Registrations are now open for the 2017 ASAL conference, Looking In, Looking Out: China and Australia. The conference will be held in Melbourne, July 11-14, at the city campuses of Latrobe University, Melbourne University, Library at the Dock and the Wheeler Centre at the State Library. All sites are in the CBD and walkable from each other or accessible on the free City Circle Tram route. Booking accommodation in the CBD, or in inner suburbs such as Fitzroy, Carlton, Richmond or Footscray, on the train or tramlines, would be best.
We’ve had many responses to the call for papers and paper-givers will be notified in the next week. We’ve also had wonderful response from Chinese students and senior scholars, and are assembling a great list of participants. Keynote speakers include Professor Wang Labao, translator Professor Li Yao, inaugural Billiton Chair of Australian Studies at Renmin University Beijing, Professor David Walker, writer Alice Pung, and many others. Email ASAL2017@latrobe.edu.au to register your interest on our conference mailing list.
To update your membership please click here
Please visit the conference website at: www.latrobe.edu.au/ASAL2017 for more information and to register.
Early bird registration fees end on 31 May.
A panel session on the work of Thea Astley is proposed for the July 2018 Literary Studies Convention in Canberra. This will be followed by a special Astley issue of Queensland Review, edited by Susan Sheridan and Jessica Gildersleeve.
Please send proposals of 250 words, for an essay or a conference paper or both, by 1 June 2017 to Susan Sheridan (email@example.com)
and Jessica Gildersleeve (firstname.lastname@example.org).
The Mary Gilmore Award is to be given for the best first book of poetry published in the previous calendar year.
Glasshouses - Stuart Barnes (UQP)
Sydney Road Poems - Carmine Frascarelli (rabbit)
False Nostalgia - Aden Rolfe (Giramondo)
Lemons in the Chicken Wire - Alison Whittaker (Magabala)
Lake - Claire Nashar (cordite)
Following the 2016 annual ASAL conference, the journal of the association seeks proposals for articles to be published in a special issue devoted to the conference’s themes.
Capital-Empire-Print-Dissent assumes the ‘worlding’ of ‘Australian’ literature but looks for structured histories of its formation, not least in the interconnected pasts of Empire and indigenous belonging. More broadly it questions the directions of twenty-first-century ‘postcolonialism’ and explores the ongoing and shifting political relationships between metropolis and (former) empire, colonies and the nation, federations and the state, capitals and their hinterlands, nations and trade zones, and all of their discontents.
We welcome submissions of papers developed from the 2017 conference, but we are also interested in new work exploring such ideas.
Essays developed from postgraduate papers presented at the conference will be eligible for be considered for the 2016 AD Hope prize for Best Postgraduate Essay.
Please submit via the JASAL site by 19 May 2017: http://openjournals.library.usyd.edu.au/index.php/JASAL
Monday 10 April 2017, State Library of NSW
A one-day symposium. Presented by the State Library of NSW in collaboration with Western Sydney University. This event (which includes lunch) will explore how Angus & Robertson played a pivotal role in the history of publishing in Australia. Today, the Library is the custodian of their extensive archive: these records remain the single most valuable resource for the study of Australian writing and publishing.
David Angus and George Robertson, who started publishing in 1888 at their Sydney-based offices, developed a successful company which championed Australian writers alongside established international authors. This forum brings together contemporary researchers working on various aspects of Australian literature, publishing history, print culture and the digital humanities.
Bookings are being taken through the Library's website:
16 - 18 November, the Wheeler Centre, Melbourne.
Every book leaves a legacy; every publisher inherits one. Publishing is a space governed by pre-existing conventions and expectations. Some of these are codified by copyright laws and business contracts; others, like the placement of bibliographical information, are merely conventions of habit. As a consequence, twenty-first century books remain largely recognisable as close siblings of the objects produced by Gutenberg. While the book remains remarkably unchanged, the processes of writing, editing, typesetting, printing, distributing and buying books continue to change—sometimes slowly and sometimes dramatically. Magazines have gone from having to compete with the upstarts of the desktop-publishing revolution to competing with bloggers and social-media clickbait. New technologies reshape certain publishing sectors and skip over others, remaking genres like romance publishing while leaving literary fiction largely untouched.
