AustLit

'This book stories social movements on the margins. Foregrounding historically silenced, dismissed and ignored Aboriginal, young, voiceless, and intersex Australian activists, the book theorizes how movement away from exclusionary praxis at the margins can offer renewed hope. Using diverse and creative forms of research underpinned by storying, social movement and critical race theoretical  knowledge with  a commitment to social justice, this book will be of interest and value to scholars of cultural studies,  Indigenous studies, education,  human geography, political sciences, and sociology.' (Publication summary)

'Based on real-life stories from her maternal grandparents who were part of the Stolen Generations, Blood Quantum is a new performance piece choreographed by Ngioka Bunda-Heath. This production is a unique family affair, exploring the childhood stories of Ngioka’s grandparents as recorded and woven into academic research by Professor Tracey Bunda, the artist’s mother.

'Blood Quantum examines the brutality of Australia’s government-sponsored displacement and relocation of Aboriginal youth, and its impact across three generations. When you grow up having to justify your connection to culture, are you less than Aboriginal, less than white or something in between?'  (Publication summary)

'I am a Ngugi Wakka Wakka woman, mother and educator. It is my honour to contribute to the First Nations Issue of The Lifted Brow. As an Aboriginal woman scholar, I write from a positionality that draws on the intimate lived experience of being raised exclusively by Aboriginal parents, grandparents and extended family; an acknowledgement that this life existed in segregation from white peoples in a regional community context and deep understanding of being the first generation to not have been captured on the Mission. It is a positionality that has informed my sense of black politics, my love for education and a deep desire that my work will add strength to realising the objectives of our communities.' (Publication abstract)

'Research through, with and as Storying explores how Indigenous and non-Indigenous scholars can engage with storying as a tool that disassembles conventions of research. The authors explore the concept of storying across different cultures, times and places, and discuss principles of storying and storying research, considering Indigenous, feminist and critical theory standpoints. Through the book, Phillips and Bunda provide an invitation to locate storying as a valuable ontological, epistemological and methodological contribution to the academy across disciplines, arguing that storying research gives voice to the marginalised in the academy.

'Providing rich and interesting coverage of the approaches to the field of storying research from Aboriginal and white Australian perspectives, this text seeks to enable a profound understanding of the significance of stories and storying. This book will prove valuable for scholars, students and practitioners who seek to develop alternate and creative contributions to the production of knowledge.' (Publication summary)

'Black and white artivist women embody ancestry and place  

'Ever wondered who you really are? Where’s your mob from? Where are your roots? Where do you belong?

'Hear, see, and feel embodied stories of ancestry and place. Black and white Australian women artivists together provoke resonant and entangled understandings of belonging and displacement through storied artworks, performances and installations.

'Artworks created by eight artist/researchers that trouble belonging in the colonial nation Australia will be brought to life through performed storying. Exhibition directors (Tracey Bunda and Louise Phillips) will introduce the exhibition (that stems from their book Research through, with and as storying), then the audience will be guided to move through and engage with performative encounters of the installations.' (Production summary)