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y separately published work icon Analogue / Digital selected work   poetry  
Issue Details: First known date: 2015... 2015 Analogue / Digital
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AbstractHistoryArchive Description

'Analogue/Digital brings together poems first published in Faber's Poetry Introduction 7, and other anthologies and magazines mainly from the 1990s, with recent poems relating to travels - particularly in Australia. In between, there has been a switch from analogue to digital technologies, and this informs the selection, in which themes of loss, survival and changing horizons are reflected in the radical shift. Old and new worlds speak to each other, with their various means of recording the world - past and present - vying for attention.' (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sheffield, South Yorkshire,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Doorstop Books ,
      2015 .
      image of person or book cover 4597862288062608832.jpg
      This image has been sourced from online.
      Extent: 104p.
      Note/s:
      • Published 1 April 2015
      ISBN: 9781910367377

Works about this Work

Personal Rules : Individual Purpose and the Poetic Line Paul Munden , 2018 single work essay
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;

'To what extent does the poetic line bear the stamp of a particular poetic personality? Is that, in any case, a desirable thing? Do individual poets have their own rules about how the line behaves – the distance it travels, to what purpose, and when and how it breaks – or is it constantly adapted for purpose? Are poets even aware of their process and, if so, honest and open about it? In this paper I consider the various (and varying) uses of the line by poets who have influenced me most profoundly, with examples from my own work to demonstrate my learning and further experiments. Specific reference is made to the influence of cinematic editing, and the role of the line in a poem’s essential memorability. Also addressed are the different effects of the stretch and breaking of the line on the page and when orally delivered.'  (Introduction)

Fidelity Lost Ben Kunkler , 2016 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 20 no. 1 2016;

— Review of Analogue / Digital Paul Munden , 2015 selected work poetry
Fidelity Lost Ben Kunkler , 2016 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 20 no. 1 2016;

— Review of Analogue / Digital Paul Munden , 2015 selected work poetry
Personal Rules : Individual Purpose and the Poetic Line Paul Munden , 2018 single work essay
— Appears in: Axon : Creative Explorations , May vol. 8 no. 1 2018;

'To what extent does the poetic line bear the stamp of a particular poetic personality? Is that, in any case, a desirable thing? Do individual poets have their own rules about how the line behaves – the distance it travels, to what purpose, and when and how it breaks – or is it constantly adapted for purpose? Are poets even aware of their process and, if so, honest and open about it? In this paper I consider the various (and varying) uses of the line by poets who have influenced me most profoundly, with examples from my own work to demonstrate my learning and further experiments. Specific reference is made to the influence of cinematic editing, and the role of the line in a poem’s essential memorability. Also addressed are the different effects of the stretch and breaking of the line on the page and when orally delivered.'  (Introduction)

Last amended 24 May 2016 14:59:00
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