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'Words, music, art and performance. The stuff of a satisfying life.
'After exploring the idea of home, where and what it is in A First Place, what does it mean to be a writer and where writing begins in The Writing Life, David Malouf moves on to words and music and art and performance in Being There.
With pieces on the Sydney Opera House - then and now - responses to art, artists and architects, and including Malouf's not previously published libretti for Voss and a translation of Hippolytus, this is an unmissable and stimulating collection of one man's connection to the world of art, ideas and culture.' (Publication summary)
Contents
- The Stigma, A Happening, 1965, single work essay
- Being There, single work essay
- Opera, single work essay
- Something to Sing About, single work essay
- Nabucco, single work essay
- Growing up with the Stars, single work essay
- The South, single work essay
- Questions on the Way to an Exhibition, single work essay
- Second Nature, single work essay
-
How an Angel at Bennelong Point Gave Sydney Its Spirit,
single work
column
Tribute delivered by David Malouf at the New South Wales state memorial service for Joern Utzon, 25 March 2009.
- Glenn Murcutt's Tough Lyricism, single work essay
- Bill Henson, single work essay
- 'The Careful Surveyor, Mandy Martin, Peripecia, single work essay
- William Robinson, single work essay
- A Slow Dance to Unheard Music, single work essay
- Passing Show, single work essay
- Two Libretti : Voss and Mer de Glace, single work essay
- Voss, single work essay
- Mer de Grace, single work essay
- Hippolytus, single work drama
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Sentimental Educations : The Poetry of David Malouf
2018
single work
criticism
— Appears in: Feeding the Ghost : 1 : Criticism on Contemporary Australian Poetry 2018; (p. 85-111)'David Malouf's poetry, marvellous as it is, is only one, comparatively small, part of a literary output noted for the variety of his modes. It is difficult to name many other writers working in poetry, the novel, the short story, the memoir, the review, the play, the critical essay and even libretti. It's tempting to say that, as in Malouf's imaginative universe, the boundaries between these modes are more porous than usual. In fact it is not a matter of Malouf mastering and excelling in different modes, but rather one of his transforming the latent possibilities of existing modes in order to make them play a part in the unfolding and expansions of this universe.' (Introduction)
-
Provocatively Calm : On David Malouf as Essayist
2017
single work
criticism
— Appears in: TEXT Special Issue Website Series , no. 39 2017; ''This article examines the essays of David Malouf, many of which have been recently collected in three thematic volumes: A First Place (2014a), The Writing Life (2014b) and Being There (2015). My starting point is to argue that Malouf’s most important essays are politically charged. As a writer-activist he posits distinctive, sometimes controversial, positions, arguing strongly and passionately for alternative ways of thinking about Australia and the world, and indeed alternative ways for human beings to move through, and participate in, the world. However, Malouf is no firebrand: the tone of his essays is relentlessly calm; he brings together the emphatic and the empathetic, and he still tries to convince the reader. This article focuses on the political implications of Malouf’s calm but opinionated approach to his essays, as well as on how Malouf sets out to persuade readers. (Introduction) -
David Malouf , A First Place; The Writing Life and Being There
2016
single work
essay
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 97-99)'As a poet, librettist, short story writer and novelist, David Malouf has produced more than twenty volumes since his Bicycle and Other Poems was published in 1970. Until recently, 12 Edmondstone Street (1984) was his only volume of non- fiction. But throughout his writing career, he has also been an active reviewer, essayist and public speaker. His words can be found in the files of magazines and newspapers, and in his introductions to works of literature, performances and art exhibitions. His public addresses live on in the memories of those fortunate enough to have heard him speak.' (Introduction)
-
The Breaking of Dreams : Completion of David Malouf's Selected Essays
2015
single work
review
— Appears in: Australian Book Review , May no. 371 2015; (p. 42-43)
— Review of Being There : An Australian Literary Anthology 2015 selected work essay -
Body of Work
2015
single work
review
— Appears in: The Weekend Australian , 14-15 March 2015; (p. 16-17)
— Review of Being There : An Australian Literary Anthology 2015 selected work essay
-
Body of Work
2015
single work
review
— Appears in: The Weekend Australian , 14-15 March 2015; (p. 16-17)
— Review of Being There : An Australian Literary Anthology 2015 selected work essay -
Invitation to a Conversation
2014
single work
review
— Appears in: The Sydney Morning Herald , 28-29 March 2014; (p. 34) The Sunday Age , 29 March 2015; (p. 30)
— Review of Being There : An Australian Literary Anthology 2015 selected work essay -
The Breaking of Dreams : Completion of David Malouf's Selected Essays
2015
single work
review
— Appears in: Australian Book Review , May no. 371 2015; (p. 42-43)
— Review of Being There : An Australian Literary Anthology 2015 selected work essay -
Provocatively Calm : On David Malouf as Essayist
2017
single work
criticism
— Appears in: TEXT Special Issue Website Series , no. 39 2017; ''This article examines the essays of David Malouf, many of which have been recently collected in three thematic volumes: A First Place (2014a), The Writing Life (2014b) and Being There (2015). My starting point is to argue that Malouf’s most important essays are politically charged. As a writer-activist he posits distinctive, sometimes controversial, positions, arguing strongly and passionately for alternative ways of thinking about Australia and the world, and indeed alternative ways for human beings to move through, and participate in, the world. However, Malouf is no firebrand: the tone of his essays is relentlessly calm; he brings together the emphatic and the empathetic, and he still tries to convince the reader. This article focuses on the political implications of Malouf’s calm but opinionated approach to his essays, as well as on how Malouf sets out to persuade readers. (Introduction) -
David Malouf , A First Place; The Writing Life and Being There
2016
single work
essay
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 97-99)'As a poet, librettist, short story writer and novelist, David Malouf has produced more than twenty volumes since his Bicycle and Other Poems was published in 1970. Until recently, 12 Edmondstone Street (1984) was his only volume of non- fiction. But throughout his writing career, he has also been an active reviewer, essayist and public speaker. His words can be found in the files of magazines and newspapers, and in his introductions to works of literature, performances and art exhibitions. His public addresses live on in the memories of those fortunate enough to have heard him speak.' (Introduction)
-
Sentimental Educations : The Poetry of David Malouf
2018
single work
criticism
— Appears in: Feeding the Ghost : 1 : Criticism on Contemporary Australian Poetry 2018; (p. 85-111)'David Malouf's poetry, marvellous as it is, is only one, comparatively small, part of a literary output noted for the variety of his modes. It is difficult to name many other writers working in poetry, the novel, the short story, the memoir, the review, the play, the critical essay and even libretti. It's tempting to say that, as in Malouf's imaginative universe, the boundaries between these modes are more porous than usual. In fact it is not a matter of Malouf mastering and excelling in different modes, but rather one of his transforming the latent possibilities of existing modes in order to make them play a part in the unfolding and expansions of this universe.' (Introduction)
- Sydney Opera House, Sydney Harbour, Sydney, New South Wales,