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y separately published work icon Captured : The Animal within Culture anthology   criticism  
Issue Details: First known date: 2013... 2013 Captured : The Animal within Culture
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AbstractHistoryArchive Description

In 2008 a clip was posted on YouTube which became a worldwide sensation. The clip, known as the Christian the Lion reunion, showed an emotional reunion between two men and a lion. They had purchased the lion cub at Harrods in London, kept him as a pet, then rehomed him in Kenya on George Adamson's Kora Reserve. Key themes of the essays in Captured: the Animal within Culture are encapsulated in Christian's story: the implications of the physical and cultural capture of animals. As commodities trafficked for profit or spectacle, as subjects of scientific endeavour, the invisibility of animal capture and the suffering it invariably brings takes place in the context of a proliferation of representations of animals in all aspects of human culture. Leading scholars discuss films, novels, popular culture, performance and histories of animal capture and several of the essays provide compelling accounts of animal lives. [Publisher's abstract]

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the New York (City), New York (State),
c
United States of America (USA),
c
Americas,
:
Palgrave Macmillan , 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.
'Mrs Boss! We Gotta Get Those Fat Cheeky Bullocks into That Big Bloody Metal Ship!' : Live Export as Romantic Backdrop in Baz Luhrmann's 'Australia', Melissa Boyde , single work criticism (p. 60-74)
Albatrosses and Western Attitudes to Killing Wild Birds, Graham Barwell , single work criticism

Graham Barwell addresses the following questions in this essay: 'how did the albatross acquire the significance it has today for Westerners?; what has been the relationship between its cultural significance and their behaviour towards it?; are the ways it has been captured in writing and visual media likely to affect people's behaviour?' (p. 85). The examples Barwell provides range from fifteenth century European explorers' account to contemporary novels; the one Australian text discussed is Ian Irvine's The Last Albatross.

(p. 84-107)
The Dog and the Chameleon Poet, Anne Collett , single work criticism (p. 131-151)
Caught : Sentimental, Decorative Kangaroo Identities in Popular Culture, Peta Tait , single work criticism (p. 175-194)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 10 Mar 2014 09:12:45
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