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Issue Details: First known date: 2014... 2014 Dark Emu : Black Seeds : Agriculture or Accident?
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AbstractHistoryArchive Description

'Dark Emu argues for a reconsideration of the 'hunter-gatherer' tag for pre-colonial Aboriginal Australians and attempts to rebut the colonial myths that have worked to justify dispossession. Accomplished author Bruce Pascoe provides compelling evidence from the diaries of early explorers that suggests that systems of food production and land management have been blatantly understated in modern retellings of early Aboriginal history, and that a new look at Australia’s past is required.'

Source: Publisher's website.

'Pascoe puts forward a compelling argument for a reconsideration of the hunter-gatherer label for pre-colonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing - behaviours inconsistent with the hunter-gatherer tag.'

Source: Back cover blurb. 




Dark Emu Stephen Page , Bangarra Dance Theatre , 2018 single work drama Indigenous story

'Compelling contemporary dance, soul-stirring soundscapes and uniquely Australian stories – Bangarra is a company at the peak of its powers. In superb form after the sold-out season of Bennelong, we return in 2018 with a major new dance work, Dark Emu

'Inspired by Bruce Pascoe’s award-winning book of the same name, Dark Emu explores the vital life force of flora and fauna in a series of dance stories directed by Stephen Page. With long-time Bangarra collaborators Steve Francis (music), Jacob Nash (sets) and Jennifer Irwin (costumes) bringing their impeccable aesthetic to the production, Dark Emu will satisfy your spirit and connect you to Country.' (Production summary)

Teaching Resources

Teaching Resources

This work has teaching resources.

Teachers' notes via publisher's website.


  • Dedication: to the Australians
  • Author's note: "If we look at the evidence presented to us by the explorers and explain to our children that Aboriginal people did build houses, did build dams, did sow, irrigate and till the land, did alter the course of rivers, did sew their clothes, and did construct a system of pan-continental government that generated peace and prosperity, then it is likely we will admire and love our land all the more." 

  • Index Page Note:

    Contains: Rock Engraving of Emu Dreaming Ku-ring-gai Chase National Park, New South Wales. Photograph by Barnaby Norris.

    'Baiame, the creator Spirit Emu, left the earth after its creation to reside as a dark shape in the Milky Way. The emu is inextricably linked with the wide grasslands of Australia, the landscape managed by Aboriginals. The fate of the emu, people and grain are locked in step because, for Aboriginal people, the economy and the spirit are inseparable. Europeans stare at the stars but Aboriginal people also see the spaces in between where the Spirit Emu resides.'

Publication Details of Only Known VersionEarliest 2 Known Versions of

Alternative title: Dark Emu
    • London,
      United Kingdom (UK),
      Western Europe, Europe,
      Scribe ,
      2018 .
      image of person or book cover 3268260640764871811.jpg
      Image courtesy of publisher's website.
      Extent: 288p.p.
      • Published 10 May 2018.
      ISBN: 9781911344780, 1911344781
Alternative title: L'Émeu dans la nuit. Australie aborigène et pratiques agricoles multiséculaires
Language: French
    • Paris,
      Western Europe, Europe,
      Editions Petra ,
      2022 .
      image of person or book cover 8587896622783980687.jpg
      Image courtesy of publisher's website.
      Extent: 254p.p.
      • Published 3 October 2022.
      ISBN: 9782847432954

Other Formats

  • Sound recording.
  • Large print.
  • Dyslexic edition.

