AustLit

'In the first half of 2020, Overland received a small grant to help the magazine provide writing and publishing opportunities during the pandemic lockdown, part of a broader scheme by Creative Victoria to save the arts sector when so many jobs and gigs completely disappeared for so many artists. ‘Poetry in Lockdown’ is one outcome of this—a standalone poetry special issue containing new work by twelve poets from across Australia. In commissioning these new works we imposed no theme on the poets. However, with the pandemic as background to all our lives, it is impossible not to read the poems in that context. Collating these poems has been a salve for us. We hope you enjoy reading them as much as we have.' (Publication summary)

'Once I had a dream about a sea mollusc that latched onto the inside of my calf, and stayed there. The logic of the dream made me understand that the mollusc wasn’t actually a mollusc, but the mollusc was a poem, not mine, but one that I had read. The poem wasn’t identifiable, but the poem was a good poem, and I woke up with questions. What, exactly, do I want from poetry? What space does poetry hold (in the body, in the mind, in society)? What is the work of poetry? Why does it always return so persistently (that is, both for me, personally, and in a broader historical sense), and what makes it stick?' (Introduction)

'Tell Me Like You Mean It is a free e-chapbook guest-edited by Melody Paloma, and published as a partnership between Australian Poetry and Cordite Poetry Review. The national publication features new work from 20 young and emerging poets, and is yours for free.

'The future of poetry in Australia is bright and full of promise – the voices here offer just a taste of what’s to come. Enjoy them at your leisure and share freely.'  (Publication summary)

'‘Emerging’ is a strange word, and ‘strange’ is probably a cop out. It is often arbitrary, sometimes condescending, frequently empowering and often carries with it an incredible sense of community. To emerge is a term that shifts and contradicts; when are we ever not emerging? How is emergence something that rests when we are forever in a process of moving – always surfacing and then submerging – a process that continually repeats and folds into itself? The term ‘young’ has its own problems, and of course you don’t necessarily have to be young to be emerging and to be emerging isn’t necessarily to be young. Use these as modifiers for ‘poet’ and things necessarily get more complicated.' (Introduction)