Digital platforms like Wordpress and Twitter provide accessible platforms for activists to publish and disseminate their work. But traditional publishing, both mainstream and academic, also continues to offer platforms that enable authors and publishers to agitate for social change. Both the VIDA and the Stella Count demonstrate the very real need for feminist interventions in publishing—and we are only now beginning to recognise the need for intersectional interventions that address the historical and ongoing marginalisation of other social and cultural groups within the structures of the publishing industry. As global and domestic developments have proven, progress isn’t guaranteed, but publishing offers at least some potential tools of resistance.
We seek papers that engage with publishing’s past and its future: that identify and explore aspects of technological, political and social change. Although our preference is for papers that focus on independent publishing, presentations on all aspects of publishing are welcome. We are also interested in papers from related disciplines, such as literary studies, creative writing, and media and communication studies. Graduate students and early career researchers are encouraged to submit. Possible topics might include:
The 2017 Independent Publishing Conference will run from Thursday 16 to Saturday 18 November at the Wheeler Centre, Melbourne. Academic panels will be held on Thursday 16 November.
We invite proposals by Thursday 29 June 2017. Proposals should contain an abstract of 200 to 300 words. Please include your paper title, institutional affiliation, bio-note, contact details, and any social media handles in the abstract. Submissions and enquiries should be sent to Millicent Weber (email@example.com).
11-14 July 2017, Melbourne
The 2017 ASAL conference will ask its presenters to continue to think about Australian literature at home and in the world following on from recent conferences highlighting the worlding of Australian literature, the centrality of indigenous literature, and the changing imperatives and pressures in the teaching of Australian literature in Australia and beyond. This conference asks contributors to look inwards and outwards: examining the continuing fascination with place, context and locality in the face of the global.
One of the highest concentrations of Australian Studies centres in the world is in China. This conference invites Chinese and Australian scholars of Australian literature to come together with other international scholars of Australian literature to examine the teaching and study of Australian literature in the context of this transnational interest.
Offers for single 20 minute papers considering any and all aspects of ‘Australian’ literature broadly conceived are welcomed. Conference themes include:
Please submit the following to ASSC.Research@latrobe.edu.au with subject heading “ASAL Conference”:
1) Title of Paper
2) 250 word abstract
3) Name, position, organisation and brief biography (100 words maximum).
Extended deadline for abstracts: 28 February 2017
Extended deadline PDF available here
A PDF flyer is available here
10 November 2017, State Library of Queensland, Brisbane
“All artistic work... involves the joint activity of a number, often a large number, of people…. The work always shows signs of that cooperation” - Howard S. Becker, Art Worlds.
Popular fiction is one of the most dynamic cultural and commercial divisions of twenty-first century publishing. Internally, it is organised along the lines of genres, creating what we call ‘genre worlds.’ This conference will consider the ways that contemporary genre worlds function as sectors of the publishing industry, as social and cultural formations, and as bodies of texts. Who is publishing popular fiction? Who is reading it? How do genre communities form, and how do texts circulate within them? How are terms like popular fiction, genre fiction, commercial fiction and trade publishing used, and what do they suggest about the way that popular fiction is conceived of and valued, by the industry and academy alike?
We invite abstracts for presentations on aspects of Australian and international popular fiction genres, industries, markets and communities. Submissions are welcome from scholars across the humanities and social science disciplines, including those working in cultural studies, publishing studies, sociology, cultural economics, literary studies and creative writing. Possible topics include:
Plans for publications arising from the conference include a special issue of Australian Literary Studies. To be considered for inclusion, full papers of between 5,000 and 10,000 words will be due by 9 December 2017.
200-300 word abstracts should be sent to Kim Wilkins (firstname.lastname@example.org) at the School of Communication & Arts, University of Queensland, by 21 April 2017.
Academic Conference in association with GenreCon.
Convenors: Dr Kim Wilkins, Dr Beth Driscoll, and Dr Lisa Fletcher
Wed 16 - Fri 18 January 2018, University of Barcelona
Europe is uncomfortably enmeshed in what is commonly perceived as a fight for social, political and cultural survival in the face of the increasing international circulation of capital and labour, the postcolonial aftermath of Empire and the growing, transnational impact of climate change—in short, the multifarious expressions of unstoppable globalisation. What started as a pragmatic need to control and eliminate continental conflict and an idealistic intent to preserve the gains of the welfare state in democratic Europe after the Second World War, has, after half a century of attempted and effectual integration, run up against its real and imagined limits.
