AustLit logo

AustLit

Issue Details: First known date: 2014... 2014 Speaking Geographies : Collaboration Over Distance
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Palimpsestuous Voices : Difference, Distance, and Collaboration in 'Speaking Geographies' and 'Speedfactory Siobhan Hodge , Rosalind McFarlane , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
'How do multiple poets speak at once, and what purpose can it serve? Poetry collaborations can involve sophisticated layerings of voice and impositions of meaning, depending on the intentions of the poets involved. In this article, a theory of ‘palimpsestuous’ poetic voices will be substantiated in the case of poetry collections where these voices fluctuate and come together to selectively promote certain ideas or issues. Two poetry collaborations—Speedfactory by Bernard Cohen, John Kinsella, McKenzie Wark, and Terri-ann White, and Speaking Geographies, an on-going poetry project by this article’s authors Siobhan Hodge and Rosalind McFarlane—will be examined in detail. In the case of these two collections, environmentalist concerns are particularly highlighted by their engagements with poetic voices. As this article will demonstrate, collaborations offer poets unique opportunities to set up contrasts between the personal and the communal, coming together with great effect to promote or condemn issues or values.' (Publication summary)
Palimpsestuous Voices : Difference, Distance, and Collaboration in 'Speaking Geographies' and 'Speedfactory Siobhan Hodge , Rosalind McFarlane , 2016 single work criticism
— Appears in: Axon : Creative Explorations , vol. 6 no. 1 2016;
'How do multiple poets speak at once, and what purpose can it serve? Poetry collaborations can involve sophisticated layerings of voice and impositions of meaning, depending on the intentions of the poets involved. In this article, a theory of ‘palimpsestuous’ poetic voices will be substantiated in the case of poetry collections where these voices fluctuate and come together to selectively promote certain ideas or issues. Two poetry collaborations—Speedfactory by Bernard Cohen, John Kinsella, McKenzie Wark, and Terri-ann White, and Speaking Geographies, an on-going poetry project by this article’s authors Siobhan Hodge and Rosalind McFarlane—will be examined in detail. In the case of these two collections, environmentalist concerns are particularly highlighted by their engagements with poetic voices. As this article will demonstrate, collaborations offer poets unique opportunities to set up contrasts between the personal and the communal, coming together with great effect to promote or condemn issues or values.' (Publication summary)
Last amended 8 Aug 2014 08:48:10
http://cordite.org.au/essays/speaking-geographies/ Speaking Geographies : Collaboration Over Distancesmall AustLit logo Cordite Poetry Review
Newspapers:
    Powered by Trove
    X