AustLit logo
Issue Details: First known date: 2013... 2013 ‘Islands of Possibility’ : Film-Making, Cultural Practice, Political Action and the Decolonization of Tasmanian History
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

This article considers the potential of a decolonizing poetics, evident across Tasmanian Aboriginal arts and cultural works, to contribute to a distinctively Aboriginal film-making practice in Tasmania. The potency of this body of work, alongside the Aboriginal community’s vigorous political campaigns for cultural rights and land rights, has not translated into a distinctively Tasmanian Aboriginal film culture. Apart from several significant documentary films and photographic works that indicate the emergence of a powerful decolonizing poetics there are no fictional feature films by Tasmanian Aboriginal film-makers. Moreover recent feature films produced by non-Indigenous film-makers about Tasmania invoke the ‘Tasmanian Gothic’ trope, imagining an island without any Aboriginal presence. This article considers processes that contribute to decolonizing through the contemporary work of Tasmanian Aboriginal writers and artists, including Jim Everett, Julie Gough, Greg Lehman and photographer Ricky Maynard. I suggest their poetics are more than textual. They are grounded in country and community – linked to another realm beyond the ‘shallow’ time of colonization. Their decolonizing poetics are shared with Maori film-maker Barry Barclay’s ‘Fourth Cinema’, where the camera is firmly in Indigenous hands, based in community and cultural practices.' (Author's abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 27 Oct 2016 16:14:41
123-136 ‘Islands of Possibility’ : Film-Making, Cultural Practice, Political Action and the Decolonization of Tasmanian Historysmall AustLit logo Studies in Australasian Cinema
Subjects:
  • Tasmania,
Newspapers:
    Powered by Trove
    X