Bearing in mind the above context, this conference aims to explore the following questions:
Due to the cross-disciplinary character of this Conference we shall consider papers on topics relating to any branch of Australian and European Studies inasmuch they inform each other and overlap, including History, Literature, Culture, Film Studies, Cultural Anthropology, Media Studies, Architecture, Geography, Spatial Studies, Environment, Political Science, Indigenous Studies, Gender Studies, Gerontology, Linguistics, Translation Studies, Education, Sociology, Art History, Religion, Philosophy. We welcome proposals for papers and panels that address but are not restricted to the following topics:
Please send your 250-word abstracts for 20 minute papers and 100-word bio notes (email@example.com) by 1 June 2017. We do encourage panel proposals, which should be accompanied by a 100-word overall abstract in addition to the 250-word abstracts for a panel’s individual papers. Notification of acceptance/rejection of abstracts will be sent by 1 July 2017. All accepted participants will be expected to become members of the EASA as a precondition to presenting their papers.
Details of EASA membership are available on the association’s website at this address: http://www.easa-australianstudies.net/easa/office. A call for full-academic-length papers derived from conference presentations will be issued after the conference for publication in the Association’s online journal JEASA (http://www.easaaustralianstudies.net/ejournal/call).
A conference website is under construction; full details on registration etc. are to be made public shortly.
A PDF flyer is available here
Emergent research into happiness is still largely situated in fields such as sociology, psychology, and neuroscience. Traditionally the uncontested domain of the Humanities, the question of “How should we live?” is too rarely approached in contemporary literary and cultural studies. Indeed, even in a thriving field such as affect studies, research still largely focuses on negative emotions, ugly feelings (Ngai), shame (Probyn), paranoia (Sedgwick), failure (Halberstam), and the cruelty of optimism (Berlant). But perhaps the critical tide is turning. Scholars are beginning to theorise the end of our well-rehearsed “hermeneutics of suspicion,” and conjecturing what comes after (Felski). They are mapping the potential path for a “eudaimonic criticism” (Pawelski & Moore) and an “ethics of hope” (Braidotti), looking towards a more positive future (Muñoz). Critical and historical studies on empathy (Meghan; Keen), joy (Potkay) and happiness itself (Ahmed) are also emerging.
Inspired by the growing body of scholarship on optimistic representations of gender, sexuality, and queerness, Writing from Below enters the fray with this invitation to explore and interrogate positive, successful, fulfilling, life-affirming expressions of gender and sexuality in contemporary or historical literature, culture, and society.
Papers could engage with (but are not limited to):
Gender studies and queer theory are located across and between disciplines, and so we welcome submissions from across (and outside of, against and up against) the full cross-/inter/-trans-disciplinary spectrum, and from inside and outside of conventional academia. Do not be limited. Be brave. Play with form, style, and genre. Invent, demolish, reimagine.
The deadline for submissions is 29 May 2017.
Written submissions, whether critical or creative, should be between 3,000 and 6,000 words in length, and should adhere strictly to the 16th edition of the Chicago Manual of Style. All submissions—critical, creative, and those falling in between; no matter the format or medium—will be subject to a process of double-blind peer review. For more information, please contact our guest editor, Dr Juliane Roemhild (J.Roemhild@latrobe.edu.au).
Thursday 20 April - Friday 21 April, 2017, University of Newcastle, NSW.
The Internet has changed the production and mediation of Australian literature: books are often sold online as ebooks or through e-retailers, such as The Book Depository, and discourse about Australian literature is increasingly digital, whether in the form of online reviewing sites, such as The Sydney Review of Books, customer reviews on Amazon, or discussions on social reading sites like Goodreads. Simone Murray has termed this the ‘digital literary sphere’ (2015), and demonstrated how such discourse alters the way that books are read and perceived.
Rather than focusing on purely technological changes, such as the rise of ebooks and social reading sites, this mini-conference also seeks to understand how the internet has altered literary aesthetics. Recent scholarship—such as Sianne Ngai’s Our Aesthetic Categories (2012), Bruce Stirling’s ‘An Essay on the New Aesthetic’ (2012), and Florian Cramer’s ‘What Is “Post-Digital”?’ (2013)—has demonstrated how digital technology has produced a unique aesthetics that has been re-incorporated into non-digital media.