Works about this Work

Black Seed Dreaming : A Material Analysis of Bruce Pascoe’s “Dark Emu” Barbara Glowczewski , 2022 single work criticism
— Appears in: Etropic , vol. 21 no. 2 2022; (p. 77-94)

'Indigenous Australians are outstanding for the way their ontologies and practices do not rely on a Western dichotomy that opposes material and spiritual realms. Their multiple totemic visions of the Dreaming space-time always state a material actualisation in landscape and the reproduction of all forms of life based on the pluriversal agency of animals, plants, minerals, rain, wind, fire and stars. Such cosmovisions resonate with current debates in the fields of critical posthumanism and new materialism through an Animist materialism. Indeed, Indigenous Australian’s complex social practices offer ways of thinking and being for the whole planet in this time of climate crisis. This is particularly crucial for the tropical world which is so strongly impacted by climate change. Indigenous Australian cosmovisions offer to tropical studies a way of thinking politically about climate and the materiality of life. Thus, Tropical Materialisms are enhanced by the vast body of Indigenous experiences and creative productions in and beyond the tropics. The material analysis of the Aboriginal author Bruce Pascoe’s Dark Emu, demonstrates how the book dared to challenge the Western written history, and to show a new relationality of being of humans with the more-than-human world.'(Publication summary)

‘Creative Histories’ and the Australian Context Kiera Lindsey , 2022 single work criticism
— Appears in: History Australia , vol. 19 no. 2 2022; (p. 325-346)
'This article brings together a group of history practitioners who, prompted by their experiences of creative approaches to the theory and practice of history, are exploring how the term ‘Creative Histories’ might apply within the Australian context. While the term and practice of Creative Histories has gained international currency in recent years, little has been done to consider its development and relevance in Australia. Here we develop a working definition for the term which has been shaped in conversation with Creative Historians at the University of Bristol and a suite of interviews conducted with 10 Australian ‘creative historians’ who have worked or still work within the academy, as well as four Indigenous artists, academics and activists who each employ creativity in the ways they ‘practice the past’. Together, these influences indicate that questions of purpose, poetics and politics go to the heart of Creative Histories in Australia and that a fuller understanding of both Creative Histories and the creative histories of Aboriginal practitioners will make a useful contribution to conversations concerned with decolonising the discipline in Australia.' (Publication abstract)
Tracking Dark Emu Henry Reynolds , 2021 single work essay
— Appears in: Meanjin Online 2021; Meanjin , Summer vol. 80 no. 4 2021;

'The Uluru Statement from the Heart of May 2017 was addressed to the people of Australia from 250 delegates ‘coming from all points of the southern sky’. While clearly a political manifesto, it embodied significant assertions about both history and law, declaring that the Aboriginal and Torres Strait Islander tribes were the ‘first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs’. This sovereignty, the statement continued, ‘has never been ceded or extinguished, and co-exists with the sovereignty of the Crown’. How could it be otherwise, the delegates asked, ‘that peoples possessed a land for 60 millennia and this sacred link disappears from world history in merely the last two hundred years?’'  (Introduction)

Becoming a Settler Descendant : Critical Engagements with Inherited Family Narratives of Indigeneity, Agriculture and Land in a (Post)Colonial Context Cameo Dalley , 2021 single work criticism
— Appears in: Life Writing , vol. 18 no. 3 2021; (p. 355-370)

'Using personal reflections from my experiences as a descendant of settlers, I undertake an autoethnographic interpretation of how my inherited family history of agriculture and memory structures my relationship to land. Agricultural identities have been foundational to the formation of the Australian nation and in the metamorphosis of settlers into settler descendants. Memories formed by settlers and inherited by their descendants as family stories become a consubstantive force in the determination of relationships to land. At the same time, I recognise how the dispossessory overtures of these sentiments continue the erasure of autochthonous Indigenous belonging by the colonial settler state. Thus, my work critically engages with how an autoethnographic approach to issues of settler colonial identity in the historical past might stifle or conversely open up critical engagement with ethical responsibility to Indigenous peoples in the political present. This analysis reflects on the broader society’s proclivity toward agricultural identities, borne out in the recent debates surrounding Indigenous author Bruce Pascoe's book. Dark Emu [Pascoe, Bruce. 2014. Dark Emu. Broome: Magabala Books monograph], which positions Indigenous people as Australia’s first agriculturalists. These trends follow scholarship that seeks to expose normative and racist beliefs about Indigenous others through attentiveness to troubled colonial history.' (Publication abstract)

