Issue Details: First known date: 2014... 2014 The Yeatsian Intertexts in J.M. Coetzee's Disgrace
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

'In an important 1992 interview with David Attwell, J.M. Coetzee defined writing as involving 'an interplay between the push into the future that takes you to the blank page in the first place, and a resistance. Part of that resistance is psychic, but part is also an automatism built into language: the tendency of words to call up other words, to fall into patterns that keep propagating themselves' ('Interview' 18). While this statement could be read as a commentary on the internal structuring pattern of a Coetzee novel-or an imaginative work, for that matter - I want to explore 'the tendency of words to call up other words' in the context of intertextuality, which in effect functions as an external structuring pattern of many Coetzee novels. While Kafka and Beckett are the guiding influences for Coetzee, other writers also loom large for him: for instance, his 1986 novel, Foe, forms a fascinating dialogue with Daniel Defoe's Robinson Crusoe, and his 1999 novel, Disgrace, as this essay will demonstrate, carries on a conversation with the poetry of William Butler Yeats.' (Author's introduction: 3)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 27 May 2015 10:42:11
3-18 The Yeatsian Intertexts in J.M. Coetzee's DisgraceAustLit Journal of Commonwealth and Postcolonial Studies
  • Disgrace J. M. Coetzee 1999 single work novel
    Powered by Trove