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Issue Details: First known date: 2005... 2005 Eye Contact : Photographing Indigenous Australians
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AbstractHistoryArchive Description

'An indigenous reservation in the colony of Victoria, Australia, the Coranderrk Aboriginal Station was a major site of cross-cultural contact the mid-nineteenth century and early twentieth. Coranderrk was located just outside Melbourne, and from its opening in the 1860s the colonial government commissioned many photographs of its Aboriginal residents. The photographs taken at Coranderrk Station circulated across the western world; they were mounted in exhibition displays and classified among other ethnographic “data” within museum collections. The immense Coranderrk photographic archive is the subject of this detailed, richly illustrated examination of the role of visual imagery in the colonial project. Offering close readings of the photographs in the context of Australian history and nineteenth- and early-twentieth-century photographic practice, Jane Lydon reveals how western society came to understand Aboriginal people through these images. At the same time, she demonstrates that the photos were not solely a tool of colonial exploitation. The residents of Coranderrk had a sophisticated understanding of how they were portrayed, and they became adept at manipulating their representations.'

'Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission—from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.' (Source: Amazon website)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Language: English
    • Durham, North Carolina,
      c
      United States of America (USA),
      c
      Americas,
      :
      Duke University Press ,
      2005 .
      Extent: xxvi, 303p.
      Description: illus., maps and ports.
      Note/s:
      • First published January 25 2006
      ISBN: 082233559X (hbk), 0822335727 (pbk)

Works about this Work

[Review Essay] Eye Contact : Photographing Indigenous Australians David Jeffery , 2006 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2006; (p. 128-130)

'I begin this review with an admission. Not versed in the arcane language of postmodernist theory or any of its various offshoots, I found large slabs of this book beyond my powers of comprehension. Take the following: ‘In [Charles] Walter’s interest in the Aboriginal people of Victoria expressed through a visual language we see the circulation of mimesis and alterity as white fascination with Aboriginal mimicry is itself expressed mimetically when subject reaches out to embrace object’ (p.118). There is more of this sort of stuff peppered throughout the book. Much more. This is unfortunate. The book is obviously aimed at a select band of fellow travellers, but beneath the layers of jargon Jane Lydon reveals glimpses of a fascinating story.' [Review Essay] 

[Review Essay] Eye Contact : Photographing Indigenous Australians David Jeffery , 2006 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2006; (p. 128-130)

'I begin this review with an admission. Not versed in the arcane language of postmodernist theory or any of its various offshoots, I found large slabs of this book beyond my powers of comprehension. Take the following: ‘In [Charles] Walter’s interest in the Aboriginal people of Victoria expressed through a visual language we see the circulation of mimesis and alterity as white fascination with Aboriginal mimicry is itself expressed mimetically when subject reaches out to embrace object’ (p.118). There is more of this sort of stuff peppered throughout the book. Much more. This is unfortunate. The book is obviously aimed at a select band of fellow travellers, but beneath the layers of jargon Jane Lydon reveals glimpses of a fascinating story.' [Review Essay] 

Last amended 9 Apr 2014 08:20:45
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