Whitefella Magic : A Posthumanist Take on the Dark Emu Debate Stephen Muecke , 2021 single work essay
— Appears in: Overland [Online] , August 2021;

'The Sutton and Walshe book, Farmers or Hunter-Gatherers?, did not start the debate over Pascoe’s Dark Emu, but it has certainly escalated it to a broader public. Now there are numerous reviews, essays and opinions, from Geoffrey Blainey in The Australian (an ideological rant that even manages to drag in the Federal Labor leader for criticism) to Guy Rundle in Crikey (tying himself in rhetorical knots trying to defend Pascoe). It’s another battle in the culture wars, reminiscent of the one led by Keith Windschuttle on Aboriginal history twenty-odd years ago. Is that really what Sutton and Walshe wanted? Or do they just want to defend the pursuit of truth by the best possible means?' (Introduction)

Book Review: Dark Emu, Black Seeds: Agriculture or Accident? by Bruce Pascoe Lisa Hill , 2009 single work review
— Appears in: LisaHillSchoolStuff's Weblog 2009;

— Review of Dark Emu : Black Seeds : Agriculture or Accident? Bruce Pascoe , 2014 single work criticism
[Review Essay] Dark Emu, Black Seeds : Agriculture or Accident Michael Davis , 2014 single work review
— Appears in: Aboriginal History , December vol. 38 no. 2014; (p. 195-198)

— Review of Dark Emu : Black Seeds : Agriculture or Accident? Bruce Pascoe , 2014 single work criticism
[Review] Dark Emu Lily Hirsch , 2020 single work review
— Appears in: AQ : Australian Quarterly , January - March vol. 91 no. 1 2020; (p. 21)

— Review of Dark Emu : Black Seeds : Agriculture or Accident? Bruce Pascoe , 2014 single work criticism

'Reading Dark Emu is both a stimulating and uncomfortable experience. Stimulating because of the astonishing paradigm shift it heralds for our understanding of Australia's indigenous history. Uncomfortable because of the ignominy of our collective ignorance.' (introduction)

Indigenous Writer Bruce Pascoe : 'We Need Novels That Are True to the Land' Monica Tan , 2016 single work column
— Appears in: The Guardian Australia , 18 February 2016;
'The writer of mixed Indigenous heritage says rather than books about white or black people, Australia needs great novelists writing truthfully about the land.'
NSW Premier's Literary Awards Shortlist Indigenous and Climate Change Stories Linda Morris , 2016 single work column
— Appears in: Brisbane Times , 14 April 2016;
'Tony Birch has been many times a bridesmaid, but there is one literary prize he wouldn't mind losing – the new standalone prize for indigenous writers announced as part of the 2016 NSW Premier's Literary Awards' shortlist on Thursday. ...'
Indigenous Storytelling Has Always Been in Our Blood Susan Wyndham , 2016 single work column
— Appears in: The Sydney Morning Herald , 17 March 2016; (p. 2)
Pascoe’s History a ‘Vision of an Australia Yet to Be’ 2016 single work column
— Appears in: National Indigenous Times [Online] , 17 May 2016;

'Bunurong man, Aboriginal language guru and jack of all trades Bruce Pascoe has taken out one of the country’s most prestigious literary awards with his latest work, Dark Emu.'

'The Victorian writer won Book of the Year category and shared the inaugural Indigenous Prize at the NSW Premier’s Literary Awards announced at the State Library of NSW in Sydney last night.'

'Ellen van Neerven’s Heat and Light shared the indigenous award and $30,000 with Pascoe.'

Recognising Sovereignty: Bruce Pascoe’s Latest Book A Dark Horse To Lead Battle Over Unfinished Business Amy McQuire , 2016 single work interview
— Appears in: New Matilda 2004-;
'Amy McQuire interviews acclaimed First Nations author Bruce Pascoe, and asks the question why Australia has so readily embraced his book – Dark Emu – and its truths. Does it now mean they must embr ace the issue of sovereignty and treaty?'
Last amended 9 Dec 2022 09:33:43