AustLit

'Like rocks, we are shaped by forces over time. Despite being eroded, fractured, immersed, put under pressure - The Rocks Remain. Always was, always will be.

'Through poetry and prose, twenty-five Aboriginal writers share narratives that embody: strength of family and community; love found and lost; enduring relationships with the Land and nonhuman others; honouring Elders and Ancestors; expressions of place and belonging; asserting sovereignty; talking back to the colony; and envisioning Blak futures. Voices of new and emerging writers are intertwined with writers of renown, with a strong representation of writers with connections to South Australia. This collection is both timeless and timely.'

Source: Publisher's blurb.

'The challenge was to pick a word. Any word.

'Many came to mind. Words that sparked narratives that quickly became pieces about the pandemic. I really didn’t want to write about COVID-19. As much as I resisted, all words led there eventually. Even the word soar. So be it.'  (Introduction)

'Be inspired and amazed by these incredible Aboriginal and Torres Strait Islander icons! With colourful artwork and evocative writing, this book tells stories every Australian should know.

'Powerful and exciting: here are seven inspiring stories about Aboriginal and Torres Strait Islander people from history. Each colourful spread in this illustrated book tells a compelling story.' (Publication summary)

'When asked to write a nonfiction piece for Meanjin’s 80th year, I welcomed the chance to finally channel my inner futurist. I began to imagine what Australia could look like in 80 years. Then I remembered how much I like to write about the past. So I envisioned an essay that looks back and forwards. And then I went to see a movie at the cinema.' (Introduction)

'An ancient ocean roars under the red dirt. Hush. Be still for just a moment. Hear its thundering waves crashing on unseen shores.

'Spanning four generations, with a focus on the 1960s and 70s, an era of rapid social change and burgeoning Aboriginal rights, Where the Fruit Falls is a re-imagining of the epic Australian novel.

'Brigid Devlin, a young Aboriginal woman, and her twin daughters navigate a troubled nation of First Peoples, settlers and refugees – all determined to shape a future on stolen land. Leaving the sanctuary of her family’s apple orchard, Brigid sets off with no destination and a willy wagtail for company. As she moves through an everchanging landscape, Brigid unravels family secrets to recover what she’d lost – by facing the past, she finally accepts herself. Her twin daughters continue her journey with their own search for self-acceptance, truth and justice.' (Publication summary)

'The end of a jetty is a nowhere place; no longer on land but not quite at sea. With a glance in the right direction, even time vanishes. Is that a ship on the horizon? White sails catching the winds. Matthew Flinders on deck, scanning distant land. There's a whiff of smoke blending with the aroma of salty air. Looking back towards the shore, shadowy figures cook fish in coals, while children search rock pools for mussels. Imagination runs wild in nowhere places.' (Publication abstract)  

'Tyson Yunkaporta speaks with reviewer Karen Wyld about his motivations, his wood carving practice and how Indigenous thinking can be beneficial to all Australians.'

'As some recently published works have shown, Aboriginal and Torres Strait Islander storytellers are continuing to embrace fiction-writing as a vessel for speaking truth to power. Constantly branching out into new genres—experimenting, fusing, transforming—there’s a noticeable increase in First Peoples speculative fiction being published in Australia.

With each line across the page, the colonial grip on the continent loosens. Fingers unclasp, story by story. Not all of these stories are from deep time—some are reimagined or even newly born—but they all carry power. Story-trails weave across paper and screen towards a common destination: truth-telling.'  (Introduction)

'Aunty Joy Murphy, Andrew Kelly and Lisa Kennedy’s picture book Wilam: A Birrarung Story (Black Dog, April) follows Bunjil (wedge-tailed eagle) as he travels along Birrarung (Yarra River) to the sea. Reviewer Karen Wyld spoke to illustrator Lisa Kennedy and co-writer Andrew Kelly about collaborating on the book.'

'Melissa Lucashenko’s new novel Too Much Lip is a dark comedy about ordinary people. Set in the fictional Australian town of Durrongo, stories of generations of an Aboriginal family living on Country are shared through a fast-paced plot. Secrets are unravelled, character flaws are revealed. Traces of settler-colonial violence and intergenerational trauma weave through their lives. What Lucashenko leaves readers with is a sense that the family members will heal themselves by protecting Country and supporting each other.' (Introduction)

'When they open the door for their wayward daughter, Rosa's parents are not prepared for who else turns up at the Ambrosio family vineyard.'

'....the spirit of a poet, nurses who crochet magical rugs, a beautiful bearded lady, elephants from the dreamscape, a médecin sans medicine and his dancing python, a jealous stable-hand, acrobatic pirates of the dark web, a sleeping beauty with a secret or two, and a young girl who longs for a new sister....'

'Angelita Ambrosio narrates the stories of her secret sister’s time on the road, and yearns for adventures of her own. Amid precious tales, graciously shared by Rosa's eclectic friends, a fractured family is reunited.'

'Not everyone is pleased to see Rosa return - peril lurks in dark places. Fear not: with a sprinkling of cosmic dust, a cloud of sawdust and a touch of magic, a new dawn will bloom - now that Rosa has come home.' (Source: Goodreads website)