We invite participants to consider these and other aspects of the relationship between Australian literature and the internet. Possible Topics:
We welcome submissions of both individual papers and complete panels on relevant topics. Abstracts of 250-words are due by 15 February 2017, and should be sent to Keri Glastonbury (firstname.lastname@example.org.) Extended deadline is 15 February 2017.
Dr Keri Glastonbury (email@example.com)
Dr Emmett Stinson (firstname.lastname@example.org)
Adam Aitken One Hundred Letters Home (Vagabond)
Steven Amsterdam The Easy Way Out (Hachette)
Georgia Blain Between a Wolf and a Dog (Scribe)
Peter Boyle, Ghostspeaking (Vagabond)
Michelle Cahill Letters to Pessoa (Giramondo)
Tina Giannoukos Bull Days (Arcadia)
Dennis Haskell Ahead of Us (Fremantle)
Fiona McFarlane The High Places (Penguin/Hamish Hamilton)
Zoe Morrison Music and Freedom (Vintage)
Sean Rabin Wood Green (Giramondo)
Heather Rose The Museum of Modern Love (Allen & Unwin)
Rajith Savandasa, Ruins (Hachette)
Deadline extended to 1 May 2017.
The crime novel has proven to be fertile ground for the critical treatment of all sorts of social issues (ref). Covering the grey, liminal area between the legal and illegal, the socially and morally acceptable and unacceptable, the genre has proven an apt tool to question uneven socio-political realities and reflect on their accompanying relations of power. Class, race and gender have been successfully addressed in what has become the social novel of the 21st century (cf. crime novelist Dennis Lehane, Estudios Irlandeses/Irish Studies : 110), and new areas such as ecology have also become the object of writerly interest. The Australian law scholar Justin Dabner (James Cook U) writes that multiculturality and the environment are the two major issues Australian society has to come to terms with in the new millennium (Coolabah 19, Dec 2016) and the latest International Australian Studies Association conference (Reimagining Australia, Perth Dec 2016) insisted on the strategic alliances between ethnicity and the environment, with special mention of Australian Indigeneity. With this volume, we would like to contribute to the forging of an inclusionary environmentalist agenda in Australia.
From the springboard of our state-funded postcolonial crime fiction project POCRIF at the University of Barcelona, we aim for a volume of essays to be published in the Peter Lang Australian Studies: Interdisciplinary Perspectives series, whose editors have confirmed their interest in our proposal. The volume will investigate the interface of crime fiction, environment and ethnicity as a specifically Australian concern, reflecting on the continent’s fragile habitat and the way it has been affected and damaged by the globalisation of the capitalist production mode and its concomitant flows of capital, labour/people, raw materials and manufactured goods since early colonial times. For more than 200 years of Western colonisation, Australia’s ecological balance has been severely undermined by harmful, exploitative forms of Western land management in agriculture, city planning, mining etc., in which the white mainstream has used the nation-state’s legislative and executive powers to secure almost exclusive, long-standing access to vital resources, not only barring the Aborigines but also other nonwhite minorities, the so-called New Settlers. We aim to analyse to what extent Australian crime fiction has engaged with the eco-crime scenario and if so, in assimilative or subversive ways. Contributions will address mainstream and non-mainstream crime fiction in Australian settings that engages with this theme in the broadest sense possible.
Please send 250-word proposals for articles up to 8,000 word articles including an abstract, five keywords and a bibliography to Martin Renes (email@example.com) and Bill Phillips (firstname.lastname@example.org) by 1 May 2017. Confirmation of acceptance will be sent out within a month after this deadline, and draft versions of papers will be due by 1 September 2017.
JEASA - The Journal of the European Association for Studies of Australia invites you to submit original articles for the new issue in 2017. This issue has no specific theme so we welcome articles presenting any topic that falls within Australian studies, including History, Literature, Culture, Film Studies, Cultural Anthropology, Media Studies, Architecture, Geography, Spatial Studies, Environment, Political Science, Indigenous Studies, Gender Studies, Linguistics, Translation Studies, Education, Sociology, Art History, Religion, Philosophy, Music, etc. All submitted articles will be peer reviewed.
