vivian Gornick’s Fierce Attachments, Jean Jacques Rousseau’s Confessions, Dave Egger’s Heartbreaking Work of Staggering Genius, and my own book, The Last Thread. My paper examines the use of both implicit and explicit self-reflexive confessional gestures regarding the ethical boundaries of the texts that memoirists have written and argues that, despite the transparency that such gestures appear to offer the reader, it is largely through the separation of the roles of narrator and confessant that occurs through third party revelation – and consequently the disruption of the prescribed roles of writer and reader as the deliverer and receiver of confession – that memoirists can effectively decentre their own authority.' (Author's abstract)
1 Bergen Op Zoom Michael Sala , 2012 extract novel (The Last Thread)
— Appears in: Kill Your Darlings , January no. 8 2012; (p. 71-96)
1 8 y separately published work icon The Last Thread Michael Sala , Mulgrave : Affirm Press , 2012 Z1830418 2012 single work novel 'The Last Thread is Michael Sala's fascinating life in fiction. From his early years in the Netherlands to growing up in Australia during the 1980s, Michael recalls the secret surrounding his estranged Greek father and how scandalous events from the past fractured his family. This is a moving chronicle of a boy's turbulent relationship with his bullying stepfather, aloof older brother and adored mother, whose cheerful apathy has devastating consequences. As his life unfolds, Michael - now a father - must decide if he can free himself from the dark pull of the past.' (From the publisher's website.)
1 The Men Outside My Room Michael Sala , 2011 single work short story
— Appears in: The Best Australian Stories 2011 2011; (p. 44-53)
1 The Hind Michael Sala , 2011 single work short story
— Appears in: Kill Your Darlings , January no. 4 2011; (p. 80-89)
1 The Catacombs Michael Sala , 2011 single work short story
— Appears in: The Penguin Plays Rough Book of Short Stories 2011; (p. 160-167)
1 What You Always Wanted Michael Sala , 2010 single work short story
— Appears in: SWAMP , April no. 6 2010;
1 Striking Out Michael Sala , 2010 single work short story
— Appears in: Etchings , no. 9 2010; (p. 45-54)
1 Black Dog Michael Sala , 2010 single work short story
— Appears in: The Adelaide Review , December no. 370 2010; (p. 14-15)
1 Free Style Michael Sala , 2010 single work short story
— Appears in: Mascara Literary Review , October no. 8 2010;
1 Like My Father, My Brother Michael Sala , 2009 single work short story
— Appears in: Brothers and Sisters 2009;
1 Outside Michael Sala , 2009 single work short story
— Appears in: Harvest , Summer no. 4 2009; (p. 63-68) The Best Australian Stories 2010 2010; (p. 68-77)
1 The Bodies Michael Sala , 2009 single work short story
— Appears in: The Best Australian Stories 2009 2009; (p. 145-156)
1 Old World Charm Michael Sala , 2009 single work short story
— Appears in: Heat , no. 20 (New Series) 2009; (p. 83-91)
1 y separately published work icon Memory Vertigo Michael Sala , 2007 (Manuscript version)x401862 Z1426517 2007 single work novel
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