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Issue Details: First known date: 2014... 2014 The First Features : The Cars That Ate Paris
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Notes

  • Interview conducted in 1973

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Peter Weir : Interviews John C. Tibbetts. (editor), Jackson : University Press of Mississippi , 2014 7783839 2014 anthology interview

    'Peter Weir: Interviews is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. He talks about "the precious desperation of the art, the madness, the willingness to experiment" in all his films; the adaptation process from novel to film, when he tells a scriptwriter, "I'm going to eat your script; it's going to be part of my blood!"; and his self-assessment as "merely a jester, with cap and bells, going from court to court." He is encouraged, even provoked to tell his own story, from his childhood in a Sydney suburb in the 1950s, to his apprenticeship in the Australian television industry in the 1960s, his preparations to shoot his first features in the early 1970s, his international celebrity in Australia and Hollywood. An extensive new interview details his current plans for a new film.

    'Interviews discuss Weir's diverse and impressive range of work–his earlier films Picnic at Hanging Rock, The Last Wave, Gallipoli, and The Year of Living Dangerously, as well as Academy Award-nominated Witness, Dead Poets Society, Green Card, The Truman Show, and Master and Commander. This book confirms that the trajectory of Weir's life and work parallels and embodies Australia's own quest to define and express a historical and cultural identity.' (Publication summary)

    Jackson : University Press of Mississippi , 2014
    pg. 70-78
Last amended 5 Sep 2014 07:41:31
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