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Mark Isaacs Mark Isaacs i(7610440 works by)
Gender: Male
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Works By

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1 If This Is a Man i "You who live in the land of plenty", Mark Isaacs , 2016 single work poetry
— Appears in: Writing to the Wire 2016; (p. 104)
1 3 y separately published work icon The Undesirables : Inside Nauru Mark Isaacs , Melbourne : Hardie Grant Books , 2014 7610447 2014 single work autobiography

''How long will we be here?' one man asked.

'Nobody could answer him. Nobody knew. The intention was clear: this was the No Advantage policy. Take them to a distant island, lock them away, punish them, forget about them. Criminals were given a sentence to serve; these men were not even given that. Lost hope ebbed out of the men in uncontrollable sobs and tears.

'Queue jumper, boat person, illegals. Asylum seekers are contentious front-page news but obtaining information about Australia’s regional processing centres is increasingly difficult. We learn only what the government wants us to know.

'Mark Isaacs worked for the Salvation Army inside the Nauru Detention Centre soon after it re-opened in 2012. He provided humanitarian aid to the men interned in the camp. What he saw there moved him to speak out.

'The Undesirables chronicles his time on Nauru detailing daily life and the stories of the men held there; the self-harm, suicide attempts, and riots; the rare moments of joy; the moments of deep despair.

'Mark's eyewitness account humanises a political debate usually ruled by misleading rhetoric.' (Publication summary)

1 [Essay] Just Macbeth! Mark Isaacs , 2013 single work criticism
— Appears in: Reading Australia 2013-;

'Just Macbeth! is Shakespeare like I’ve never read him before. It’s raucous and disgusting, immature and absurd. Kings sing karaoke, there is a time-travel potion made from dog saliva, and children plot regicide for Wizz Fizz rewards. What makes Shakespeare’s collection of works timeless is its ability to be reinterpreted across mediums, regardless of era, culture or language. Macbeth is no different, having been famously reworked countless times. But never have I read the script adapted for a younger audience to include fart jokes and bedwetting. Many Australians may have never read anything written by Shakespeare, let alone seen one of his plays. This book aims to persuade children that they should. While it could easily be seen as cringe-worthy toilet humour, there is a method to the madness (note the Hamlet reference) of Just Macbeth!. Andy Griffiths and Terry Denton’s interpretation manages to disguise learning as a good time. A really good time.' (Introduction)

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