Please submit your proposals by 1 April, 2017 to the JEASA general editor, Dr. Martina Horakova (email@example.com)
Please remove your name and any indications of your authorship from the text and write your name, affiliation, and a 150-word bio in a separate document. Submissions must follow these guidelines: Articles should be between 5,000-8,000 words long, Times New Roman, 12 point font, single spaced. The title should be followed by abstract and 5-6 keywords. In-text references and bibliography must follow the latest MLA style of documenting sources. Articles written by nonnative speakers must be proofread by a native English speaker prior to submission. A detailed style sheet is available at the journal’s website: http://www.easa-australianstudies.net/ejournal
17-19 July, Griffith University, Gold Coast Campus
Literary Environments is concerned with the different environments in which literature can occur, and our methods of translating between them. At this critical juncture in the Anthropocene, planetary responsibility and situated knowledges need to be entwined in propositions for social and environmental justice. Bodies, texts and artworks are converging in old and new forms of politics and earthly accountabilities. The task of translation between these increasingly interconnected modes of existence is a crucial one: life in all of its manifestations – from DNA to forests – has textual qualities. What does it mean to ‘read’ such a staggering variety of data?
We welcome proposals for individual papers and panels addressing any aspect of literature and the environment, including:
While this conference is primarily concerned with literature, we envisage it as a multi-disciplinary event. We invite papers on any aspect of the environmental humanities, from environmental history to environmental philosophy. We also welcome papers addressing literary environments that are not ecological in orientation, such as studies of literary spaces, communities, and so on. We welcome proposals for 20-minute papers and panels comprising 3 papers.
Please submit an abstract of 200 words (maximum) and a brief bio as PDF documents to the following email address by 15 March 2017:
Accepted papers will be announced by 1 April 2017. Selected papers from the conference will be published in a special issue of a peer-reviewed journal. For inquiries about the conference, please email one of the conference convenors:
Dr Stuart Cooke (firstname.lastname@example.org)
Dr Peter Denney (email@example.com)
4-7 July, 2018, Australian National University, Canberra
An interface describes a surface or plane that lies between or joins two points in space, but it also refers to ‘a means or place of interaction between two systems’ and ‘an apparatus designed to connect two scientific instruments so that they can be operated jointly’ (OED).
This convention will bring together scholars working across the broad field of literary studies to discuss the literary as an interface between different forms of knowledge and processes of knowledge formation, looking at questions of how and through what means the literary is communicated, represented, negotiated, and remade. By placing the concept of the literary centre-stage while at the same time interrogating its role as an interface, we wish to open up for discussion questions about the role, dynamism, and value of the literary in a time of institutional change and ongoing disciplinary formation. We would also like to debate the role of the literary text - and literary studies as a discipline - as a site of encounter between diverse languages and potentially alien modes of reading and writing. Confirmed keynotes include Rey Chow and Lauren Goodlad.
We invite papers and panel proposals, including but not limited to the following topics:
Abstracts due 1 July, 2017. Please send abstracts of 150 words and biographical notes of 100 words to Julieanne Lamond (firstname.lastname@example.org).
The 2016 Shortlist (and winner) for best book published in Australian which deals with any aspect of Australian life, in 2015, is now public:
Jones, Gail. A Guide to Berlin. * Winner
Niall, Brenda. Mannix.
Harding, Leslie and Morgan, Kendrah. Modern Love.
Collins, Christie. The End of Seeing.
Kinsella, John. Crow’s Breath.
Winton, Tim. Island Home.
The Colin Roderick Award is dedicated to the memory of Professor Colin Roderick (1911 - 2000), founder of the Foundation for Australian Literary Studies based at James Cook University. Professor Roderick was a writer, editor, academic and educator. This year marks the 50th Anniversary of the Foundation, commemorated with a town-hall style symposium at James Cook University in which Professors Carole Ferrier and Leigh Dale, as well as Associate Professor Katherine Bode and writers Sarah Holland-Batt and Ariella Van Luyn addressed issue of the Stella Count and the profile of women writers in Australia.
The Award, commenced in 1967 as $500 prize (generous for its day) is now worth $20,000. Coupled with the silver H.T. Priestley Medal it recognises the best original book of the previous year. In 2016, the judges read over 150 entries submitted from publishers across Australia, in the areas of history, fiction, literary journalism, poetry, biography and memoir, politics, and more.
