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'From multi-award-winning writer Helen Ennis comes the first ever biography of the photographer Max Dupain, the most influential Australian photographer of the 20th century and creator of many iconic images that have passed into our national imagination.
'Max Dupain (1911-1992) was a major cultural figure in Australia who was at the forefront of the visual arts in a career spanning more than fifty years. During this time he produced a number of images now regarded as iconic (The Sunbaker, Meat Queue, Form at Bondi, At Newport). He championed modern photography and a distinctive Australian approach.
'However, to date Dupain has been seen mostly in one-dimensional, limited and limiting terms - as exceptional, as super masculine, as an Australian hero. But this landmark biography approaches him as a complex and contradictory figure who, despite the apparent certitude of his photographic style, was filled with self-doubt and anxiety. Dupain was a Romantic and a rationalist and struggled with the intensity of his emotions and reactions. He wanted simplicity in his art and life but found it difficult to attain. He never wanted to be ordinary.
'Examining the sources of his creativity - literature, art, music - alongside his approach to masculinity, love, the body, war, and nature, Max Dupain: A Portrait reveals a driven artist, one whose relationship to his work has been described as 'ferocious' and 'painful to watch'. Photographer David Moore, a long-term friend, said he 'needed to photograph like he needed to breathe. It was part of him. It gave his drive and force in life.'' (Publication summary)
Notes
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Chosen as one of The Guardian Australia's 25 best Australian books of 2024.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Large print.
- Braille.
Works about this Work
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Three Worlds : A New Biography of Max Dupain
2025
single work
review
— Appears in: Australian Book Review , January-February no. 472 2025; (p. 67-68)
— Review of Max Dupain 2024 single work biography'Max Dupain’s photographs are well known to Australian audiences. The monumentally cast upper body of his friend Harold Savage, prostrate on the sand is, as Helen Ennis notes in her new biography of Dupain, the ‘most reproduced photograph in Australian history’. The Sunbaker’s ubiquity has seen it configured, well beyond Dupain’s intention, as ‘an ideal of Australian masculinity’. More recently, it is a photograph that has been restaged by artists as a form of creative and cultural critique.' (Introduction)
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A Different Kind of Australian Masculinity : The Fractured Life of Influential Photographer Max Dupain
2024
single work
review
— Appears in: The Conversation , 11 December 2024;
— Review of Max Dupain 2024 single work biography'Only when you take the dust jacket off this book is it revealed – printed around the hardback itself. The most famous photograph by Australia’s most famous photographer, the most iconic Australian image of the last century – Sunbaker, c. 1938.'
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Max Dupain : A Portrait by Helen Ennis Review – the Man Who Took Australia’s Most Famous Photo
2024
single work
review
— Appears in: The Guardian Australia , 8 November 2024;
— Review of Max Dupain 2024 single work biography'In this very readable and moving biography, the Sunbaker photographer comes across as someone who spoke against his myth – but also traded on it until the end'
-
Max Dupain : A Portrait by Helen Ennis Review – the Man Who Took Australia’s Most Famous Photo
2024
single work
review
— Appears in: The Guardian Australia , 8 November 2024;
— Review of Max Dupain 2024 single work biography'In this very readable and moving biography, the Sunbaker photographer comes across as someone who spoke against his myth – but also traded on it until the end'
-
A Different Kind of Australian Masculinity : The Fractured Life of Influential Photographer Max Dupain
2024
single work
review
— Appears in: The Conversation , 11 December 2024;
— Review of Max Dupain 2024 single work biography'Only when you take the dust jacket off this book is it revealed – printed around the hardback itself. The most famous photograph by Australia’s most famous photographer, the most iconic Australian image of the last century – Sunbaker, c. 1938.'
-
Three Worlds : A New Biography of Max Dupain
2025
single work
review
— Appears in: Australian Book Review , January-February no. 472 2025; (p. 67-68)
— Review of Max Dupain 2024 single work biography'Max Dupain’s photographs are well known to Australian audiences. The monumentally cast upper body of his friend Harold Savage, prostrate on the sand is, as Helen Ennis notes in her new biography of Dupain, the ‘most reproduced photograph in Australian history’. The Sunbaker’s ubiquity has seen it configured, well beyond Dupain’s intention, as ‘an ideal of Australian masculinity’. More recently, it is a photograph that has been restaged by artists as a form of creative and cultural critique.' (Introduction)