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Contemporary Cinema (2109HUM)
Semester 1 / 2010

Texts

form y separately published work icon Sadness : A Monologue William Yang , Tony Ayres , ( dir. Tony Ayres ) Lindfield : Film Australia , 1999 Z1000591 1999 single work film/TV (taught in 3 units) Based on photographer William Yang's one-man stage show, Sadness is a journey into the past and a heartbreaking testament to the significant traces people leave behind. Through the use of slides, oral history, and stylised recreations, Yang investigates the murder of his uncle Fang Yuen in the sugar cane fields of northern Queensland. Running alongside this narrative is a series of moving portraits of the many friends and lovers Yang has lost to AIDS. What emerges is a powerful requiem for the dead and a moving portrayal of the legacy that family and friends leave with the living.
form y separately published work icon From Sand to Celluloid Australian Film Commission. Indigenous Branch , Film Australia (publisher), SBS (publisher), 1996 Canberra Australia Lindfield : Australian Film Commission SBS Television Film Australia , 1996 Z1583394 1996 series - publisher film/TV (taught in 3 units)

An initiative of the Indigenous Branch of the Australian Film Commission (AFC), From Sand to Celluloid comprises six films that have been packaged and distributed by Australian Film Institute Distribution (AFID) and Film Australia. The initial conception for the series came from the Indigenous Drama Initiative, set in 1994 with the express intention of advancing the development and production of films created by Indigenous Australians and increasing their participation in all areas of the film and television industry. The first project initiated was the development and production of six ten-minute dramas for television. Expressions of interest were called for from Indigenous Australians nationally. The ten applicants chosen (from forty seven) attended a visual storytelling workshop held in Melbourne in 1995. The Initiative utilised the assistance of all the state film assistance agencies and a pre-sale from SBS with an agreement to broadcast on SBS in July 1996, as well as the full participation of Film Australia through its funding of one of the productions. Five projects were further selected to go into production, along with Sally Riley's film Fly Peewee Fly (produced by Film Australia), and were delivered to the AFC on 30 March, 1996. Indigenous Australians were employed in both cast and crew positions.

In order to encourage a wider recognition and appreciation of the work of Indigenous Australians, the AFC supported the national distribution and exhibition of the films through the Australian Film Institute Distribution (AFID). AFID distributed the films as a package under the title of From Sand to Celluloid and the films screened at twenty-four locations, from as far afield as Cooper Pedy in South Australia to Broome in Western Australia, and were attended by a total of approximately 7,200 people.

As a unified collection, the films offer more than a two-dimensional victim-oppressor approach. They challenge viewers at all levels: as fellow citizens, as parents, as observers, and as fellow members of Indigenous communities. From Sand to Celluloid challenges viewers with many uncomfortable aspects of Australia's too-recent history. These include the active discrimination practised against Indigenous people in public places such as swimming pools and cinemas in country towns around Australia and the 'stolen generation': children taken away without their parents' consent and placed into homes or in white foster homes, with devastating effect on them and their families. The series is an essential resource for Indigenous studies, Australian history film studies, English legal studies, human relationship courses, and social studies.

[Source: Australian Film Commission, http://www.afc.gov.au/archive/annrep/ar95_96/indig.html]

form y separately published work icon Beneath Clouds Ivan Sen , ( dir. Ivan Sen ) Sydney : Autumn Films , 2001 Z1440560 2001 single work film/TV (taught in 12 units) Blue eyed, fair skinned Lena is the daughter of an Aboriginal mother, living in a small country town. She longs for the romantic ideal of her absent father and his Irish heritage. When her home life feels set to implode, she hits the road with little money, a backpack and a photo of her dad. When Lena misses her bus to Sydney, she meets up with Vaughn, an Aboriginal teenager who has run away from a minimum-security prison in the desperate hope of reaching his ill mother. Vaughn is hardened by his anger at the world. Initially the two reluctant travelling companions are suspicious and wary of each other, but their journey, mostly by foot and the odd lift, builds an understanding between them. -- Libraries Australia
Central Station [film]!$!Selles, Walter dir.!$! !$!!$!1999
In the Mood for Love [film]!$!Wong, Kar-Wai dir.!$! !$!!$!2000
Eat Drink Man Woman [film]!$!Lee, Ang dir.!$! !$!!$!1994
Goodbye Lenin! [film]!$!Becker, Wolfgang dir.!$! !$!!$!2003
Germany Pale Mother [film]!$!Sanders-Brahms, Helma dir.!$! !$!!$!1980
Amelie [film]!$!Jeunet, Jean-Pierre dir.!$! !$!!$!2002
Molokai: The Story of Father Damian!$!Paul Cox dir.!$!, 2002!$!!$!
Innocence!$!Paul Cox dir.!$!, 2000!$!!$!
A Journey with Paul Cox!$!Gerrit Messiaen, Robert Visser dirs!$! , 1997!$!!$!
form y separately published work icon The Home Song Stories Tony Ayres , ( dir. Tony Ayres ) Australia : Big and Little Films Porchlight Films , 2007 Z1390692 2007 single work film/TV (taught in 4 units)

'This is the true story of Rose, a glamorous Shanghai nightclub singer, who struggles to survive in '70s Australia with two young children. Based on writer/director Tony Ayres' own life, The Home Song Stories is an epic tale of mothers and sons, mothers and daughters, unrequited love, secrets and betrayal.'

Source: Australian Film Commission. (Sighted: 8/10/2014)

Description

The course examines the recent trend towards transnationalism in global cinema. It looks at how various nations have attempted to compete and survive in the marketplace by appealing to international audiences while at the same time trying to preserve a sense of their own national identity. The course covers European, Asian and Latin cinemas.

Assessment

Weekly Worksheets 50%

Essay 50%

Other Details

Offered in: 2009
Current Campus: Nathan
Levels: Undergraduate
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