Publications entered for the Award may be in any field of Australian writing, whether verse or prose, but must be published in Australia (they may be printed elsewhere) and deal with an aspect of Australian life.
For further details please see: jcu.edu.au/fals
ASALvets will be meeting again on Kangaroo Island, from 3-7th April, 2017. We will fit our papers around trips to various important places, such as wineries and restaurants. Chris Carter will be arranging our accommodation and tours.
General enquiries to Susan Lever (email@example.com). Proposals for papers should be sent to Sue Sheridan (firstname.lastname@example.org).
Papers and presentations are welcome on any subject, but you may like to consider something related to the area. Kangaroo Island is the setting for several nineteenth and twentieth-century novels, and its literary associations include the fact that Patrick White and Manoly Lascaris spent several summer holidays at American River with Geoffrey Dutton and his family. If you consider Kangaroo Island as part of the Southern Ocean coast, literary links could extend to novels of the Coorong and the Murray mouth (like Lucy Treloar’s recent Salt Creek, Colin Thiele’s Storm Boy, Nancy Cato’s All the Rivers Run). Other places with literary associations are David Unaipon’s birthplace, Raukkan (Point McLeay), Robe (Adam Lindsay Gordon’s residence for a while), Mount Gambier (where Catherine Martin grew up) and, nearer to Adelaide, Encounter Bay, Victor Harbour and Goolwa.
10am – 12 noon, 7 – 24 February, 2017, Level 5, 141 Harrington Street, Sydney.
One two hour seminar each week for four weeks on Tuesday 7, 14, and 21 February and Friday 24 February, 2017 from 10am – 12 noon. With his characteristic capacity to engage and draw forth the best from the participants Michael will unveil the depth and insights of Francis Webb – the subject of his Doctorate. Webb has been acclaimed by Sir Herbert Read as being “One of the greatest poets of our time … one of the must unjustly neglected poets of the century.”
Michael is Associate Professor in Literature at Australian Catholic University, has a special interest in the relationship between the Sacred in Literature and the Arts, has co-curated a number of recent conferences: Writing the Sacred (2102), Addressing the Sacred (2013) and Grounding the Sacred (2015). On 6 July 2017 at the ACU Strathfield campus Michael is hosting an event: Awakening the Sacred with Fr Lawrence Freeman, Rachael Kohn and Professors David Tacey and Sasha Grishin. Please assist us by registering before classes commence.
Please see www.aquinas-academy.com for further details.
For more information please email: email@example.com
7 July 2016, Shanghai Jiaotong University
A proposal has arisen from discussions with Professor Peng Qinglong of Shanghai Jiaotong University to hold a one-day symposium/workshop on 7 July to discuss work in cultural/media studies in China and Australia and the potential for building stronger relations and collaboration between researchers in the two countries. At present there is little contact between Chinese cultural/media studies scholars and Chinese Australian Studies scholars, and there is an enormous amount of potential for putting Australian cultural/media studies scholars in closer contact with their Chinese counterparts. One proposal to be discussed is the establishment of a Sino-Australian Cultural Studies Association.
Professor Peng is keen to involve Australian scholars and researchers in the event and he has approval from his university and funds to cover accommodation and local costs. It is not likely to have formal papers but rather reports on current work and brainstorming about the potential of such an Association. Those attending would also have the possibility of attending the Chinese Australian Studies Association conference which is taking place in Beijing, at Peking University, immediately afterwards, 8-10 July. Please see the website for details: http://pkuasc.fasic.org.au/2016-australian-studies-conference-pku/.
If you’re interested in attending the event, or interested in following developments but unable to attend this particular event, please contact David Carter (firstname.lastname@example.org).
Have you ever wondered what to do with all of those Australian journals on your bookshelf?
ASAL aims to reach out to Chinese scholars by helping to establish or consolidate print-based research collections, particularly journals and magazines such as Australian Literary Studies, Journal of Australian Studies, Meanjin, Southerly, Quadrant etc.
If you have runs of these journals and magazines that you wish to donate to a Chinese Australian Studies Centre, please contact ASAL Treasurer, Roger Osborne (email@example.com), who will arrange for their collection and distribution.
AustLit collects information about the teaching of Australian literature texts at universities and tertiary institutions around Australia and internationally, and links to this information from the work and author records.
At a glance, AustLit tells you:
So, if you’re teaching Australian texts in your university class, please send AustLit the: