Previously named Western Australian Emerging Writers Award.
'Homecoming pieces together fragments of stories about four generations of Noongar women and explores how they navigated the changing landscapes of colonisation, protectionism, and assimilation to hold their families together.
'This seminal collection of poetry, prose and historical colonial archives, tells First Nations truths of unending love for children—those that were present, those taken, those hidden and those that ultimately stood in the light.
'Homecoming speaks to the intergenerational dialogue about Country, kin and culture. This elegant and extraordinary form of restorative story work amplifies Aboriginal women’s voices, and enables four generations of women to speak for themselves. This sublime debut highlights the tenacity of family as well as First Nation’s agency to resist, survive and renew.
'Elfie Shiosaki has restored humanity and power to her family in this beautifully articulated collection and has given voice to those silenced by our brutal past.' (Publication summary)
'When writer Rebecca Giggs encountered a humpback whale stranded on her local beachfront in Australia, she began to wonder how the lives of whales shed light on the condition of our seas. Fathoms: The World in the Whale blends natural history, philosophy, and science to explore: How do whales experience ecological change? Will our connection to these storied animals be transformed by technology? What can observing whales teach us about the complexity, splendour, and fragility of life? In Fathoms, we learn about whales so rare they have never been named, whale songs that sweep across hemispheres in annual waves of popularity, and whales that have modified the chemical composition of our planet’s atmosphere. We travel to Japan to board the ships that hunt whales and delve into the deepest seas to discover the plastic pollution now pervading the whale’s undersea environment.
'In the spirit of Rachel Carson and Rebecca Solnit, Giggs gives us a vivid exploration of the natural world even as she addresses what it means to write about nature at a time of environmental crisis. ' (Publication summary)
'In a small town, everyone thinks they know you: Charlie is a hardcore rocker, who's not as tough as he looks. Hammer is a footy jock with big AFL dreams, and an even bigger ego. Zeke is a shy over-achiever, never macho enough for his family. But all three boys hide who they really are. When the truth is revealed, will it set them free or blow them apart?'
Source: Publisher's blurb.
"This deeply personal book is also an important historical record. Written from the heart and covering a period of time working on Christmas Island with asylum seekers until her return to Australia with an urgency to bear witness, Pettitt-Schipp's steady eye is levelled at a facade of Australian inclusivity and openness "this land's edge /has always been an invitation/a white-toothed smile/ to walk on". To those denied entry, those white teeth become menace, exclusion, shark, crocodile. In a book filled with heart-breakingly tender portraits, borders and bodies, sanctions and sanctuary are held close to each other in ways which articulate the space but also, the common ground between "us"."--Amanda Joy **"These beautiful Christmas Island poems capture both the despair of asylum seekers imprisoned by rock and sea and their ancient will to continue."--Gillian Triggs (Series: UWAP Poetry) [Subject: Poetry]' (Publication summary)
'A heart-warming debut about finding out what love and life is all about.
'At seven years old, Millie Bird realises that everything is dying around her. She wasn't to know that after she had recorded twenty-seven assorted creatures in her Book of Dead Things her dad would be a Dead Thing, too.
'Agatha Pantha is eighty-two and has not left her house since her husband died. She sits behind her front window, hidden by the curtains and ivy, and shouts at passers-by, roaring her anger at complete strangers. Until the day Agatha spies a young girl across the street.
'Karl the Touch Typist is eighty-seven when his son kisses him on the cheek before leaving him at the nursing home. As he watches his son leave, Karl has a moment of clarity. He escapes the home and takes off in search of something different.
'Three lost people needing to be found. But they don't know it yet. Millie, Agatha and Karl are about to break the rules and discover what living is all about.' (Publication summary)