AustLit logo

AustLit

The Fiery Maze single work   musical theatre  
Issue Details: First known date: 2016... 2016 The Fiery Maze
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'The Fiery Maze was conceived by Porter and Finn in 1995 as a ‘rock concert album’. The talents of these two extraordinary artists will combine to produce raw, intimate songs about love, sex and obsession, as Finn is joined on stage by the mesmerising Abi Tucker.

'Porter’s previously unpublished lyrics deal with the disillusions of love, as well as the blinding moments of blazing connection. Porter is known for the visceral power of her language; for crafting characters, scenarios and poems that crackle with sexual energy. The journey into ‘love’s hopeless fiery maze’ is no exception.

'Conjuring a wild world of lust, paranoia and possession, this consuming song cycle / unites two iridescent artists – musician Tim Finn and poet Dorothy Porter.' (Production summary)

Production Details

  • Performed at Malthouse Theatre, Southbank, Melbourne : 18 August – 4 September 2016.

    Director: Anne-Louise Sarks.

    Creative Consultant: Andrea Goldsmith.

    Designer: Nick Schlieper.

    Cast: Brett Adams, Tim Finn, and Abi Tucker.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Fiery Maze Review : Magnetic Fusion of Poetry and Music Cameron Woodhead , 2016 single work review
— Appears in: Brisbane Times , 21 August 2016;

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
'"Music has been my draught of intoxication [since] I first heard the Beatles in early 1964," wrote Dorothy Porter in her essay On Passion, "I have been a pop/rock music maniac ever since, and have written virtually all my poems to rock riffs and rhythm – the catchier, the darker, the louder, the gutsier the better." ...'
A Magnetic Fusion of Poetry and Music Cameron Woodhead , 2016 single work review
— Appears in: The Age , 22 August 2016; (p. 24)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
Song Cycle Seeks Clear Direction Chris Boyd , 2016 single work review
— Appears in: The Australian , 22 August 2016; (p. 14)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
Songs of Poetic Seduction Sonia Harford , 2016 single work review
— Appears in: The Sunday Age , 14 August 2016; (p. 11)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
Songs of Poetic Seduction Sonia Harford , 2016 single work review
— Appears in: The Sunday Age , 14 August 2016; (p. 11)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
Song Cycle Seeks Clear Direction Chris Boyd , 2016 single work review
— Appears in: The Australian , 22 August 2016; (p. 14)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
A Magnetic Fusion of Poetry and Music Cameron Woodhead , 2016 single work review
— Appears in: The Age , 22 August 2016; (p. 24)

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
The Fiery Maze Review : Magnetic Fusion of Poetry and Music Cameron Woodhead , 2016 single work review
— Appears in: Brisbane Times , 21 August 2016;

— Review of The Fiery Maze Dorothy Porter , 2016 single work musical theatre
'"Music has been my draught of intoxication [since] I first heard the Beatles in early 1964," wrote Dorothy Porter in her essay On Passion, "I have been a pop/rock music maniac ever since, and have written virtually all my poems to rock riffs and rhythm – the catchier, the darker, the louder, the gutsier the better." ...'
Last amended 17 Feb 2023 10:39:33
Subjects:
Newspapers:
    Powered by Trove
    X